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References
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- ↑ "Art historian examines abundance, excess of French Renaissance through art, literature, architecture". chronicle.uchicago.edu. University of Chicago. Archived from the original on 23 April 2017. Retrieved 8 March 2017.
- ↑ Fiorenza, Giancarlo (2006). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (review)". Renaissance Quarterly. 59 (3): 898–900. doi:10.1353/ren.2008.0371. ISSN 1935-0236. S2CID 191645125.
- ↑ Broomhall, Susan (2010-07-14). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (review)". Parergon. 27 (1): 263–266. doi:10.1353/pgn.0.0207. ISSN 1832-8334. S2CID 201794943. Archived from the original on 2018-06-02. Retrieved 2020-12-06.
- ↑ Kilroy, Lauren Grace (2007). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance by Rebecca Zorach (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 38 (1): 288–290. doi:10.1353/cjm.2007.0060. ISSN 1557-0290.
- ↑ Parsons, Jotham (2007). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance – By Rebecca Zorach". Historian. 69 (2): 399–400. doi:10.1111/j.1540-6563.2007.00182_68.x. ISSN 1540-6563. S2CID 144169351. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ↑ Marr, Alexander (2007). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance - By Rebecca Zorach". Renaissance Studies. 21 (2): 298–299. doi:10.1111/j.1477-4658.2007.00390.x. ISSN 1477-4658. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ↑ Prange, Peter (2007-05-01). "Paper Museums. The Reproductive Print in Europe, 1500–1800". Journal of the History of Collections. 19 (1): 145–147. doi: 10.1093/jhc/fhm002 . ISSN 0954-6650.
- ↑ Mazzi, Maya Stanfield (2006). "Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public by Peter Parshall, Rainer Schoch, and Paper Museums: The Reproductive Print in Europe, 1500–1800 by Rebecca Zorach, Elizabeth Rodini (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 37 (1): 279–283. doi:10.1353/cjm.2006.0046. ISSN 1557-0290.
- ↑ Bentz, Katherine M. (2009). "Rebecca Zorach, ed. The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae. Chicago: The University of Chicago Press, 2008. 176 pp. illus. bibl. $25. ISBN: 0–943056–37–3". Renaissance Quarterly. 62 (1): 249–250. doi:10.1086/598422. ISSN 0034-4338. S2CID 163966948. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ↑ Fishburne, James (2009). "The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae ed. by Rebecca Zorach (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 40 (1): 343–344. doi:10.1353/cjm.2009.0030. ISSN 1557-0290.
- ↑ Rowland, Ingrid (2011-10-27). "The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae (review)". The Catholic Historical Review. 97 (4): 806–807. doi:10.1353/cat.2011.0221. ISSN 1534-0708. S2CID 161373351. Archived from the original on 2018-06-03. Retrieved 2020-12-06.
- ↑ Hammerschmidt, Jennifer (2012-08-21). "The Passionate Triangle (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 43 (1): 306–308. doi:10.1353/cjm.2012.0053. ISSN 1557-0290. Archived from the original on 2018-06-01. Retrieved 2020-12-06.
- ↑ HARDING, CATHERINE (2012). "Review of The Passionate Triangle". Renaissance and Reformation. 35 (4): 179–181. ISSN 0034-429X. JSTOR 43446654. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ↑ Terry-Fritsch, Allie (2012). "Review of The Passionate Triangle". The Sixteenth Century Journal. 43 (4): 1247–1249. ISSN 0361-0160. JSTOR 24245059.
- ↑ Hall, Marcia B. (2012). "Rebecca Zorach. The Passionate Triangle. Chicago: University of Chicago Press, 2011. xiii + 264 pp. $45. ISBN: 978–0–226–98939–6". Renaissance Quarterly. 65 (3): 881–882. doi:10.1086/668313. ISSN 0034-4338. S2CID 164138677. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
