Lubaina Himid | |
---|---|
Born | 1954 (age 69–70) |
Nationality | British |
Alma mater | Wimbledon School of Art Royal College of Art |
Occupation(s) | Artist, professor, curator |
Years active | 1983–present |
Awards | Turner Prize (2017) |
Website | lubainahimid |
Lubaina Himid CBE RA (born 1954) is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. [1] [2] [3] [4] Her art focuses on themes of cultural history and reclaiming identities. [5]
Himid was one of the first artists involved in the UK's Black Art movement in the 1980s [5] and continues to create activist art which is shown in galleries in Britain, as well as worldwide. [3] [6] Himid was appointed MBE in June 2010 "for services to Black Women's Art", [1] won the Turner Prize in 2017 [7] and was promoted to CBE in the 2018 Queen's Birthday Honours "for services to Art." [8]
Himid was born in Zanzibar Sultanate (then a British protectorate, now part of Tanzania) in 1954 [9] and moved to Britain with her mother, a textile designer, [10] following the death of her father when she was just four months old. [11] She attended the Wimbledon College of Art, where she studied Theatre Design, obtaining her B.A. in 1976. [12] She received her master's degree in Cultural History from the Royal College of Art in London in 1984. [12] [2]
Himid has organized several exhibitions of work by black women artists, including Black Woman Time Now [13] at the Battersea Arts Centre in London (1983) and Five Black Women , an exhibition in 1983 at the Africa Centre, London. [14] Among other exhibitions she has curated are: Into the Open (1984), The Thin Black Line (Institute of Contemporary Arts, 1985), [15] Unrecorded Truths (1986), Out There Fighting (1987), New Robes for MaShulan (1987), and State of the Art (1987). [16] Into the Open, presented at Mappin Art Gallery in Sheffield, was widely regarded as the first major exhibit of the new generation of black British artists. [17] Naming the Money (2004), presents an exuberant crowd of 100 enslaved people, portraying their roles they played in the princely courts of Europe: These roles span from dog-trainers, toy makers and mapmakers to dancing masters, musicians and painters. They were bought as the "property" of wealthy Europeans at a time when Africans were regarded as units of currency and black servants were status symbols. Encountering these victims of 18th-century human trafficking, the visitor learns their original identities, as well as those imposed on them. [18]
Himid considers that critical views changed after her work was shown by the Hollybush Gardens gallery in London 2013. Prior to this date she had exhibited in the UK but not internationally or in the largest UK institutions. [6]
Reviewing an updated version of Himid's 2004 work Naming the Money for The Daily Telegraph in February 2017, Louisa Buck noted:
"Himid's work has long been concerned with black creativity, history and identity and this animated throng represents the Africans who were brought to Europe as slave servants. There are drummers, dog trainers, dancers, potters, cobblers, gardeners and players of the viola da gamba, all decked out in vivid versions of 17th century costume. Labels on their backs identify each individual, giving both their original African names and occupations as well those imposed by their new European owners, and these poignant texts also form part of an evocative soundtrack, interspersed with snatches of Cuban, Irish, Jewish and African music." [4]
Himid has held positions on many boards and panels. She is on the board of trustees for the Lowry Arts Centre Manchester. Additionally, she is a board member for Arts Council England Visual Arts, Creative Partnerships East Lancs and Arts Council England North West. Previous board memberships include Matt's Gallery, London (2002–05), and Tate Liverpool Council (2000, 2005). From 1985 until 1987 Himid was on the Greater London Arts Association Visual Arts Panel.
Himid was appointed MBE in the June 2010 Birthday Honours "for services to Black Women's Art". [1]
In 2017 Himid became the first black woman to win the Turner Prize. [19] [18] She was the oldest person to be nominated for the prize since the rules changed to allow nominations of artists over the age of 50. [20] There were, however, older nominees in the 1980s, before the age limit was introduced in 1994.
Apollo magazine named Himid as 2017 Artist of the Year. [21]
Himid was promoted to CBE in 2018 "for services to Art." [8] [22]
Himid was elected a Royal Academician in 2018. [23]
Himid's work is in many public collections, including Tate, Victoria & Albert Museum, Whitworth Art Gallery, Arts Council England, Manchester Art Gallery, International Slavery Museum, Liverpool, Walker Art Gallery, Birmingham City Art Gallery, Bolton Art Gallery, New Hall, Cambridge, and the Harris Museum and Art Gallery, Preston. [25] [26]
The Turner Prize, named after the English painter J. M. W. Turner, is an annual prize presented to a British visual artist. Between 1991 and 2016, only artists under the age of 50 were eligible. The prize is awarded at Tate Britain every other year, with various venues outside of London being used in alternate years. Since its beginnings in 1984 it has become the UK's most publicised art award. The award represents all media.
Christopher Ofili, is a British painter who is best known for his paintings incorporating elephant dung. He was Turner Prize-winner and one of the Young British Artists. Since 2005, Ofili has been living and working in Trinidad and Tobago, where he currently resides in the city of Port of Spain. He also has lived and worked in London and Brooklyn.
Into the Open, subtitled "New Paintings, Prints and Sculptures by Contemporary Black Artists", was an exhibition of art by black artists displayed at various venues in the United Kingdom in 1984.
