Julie Crooks | |
---|---|
Born | England |
Alma mater | St. Joseph's College School, York University, SOAS University of London |
Occupation(s) | Curator/Head, Arts of Global Africa and the Diaspora |
Employer | Art Gallery of Ontario |
Family | Charmaine Crooks (sister-in-law) |
Julie Crooks is a Canadian curator, researcher and instructor. She has been the head of the department of Arts of Global Africa and the Diaspora at the Art Gallery of Ontario since its founding in 2020. [1]
Crooks was born in England and is the sister-in-law of athlete Charmaine Crooks. [2] She emigrated to Canada with her family in 1968 where she attended St. Joseph's College School. [2] She completed an undergraduate degree in interdisciplinary studies and a MA in English Literature at York University. [2] Crooks completed her PhD at SOAS University of London in 2014. [2] [3] Her research focused on Sierra Leone, West Africa, and the diaspora. [4] After completing her studies she was a Rebanks Post Doctoral Fellow at the Royal Ontario Museum from 2014 to 2016. [5] During that time, she co-curated the exhibit Here We Are Here: Black Canadian Contemporary Art with African collection curator Silvia Forni and Haitian-born researcher Dominique Fontaine. [2] [3] The exhibit has since traveled to the Montreal Museum of Fine Arts and the Art Gallery of Nova Scotia. [6]
Crooks joined the Art Gallery of Ontario (AGO) as Assistant Curator of Photography in 2017. [7] She curated her first exhibit Free Black North the same year. [2] [6] Featuring photographs from the Archives of Ontario and Brock University's Archives & Special Collections, the exhibit focused on the lives of descents of Black refugees and formally enslaved people from the United States living in southern Ontario during the mid-to-late 1800s. [8] She also worked an exhibit called Ears, Eyes, Voice: Black Canadian Photojournalists 1970s-1990s’. [2] In 2018, Crooks worked with Mickalene Thomas on a solo exhibit of the visual artist's work. [3] [9] As photography curator, she played an integral role in the acquisition of the Montgomery Collection, which consists of more than 3,500 of historical images documenting life in the Caribbean islands. [1] [3] [10] [11] This collection is possibly the largest collection of photographs from the Caribbean islands. [12] [13] She is a co-founder of the Black Curators Forum, which launched in 2019 and supports Black curators in Canada. [3] She is also a founding member of Black Artists Network in Dialogue (BAND), and she has curated exhibits for them. [3]
In 2020, the AGO named Crooks as the head of the newly established department of Arts of Global Africa and the Diaspora aimed at developing collections from the African continent and diaspora. [1] [14]
Crooks was one of three individuals chosen as a jury sitter for the 2020 Middlebrook Prize for Young Canadian Curators. [15] In this role, she was tasked with selecting an artist to receive the prize of a space for their submitted exhibition or honorarium.
The Art Gallery of Ontario is an art museum in Toronto, Ontario, Canada, located in the Grange Park neighbourhood of downtown Toronto, on Dundas Street West. The building complex takes up 45,000 square metres (480,000 sq ft) of physical space, making it one of the largest art museums in North America and the second-largest art museum in Toronto, after the Royal Ontario Museum. In addition to exhibition spaces, the museum also houses an artist-in-residence office and studio, dining facilities, event spaces, gift shop, library and archives, theatre and lecture hall, research centre, and a workshop.
Mickalene Thomas is a contemporary African-American visual artist best known as a painter of complex works using rhinestones, acrylic, and enamel. Thomas's collage work is inspired from popular art histories and movements, including Impressionism, Cubism, Dada, the Harlem Renaissance, and selected works by the Afro-British painter Chris Ofili. Her work draws from Western art history, pop art, and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long afterwards. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and was fascinated by the Haitian-born French performer Jeanne Duval.
Jamelie Hassan is a Canadian multidisciplinary artist, lecturer, writer and independent curator.
Denyse Thomasos was a Trinidadian-Canadian painter known for her abstract-style wall murals that conveyed themes of slavery, confinement and the story of African and Asian Diaspora. "Hybrid Nations" (2005) is one of her most notable pieces that features Thomasos' signature use of dense thatchwork patterning and architectonic images to portray images of American superjails and traditional African weavework.
