Heather L. Igloliorte | |
---|---|
Born | 1979 (age 43–44) |
Nationality | Inuit |
Education | BFA, NSCAD University; MA, Canadian Art History, Carleton University; Ph.D., Cultural Mediations, Carleton University |
Heather L. Igloliorte (born 1979) is an Inuk scholar, independent curator and art historian [1] from Nunatsiavut.
She was appointed inaugural Canada Excellence Research Chair in Decolonial and Transformational Indigenous Art Practices at the University of Victoria in 2023. [2] [3]
Between 2019 and 2023, she was an Associate Professor of Indigenous art history at Concordia University in Montreal, Quebec, [4] where she held the University Research Chair in Indigenous Circumpolar Arts. [5] Prior she was the Indigenous Art History and Community Engagement Research Chair at that university from 2016 to 2019. [6] She was a Scholar in Residence at the University of Winnipeg in summer 2020. [7]
Igloliorte was Co-Director of the Initiative for Indigenous Futures (IIF) Cluster at the Milieux Institute for Arts, Culture and Technology at Concordia University and was a special advisor to the university's provost on advancing Indigenous knowledges. [8]
She currently holds Board positions with the Native North American Art Studies Association, [9] the Inuit Art Foundation, [10] and was a board member of the Nunavut Film Development Corporation. Igloliorte has advised the Social Sciences and Humanities Research Council of Canada, the Federation for the Humanities and Social Sciences, the National Film Board of Canada and the Otsego Institute for Native American Art History at the Fenimore Art Museum in Cooperstown, New York.
Igloliorte was born in Happy Valley-Goose Bay in 1979. James Igloliorte, her father, served as a Judge with the Provincial Court of Newfoundland and Labrador, making him Labrador’s first Inuk judge and one of the few practicing Indigenous magistrates in all of Canada. [11]
Igloliorte obtained a Bachelor of Fine Arts from NSCAD University in 2003. She completed a Master of Arts in Canadian Art History at Carleton University in 2007 [12] and obtained a Ph.D. in Cultural Mediations at Carleton University's Institute for Comparative Studies in Literature, Art and Culture (ICSLAC) in 2013. [13]
Before becoming a scholar and an independent curator, Igloliorte was a practicing visual artist. Her work is held in various private and public collections, including the Senate of Canada. [14] She is the first Inuk art historian in Canada to hold a doctoral degree. [15]
Igloliorte's varied teaching and research interests primarily focus on historic and contemporary Inuit art in Canada and circumpolar art studies. A major objective of her academic praxis includes radically increasing Inuit participation in arts research and arts-based professional practice. [16] She is achieving this through leadership of an academic grant that aims to empower circumpolar Indigenous peoples to become leaders in the arts through training and mentorship. [17]
Her other interests include First Nations and Métis art in Canada; Native North American and global Indigenous arts; and Indigenous film, performance and new media practices.
She also researches Indigenous exhibition and collecting histories, curatorial theory and practice, along with the examination of decolonizing methodologies that include inquiries into colonization, survivance, sovereignty, resistance and resurgence. [4]
Igloliorte's earlier curatorial projects included: the online collaborative exhibition "Inuit Art Alive" (2008), sponsored by the Inuit Art Foundation; "Decolonize Me" (2011), which debuted at the Ottawa Art Gallery and toured throughout Canada; and the nationally touring "We Were So Far Away: The Inuit Experience of Residential Schools" (2012), [18] a Legacy of Hope Foundation project based on the oral histories of eight Inuit former students of the residential school system.
Her more recent curatorial projects include the "Land and Lifeways: Inuit Rights in the North" (2014) exhibit at the Canadian Museum for Human Rights; [19] the first, nationally touring exhibition of Labrador Inuit art entitled "SakKijâjuk: Art and Craft from Nunatsiavut" (2016) which debuted at The Rooms; [20] and "Ilippunga: The Brousseau Inuit Art Collection" (2016), a permanent exhibition at the Musée National des Beaux-Arts du Québec. She also co-curated "iNuit blanche" (2016), the world’s first all-circumpolar, one-night-only international arts festival held in St. John's, Newfoundland. [21] SakKijâjuk: Art and Craft from Nunatsiavut, which will tour until 2020, received an Outstanding Achievement Award from the Canadian Museums Association in 2017.
Her most current curatorial projects include "Among All These Tundras" (2018), a contemporary circumpolar art exhibition at Galerie Leonard & Bina Ellen at Concordia University and "Alootook Ipellie: Walking Both Sides of an Invisible Border" (2018), a retrospective exhibit held at the Carleton University Art Gallery. In 2018, Igloliorte was also appointed curatorial lead for the inaugural exhibition at the Inuit Art Centre at the Winnipeg Art Gallery. [22] INUA (2021) was the first exhibition of contemporary Inuit art at the Winnipeg Art Gallery's new dedicated space to Inuit art, which is named Qaumajuq. [23]
In 2019, she co-founded the GLAM Collective (short for Galleries, Libraries, Archives and Museums), which explores new methods to exhibit Indigenous art to the Canadian public. [24]
Igloliorte has co-edited several books concerning Indigenous art [25] and circumpolar cultural heritage. [26] She has also edited catalogues for her respective Decolonize Me (2011), [27] SakKijâjuk: Art and Craft from Nunatsiavut (2017) [28] and Ilippunga: The Brousseau Inuit Art Collection (2016) [29] exhibitions.