Kimathi Donkor is a London-based contemporary British artist whose paintings are known for their exploration of global, black histories. His work is exhibited and collected by international museums, galleries and biennials including London's National Portrait Gallery, the British Museum, the Diaspora Pavilion at the 57th Venice Biennial, the 29th São Paulo Art Biennial and the 15th Sharjah Biennial. He is of Ghanaian, Anglo-Jewish and Jamaican family heritage, and his figurative paintings depict "African diasporic bodies and souls as sites of heroism and martydom, empowerment and fragility...myth and matter".
Zarina Bhimji is a Ugandan Indian photographer, based in London. She was nominated for the Turner Prize in 2007, exhibited at Documenta 11 in 2002, and is represented in the public collections of Tate, the Museum of Contemporary Art in Chicago and Moderna Museet in Stockholm.
Sokari Douglas Camp CBE is a London-based artist who has had exhibitions all over the world and was the recipient of a bursary from the Henry Moore Foundation. She was honoured as a Commander of the Order of the British Empire (CBE) in the 2005 Birthday Honours list.
Outset Contemporary Art Fund is an arts charity established in 2003, and based in London, England.
Firstsite is a visual arts organisation based in Colchester, Essex, which opened in 1993 as Colchester and District Visual Arts Trust, changing its name to Firstsite in 1995. Its current building was opened in 2011. It was the national Art Fund's Museum of the Year in 2021. The building Firstsite occupies as a tenant was designed by Rafael Viñoly and the freehold is retained by Colchester Council. The building is situated in Colchester's "Cultural Quarter" near The Minories, Colchester, fifteen Queen Street, the Norman Colchester Castle, the Natural History Museum, Hollytrees Museum and Colchester's Roman Wall.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long afterwards. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and was fascinated by the Haitian-born French performer Jeanne Duval.
Chisenhale Gallery is a non-profit contemporary art gallery based in London's East End. The gallery occupies the ground level of a former veneer factory on Chisenhale Road, situated in the London Borough of Tower Hamlets, near Victoria Park and flanking the Hertford Union Canal. Housed in the same building are two other distinct initiatives: Chisenhale Studios and Chisenhale Dance Space, named also for the road on which they reside.
Sutapa Biswas is a British Indian conceptual artist, who works across a range of media including painting, drawing, film and time-based media.
Veronica Maudlyn Ryan is a Montserrat-born British sculptor. She moved to London with her parents when she was an infant and now lives between New York and Bristol. In December 2022, Ryan won the Turner Prize for her 'really poetic' work.
Claudette Elaine Johnson is a British visual artist. She is known for her large-scale drawings of Black women and her involvement with the BLK Art Group, of which she was a founder member. She was described by Modern Art Oxford as "one of the most accomplished figurative artists working in Britain today". A finalist for the Turner Prize in 2024, Johnson was elected to the Royal Academy of Arts the same year.
Five Black Women was an exhibition at the Africa Centre, London, featuring the work of British artists Sonia Boyce, Lubaina Himid, Claudette Johnson, Houria Niati and Veronica Ryan held in 1983. The exhibition was organised by Himid, the first of several "widely respected" exhibitions she organised featuring Black women artists.
The Other Story was an exhibition held from 29 November 1989 to 4 February 1990 at the Hayward Gallery in London. The exhibition brought together the art of "Asian, African and Caribbean artists in post war Britain", as indicated in the original title. It is celebrated as a landmark initiative for reflecting on the colonial legacy of Britain and for establishing the work of overlooked artists of African, Caribbean, and Asian ancestry. Curated by artist, writer, and editor Rasheed Araeen, The Other Story was a response to the "racism, inequality, and ignorance of other cultures" that was pervasive in the late-Thatcher Britain in the late 1980s. The legacy of the exhibition is significant in the museum field, as many of the artists are currently part of Tate's collections. The exhibition received more than 24,000 visitors and a version of the exhibition travelled to Wolverhampton Art Gallery, 10 March to 22 April 1990; and Manchester City Art Gallery and Cornerhouse, 5 May to 10 June 1990.
Brenda Patricia Agard was a Black-British photographer, artist, poet and storyteller who was most active in the 1980s, when she participated in some of the first art exhibitions organized by Black-British artists in the United Kingdom. Agard's work focused on creating "affirming images centred on the resilience of the Black woman," according to art historian Eddie Chambers.
Joseph Adekunle Olubo, was an artist and book illustrator active in the 1980s. He participated in some of the first art exhibitions organized by Black British artists in the United Kingdom. Olubo was one of 22 artists included in the 1983 inaugural exhibition, Heart in Exile, at The Black-Art Gallery, an art space in London which worked with artists of African and Caribbean backgrounds.
Young In Hong is a visual artist from Seoul, Korea, based in Bristol, England. Hong graduated with an MA and a PhD in Art from Goldsmith College in London UK in 2012. From 1992 to 1998, she studied Sculpture at Seoul National University. Hong currently works from her studio at Spike Island in Bristol and is represented by PKM Gallery in Seoul. She teaches at Bath School of Art as Reader in Performance and Textiles.
Nina Edge is an English ceramicist, feminist and writer.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which ARTnews called one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
{{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link)