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The Courtauld Institute of Art, commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is widely known for the disproportionate number of directors of major museums drawn from its small body of alumni.
Balthasar Klossowskide Rola, known as Balthus, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery.
Samuel Courtauld was an English industrialist who is best remembered as an art collector. He founded the Courtauld Institute of Art in London in 1932 and, after a series of gifts during the 1930s, bequeathed his collection to the institute on his death.
The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the art collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art.
Erich Klossowski or Kłossowski was a German and Polish-French art historian and a painter, now primarily known as the father of the writer-philosopher- painter and actor Pierre Klossowski and the artist Balthus. He was born in Ragnit, Germany.
Pierre Klossowski was a French writer, translator and artist. He was the eldest son of the artists Erich Klossowski and Baladine Klossowska, and his younger brother was the painter Balthus.
Baladine Klossowska or Kłossowska was a Polish painter. She was the mother of the artist Balthus and the writer Pierre Klossowski, and the last lover of the poet Rainer Maria Rilke.
Emily Tsingou is a private art dealer and adviser who lives in London, England. She is the former proprietor of Emily Tsingou Gallery which was open 1998 through 2007.
La Loge is an 1874 oil painting by Pierre-Auguste Renoir. It is part of the collection at the Courtauld Institute of Art in London.
Peter John Murray was an art historian and the Professor of History of Art at Birkbeck College, London from 1967 to 1980. Together with his wife, Linda Murray, he wrote primers on Italian Renaissance art which have been used by generations of students. In 1959 they published the highly successful Penguin Dictionary of Art and Artists, which was frequently updated and reissued. In 1963, they published two substantial introductory texts The Art of the Renaissance, and a book that became a classic primer The Architecture of the Renaissance.
Professor Mark Hallett is an art historian specialising in the history of British art. He is currently Director of Studies at the Paul Mellon Centre for Studies in British Art.
David Hersh Solkin, FBA is the Walter H. Annenberg Professor of the History of Art at the Courtauld Institute, which he joined in 1986. In 2007, Solkin became the Institute's first Dean and Deputy Director. Solkin is an expert in the art of J. M. W. Turner.
Caroline Arscott is a professor of 19th Century British Art at the Courtauld Institute.
Peter Erik Lasko was a British art historian, Director of the Courtauld Institute, London, from 1974–85 and a Fellow of the British Academy.
Thomas W. Gaehtgens is a German art historian with special interest in French and German art and art history from the 18th to the 20th century. He was the founding director of the Deutsches Forum für Kunstgeschichte in Paris and was director of the Getty Research Institute in Los Angeles, California.
Deborah Janet Howard, is a British art historian and academic, who specialises in Venetian architecture. From 2001 to 2013, she was Professor of Architectural History at the University of Cambridge; she is now Professor Emerita. She previously taught and/or researched at Clare Hall, Cambridge, University College London, the University of Edinburgh and the Courtauld Institute of Art.
Sussan Babaie is an Iranian-American art historian and curator. She is best known for her work on Persian art and Islamic art of the early modern period. She has written extensively on the art and architecture of the Safavid dynasty. Her research takes a multidisciplinary approach and explores topics such as urbanism, empire studies, transcultural visuality and notions of exoticism. In her work as a curator, Babaie has worked on exhibitions at the Sackler Museum of Harvard University (2010), the University of Michigan Museum of Art, and the Smith College Museum of Art (1998). Since 2013, Babaie has been the Dr Andrew W. Mellon Reader in the Arts of Iran and Islam at The Courtauld Institute of Art in London.
Margaret Alison Stones, FSA, is a British/American medievalist and academic. She has held the position of professor emerita of history of art and architecture at University of Pittsburgh since 2012. Her work has been published in national and international academic journals and she has contributed to international exhibitions.
References
- ↑ Professor Sarah Wilson. The Courtauld Institute, 2013. Retrieved 23 April 2013. Archived here.