Stacey Tyrell is a Canadian photographer who currently resides in Brooklyn. Her work predominantly deals with themes of identity, race and heritage as it pertains to post-colonial societies and the Caribbean Diaspora. The influence of Tyrell's heritage is that of familial history and immigration; she traces her roots to the Caribbean island of Nevis.
Sandra Brewster is a Canadian visual artist based in Toronto. Her work is multidisciplinary in nature, and deals with notions of identity, representation and memory; centering Black presence in Canada.
Wanda Nanibush is an Anishinaabe curator, artist and educator based in Toronto, Ontario. From 2016 to 2023, she held the position of the inaugural curator of Indigenous Art at the Art Gallery of Ontario.
Laure was an art model in France known for her work with artist Édouard Manet. She is best known for posing as the black maid offering the white nude figure a bouquet of flowers in Manet's 1863 painting Olympia.
Brenda Patricia Agard was a Black-British photographer, artist, poet and storyteller who was most active in the 1980s, when she participated in some of the first art exhibitions organized by Black-British artists in the United Kingdom. Agard's work focused on creating "affirming images centred on the resilience of the Black woman," according to art historian Eddie Chambers.
Georgiana Uhlyarik-Nicolae, also known as Georgiana Uhlyarik is a Romanian-born Canadian art curator, art historian, and teacher. She is currently the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO). She has been part of the team or led teams that created numerous exhibitions, on subjects such as Betty Goodwin, Michael Snow, and Kathleen Munn among others and collaborated with art organizations such as the Tate Modern, and the Jewish Museum, New York.
Bushra Junaid is a Canadian artist, curator and arts administrator based in Toronto. She is best known for exploring history, memory and cultural identity through mixed media collage, drawing and painting. Born in Montreal to Jamaican and Nigerian parents and raised in St. John's, Newfoundland and Labrador, Junaid's work frequently engages themes of Blackness, the African diaspora and the history of Atlantic Canada.
Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.
Pamela Edmonds is a Canadian visual and media arts curator focused on themes of decolonization and the politics of representation. She is considered an influential figure in the Black Canadian arts scene. Since 2022, Edmonds has been the Director and Curator of the Dalhousie Art Gallery in Halifax, Nova Scotia.
Le déjeuner sur l'herbe: les trois femmes noires is a massive painting created by the African-American visual artist Mickalene Thomas. The painting is both a critique of and reference to Édouard Manet's 1863 painting Le Déjeuner sur l'herbe. Thomas' piece portrays three bold, black women adorned with rich colors, patterned clothing, and radiant Afro-styled hair; the women's positioning and posing is reminiscent of the subjects of Manet's piece, but the gazes of all three women are fixed on the viewer. Thomas created the painting, her largest piece at the time, in 2010 after being commissioned by the Museum of Modern Art (MoMA) in New York City to create a display piece for 53rd street window of the museum's restaurant The Modern.
Michelle Jacques is a Canadian curator and educator known for her expertise in combining historical and contemporary art, and for her championship of regional artists. Originally from Ontario, born in Toronto to parents of Caribbean origin, who immigrated to Canada in the 1960s, she is now based in Saskatoon, Saskatchewan.
Roland Charles was an African-American photographer and gallerist, best known for co-founding The Black Photographers of California and its associated exhibition space, the Black Gallery, in Los Angeles, among the first institutions by and for black photographers.
Anique Jordan is a Canadian multi-disciplinary artist, writer, curator and entrepreneur known for her work in photography, sculpture, and performance. Her artwork challenges historical narratives, reinterpreting the past in order to develop a vision of the future. Among her themes are black history in Canada, working-class communities, the relationship between the country's black and Indigenous peoples, and the work black people have put into explaining and fighting against racism.
Maia-Mari Sutnik, was the first Curator of the Curatorial Department of Photography at the Art Gallery of Ontario in Toronto.
Sophie Hackett is the Curator of Photography at the Art Gallery of Ontario, Toronto.