Nurhan Atasoy | |
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Born | |
Nationality | Turkish |
Citizenship | Turkish |
Alma mater | Istanbul University |
Known for | Research and works based on Ottoman and Islamic Art history |
Awards | Council of Europe, Strasbourg Pro Merito medal 1984 Memphis Municipality (U.S.A.), Honorary Citizenship, 1989 Economic Cooperation Organization award in recognition of outstanding performance in the field of Fine Arts, 1993 Award for the outstanding performance in Turkish Museum Studies and Archaeology, Ministry of Culture of the Republic of Turkey, 1993 The selection of "Otağı Humayun: Imperial Ottoman Tents", (Istanbul 2000) as the "Book of the Year" by the Textile Society of America and monetary award, 2000 Senior Fellowship of the Deptment of Landscape, Dumbarton Oaks, Harvard University, 2004 State Award for Superior Achievement, Harvard University, 2006 Turkey Government Award for Superior Achievement, 2008 Culture and Tourism Ministry Culture and Arts Special Award 2018 in the field of Art History [1] |
Scientific career | |
Fields | Ottoman Art History, Islamic Art history |
Institutions | Istanbul University |
Thesis | Ibrahim Pasha Palace (1972) |
Notes | |
Nurhan Atasoy (born February 12, 1934) is a Turkish art historian. She specializes in history of Ottoman [3] and Islamic art. She served as a chair in the Department of Fine Arts, Archeology and Art History at Istanbul University until 1999 when she retired. [2] She is a resident scholar of the Turkish Cultural Foundation.
Since 2012 she sits as a permanent guest on Tarihin Arka Odası, a TV program dedicated to history, with journalist Murat Bardakçı and historian Erhan Afyoncu.
Nurhan Atasoy was born 12 February 1934 in Tokat, Turkey. [4] [5] Her family later moved to İstanbul, where she completed her primary and secondary education, graduating from Atatürk Kız Lisesi in 1953. Atasoy received her B.A., M.A. and Ph.D. from the Department of Fine Arts and Art History in the Faculty of Letters at Istanbul University. She served as a department chairman in the Department of Fine Arts, a department chairman in the Department of Archeology and Art History, and finally as a dean in the Faculty of Letters. She retired from Istanbul University in 1999. [2]
She is the author of over 120 books and publications, [4] amongst them are Iznik: Ottoman Pottery of Turkey with Julian Raby (1989), The Art of Islam, (with Afif Bahnassi), (1990); 1582 Surname-i Hümayun: An Imperial Celebration (1997), Otağı Hümayun: The Ottoman Imperial Tent Complex (2000) and IPEK: Imperial Ottoman Silks and Velvets (2001), and Impressions of Ottoman Culture in Europe: 1453-1699 (2012). [2] She is the recipient of the Turkish State Award for Superior Achievement and numerous international awards for her achievements in the field of Islamic art history. [2]
She took part in numerous projects with various people and foundations. Some notable include:
Istanbul, 2011, 24.5 x 34 cm, 367 pages, English, Hardcover, ISBN 9789757710110. "
Istanbul, 1974, 23 x 33 cm., 107 p. +50 Plates miniature sheets, English, Hardcover "
Istanbul, 1997, 35 x 50 cm., 136 pages, English, Hardcover, "
15.5 x 23.5 cm., English, Paperback. "
London, 2001, 33 x 43 cm., 360 pages, English, Hardcover,"
•-This book was enlarged and re-published in 2012.
The Topkapı Palace, or the Seraglio, is a large museum and library in the east of the Fatih district of Istanbul in Turkey. From the 1460s to the completion of Dolmabahçe Palace in 1856, it served as the administrative center of the Ottoman Empire, and was the main residence of its sultans.
The Süleymaniye Mosque is an Ottoman imperial mosque located on the Third Hill of Istanbul, Turkey. The mosque was commissioned by Suleiman the Magnificent and designed by the imperial architect Mimar Sinan. An inscription specifies the foundation date as 1550 and the inauguration date as 1557, although work on the complex probably continued for a few years after this.
Dolmabahçe Palace located in the Beşiktaş district of Istanbul, Turkey, on the European coast of the Bosporus strait, served as the main administrative center of the Ottoman Empire from 1856 to 1887 and from 1909 to 1922.