In 2018, her article Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum (2017) [30] was recognized with an Art Journal Award by the College Art Association. [31]
Her other publications include chapters and catalogue essays in Negotiations in a Vacant Lot: Studying the Visual in Canada (2014); [32] Manifestations: New Native Art Criticism (2012); [33] Changing Hands: Art Without Reservation 3 (2012); [34] Curating Difficult Knowledge (2011); [35] Native American Art at Dartmouth: Highlights from the Hood Museum of Art (2011); [36] Inuit Modern (2010); [37] and Response, Responsibility, and Renewal: Canada's Truth and Reconciliation Journey (2009). [38]
She also co-edited a special edition of an arts journal focused on Indigenous new media, [39] and co-authored an article outlining the cartography of Indigenous perspectives and knowledge in the Great Lakes Region. [40]
In 2022, she co-edited and wrote for the book Qummut Qukiria! ("Up like a bullet!" in Inuktitut) with Anna Hudson and Jan-Erik Lundström, a book which celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic. [41] [42] The 38 essays in this book helped to illuminate their subject. [43] [44]
The Inuit Circumpolar Council (ICC), formerly Inuit Circumpolar Conference, is a multinational non-governmental organization (NGO) and Indigenous Peoples' Organization (IPO) representing the 180,000 Inuit, Yupik, and Chukchi peoples people living in Alaska, Canada, Greenland, and Chukotka (Russia). ICC was ECOSOC-accredited and was granted special consultative status at the UN in 1983.
The Winnipeg Art Gallery (WAG) is an art museum in Winnipeg, Manitoba, Canada. Its permanent collection includes over 24,000 works from Canadian, Indigenous Canadian, and international artists. The museum also holds the world's largest collection of Inuit art. In addition to exhibits for its collection, the museum has organized and hosted a number of travelling arts exhibitions. Its building complex consists of a main building that includes 11,000 square metres (120,000 sq ft) of indoor space and the adjacent 3,700-square-metre (40,000 sq ft) Qaumajuq building.
Museology or museum studies is the study of museums. It explores the history of museums and their role in society, as well as the activities they engage in, including curating, preservation, public programming, and education.
Jessie Oonark, was a prolific and influential Inuit artist of the Utkuhihalingmiut Utkuhiksalingmiut whose wall hangings, prints and drawings are in major collections including the National Gallery of Canada.
Inuit are a group of culturally and historically similar Indigenous peoples traditionally inhabiting the Arctic and subarctic regions of North America, including Greenland, Labrador, Quebec, Nunavut, the Northwest Territories, Yukon (traditionally), Alaska, and Chukotsky District of Chukotka Autonomous Okrug, Russia. Inuit languages are part of the Eskimo–Aleut languages, also known as Inuit-Yupik-Unangan, and also as Eskaleut. Inuit Sign Language is a critically endangered language isolate used in Nunavut.
Mary Jeannie May Simon is a Canadian civil servant, diplomat, and former broadcaster who has served as the 30th governor general of Canada since July 26, 2021. Simon is Inuk, making her the first Indigenous person to hold the office.
Ningiukulu (Ningeokuluk) Teevee is a Canadian Inuk writer and visual artist.
Shuvinai Ashoona is an Inuk artist who works primarily in drawing. She is known for her detailed pen and pencil drawings depicting northern landscapes and contemporary Inuit life.
Sherry Farrell Racette is a Métis-Canadian feminist scholar, author, curator, and artist. She is best known for her contributions to Indigenous and Canadian art histories. She is currently an associate professor of Visual Arts at the University of Regina.
Skawennati is a Mohawk multimedia artist, best known for her online works as well as Machinima that explore contemporary Indigenous cultures, and what Indigenous life might look like in futures inspired by science fiction. She served as the 2019 Indigenous Knowledge Holder at McGill University. In 2011, she was awarded an Eiteljorg Contemporary Art Fellowship which recognized her as one of "the best and most relevant native artists."
Ming Tiampo is a Canadian curator, professor of art history and director of the Institute of Comparative Studies in Literature, Art, and Culture at Carleton University, in Ottawa, Ontario, Canada.
Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.
Barry Ace (artist) (born 1958) is an Anishinaabe (Odawa) photographic and multimedia artist and curator from Sudbury, Ontario. Ace's work includes mixed media paintings, and mixed media textile and sculptural work that combines traditional Anishinaabe textiles and beadwork with found electrical components. Ace has a strong interest in combining traditional and contemporary technologies, aesthetics, and techniques in his artwork.
Leslie Reid is a Canadian painter and printmaker from Ottawa, Ontario, known for adding a visual and sensory experience of light to the landscape tradition of painting in Canada. She is also an educator.
Jade Nasogaluak Carpenter is an Inuvialuk artist and curator based in Calgary, Alberta, Canada. They serve on the Indigenous Advisory Circle at the Winnipeg Art Gallery and is a guest curator tasked with programming the inaugural exhibitions of the WAG Inuit Art Centre, opening in 2020. They create soap stone carvings of every day and unexpected items to challenge the traditional ideas of Inuit art.
Asinnajaq, a.k.a.Isabella Rose Rowan-Weetaluktuk, is a Canadian Inuk visual artist, writer, filmmaker, and curator, from Inukjuak, Quebec. She is most noted for her 2017 film Three Thousand, which received a Canadian Screen Award nomination for Best Short Documentary Film at the 6th Canadian Screen Awards.
Josephina Kalleo was a visual artist from Nain, Newfoundland and Labrador, known for her colorful drawings of traditional Inuit life and for her book Taipsumane: A Collection of Labrador Stories (1984).
Dr. Julie Nagam is a scholar, artist, and curator based in Winnipeg, Canada.
Anna Victoria Hudson is an art historian, curator, writer and educator specializing in Canadian Art, Curatorial and Indigenous Studies who is the Director of the Graduate Program in Art History & Visual Culture at York University, Toronto.
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