The Rüstem Pasha Mosque is an Ottoman mosque located in the Hasırcılar Çarşısı in the Tahtakale neighborhood of the Fatih district of Istanbul, Turkey, near the Spice Bazaar. Named after Rüstem Pasha, who served as Grand Vizier of the Ottoman Empire under Sultan Suleiman I, it was designed by the Ottoman imperial architect Mimar Sinan and completed in around 1563.
Ottoman architecture is an architectural style or tradition that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain decorative arts, most notably in the use of Iznik tiles.
Following the proclamation of the Republic, Turkish museums developed considerably, mainly due to the importance Atatürk had attached to the research and exhibition of artifacts of Anatolia. When the Republic of Turkey was proclaimed, there were only the İstanbul Archaeology Museum called the "Asar-ı Atika Müzesi", the Istanbul Military Museum housed in the St. Irene Church, the Islamic Museum in the Suleymaniye Complex in Istanbul and the smaller museums of the Ottoman Empire Museum in a few large cities of Anatolia.
Ottoman miniature is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art. It was a part of the Ottoman book arts, together with illumination (tezhip), calligraphy (hat), marbling paper (ebru), and bookbinding (cilt). The words taswir or nakish were used to define the art of miniature painting in Ottoman Turkish.
The Eyüp Sultan Mosque is in the Eyüp district of Istanbul, outside the city walls and near the Golden Horn. The mosque complex includes a mausoleum marking the spot where Ebu Eyüp el-Ansari, the standard-bearer and companion of the Islamic prophet Muhammad, is said to have been buried. On a much older site, the present building dates from the beginning of the 19th century.
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
İznik is a municipality and district of Bursa Province, Turkey. Its area is 753 km2, and its population is 44,236 (2022). The town is at the site of the ancient Greek city of Nicaea, from which the modern name derives. The town lies in a fertile basin at the eastern end of Lake İznik, with ranges of hills to the north and south. As the crow flies, the town is only 90 kilometres southeast of Istanbul but by road it is 200 km around the Gulf of İzmit. It is 80 km by road from Bursa.
Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Turkish stylization is a reflection of Chinese porcelain.
The Şehzade Mosque is a 16th-century Ottoman imperial mosque located in the district of Fatih, on the third hill of Istanbul, Turkey. It was commissioned by Suleiman the Magnificent as a memorial to his son Şehzade Mehmed who died in 1543. It is sometimes referred to as the "Prince's Mosque" in English. The mosque was one of the earliest and most important works of architect Mimar Sinan and is one of the signature works of Classical Ottoman architecture.
The Tiled Kiosk is a pavilion set within the outer walls of Topkapı Palace and dates from 1472 as shown on the tile inscript above the main entrance. It was built by the Ottoman sultan Mehmed II as a pleasure palace or kiosk. It is located in the most outer parts of the palace, next to Gülhane Park. It was also called Glazed Kiosk.
The Kara Ahmed Pasha Mosque or Gazi Ahmed Pasha Mosque is a 16th-century Ottoman mosque near the city walls in Istanbul, Turkey. It was designed by the imperial architect Mimar Sinan and completed in around 1572.
Miletus ware is a type of pottery that was produced in various locations in Anatolia between the late 14th and mid 15th centuries. The pottery type was excavated in quantity in the 1930s by Friedrich Sarre at Balat, Didim, ancient Miletus, hence the ware's name. It has long been realized that this pottery type was not produced at Balat, but in other towns such as İznik, the main centre, and Kütahya.
The Hadim Ibrahim Pasha Mosque is a 16th-century Ottoman mosque located in the Silivrikapi neighborhood of Istanbul, Turkey.
Nakkaş Sinan Bey was an Ottoman court miniature painter who lived in the 15th century during Mehmed II's reign. Trained by a European master Maestro Pavli, a critically lauded artist in Venice, Sinan Bey and his later students both specialized in Pavli's field — portraiture — a brand new artistic genre in Ottoman history and tradition. Together, they are known for synthesizing Eastern and Western aesthetics with the application of new materials, techniques, and themes from Italian art to represent their native culture.
Cuerda seca is a technique used when applying coloured glazes to ceramic surfaces.
The Muradiye Mosque is a 15th-century Ottoman mosque in Edirne, Turkey. The building is noted for the tiles that decorate the mihrab and the walls of the prayer hall.
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