Mieke Bal | |
|---|---|
 Mieke Bal (1980) | |
| Born | March 14, 1946 |
| Occupation(s) | cultural theorist, video artist |
| Years active | 1969 – present |
Maria Gertrudis "Mieke" Bal (born 14 March 1946) [1] is a Dutch cultural theorist, video artist, and Professor Emerita in Literary Theory at the University of Amsterdam. Previously, she was also Academy Professor of the Royal Netherlands Academy of Arts and Sciences and co-founder of the Amsterdam School for Cultural Analysis at the University of Amsterdam.
Bal attended the University of Amsterdam, where she obtained a M.A. in French in 1969. She continued her postgraduate studies in Amsterdam under supervision of Professor Jan Kamerbeek, but due to the death of her supervisor in 1977 she was awarded her Ph.D. in French and Comparative Literature at Utrecht University.[ citation needed ]
Bal was Professor of Semiotics and Women’s Studies at Utrecht University (1987–1991) and Chair of the Section of Comparative Literature as well as Susan B. Anthony Professor of Women’s Studies at the University of Rochester (1987–1991). She remained associated with the University of Rochester as Visiting Professor of Visual and Cultural Studies (1991–1996) while filling the position of Professor of Literary Theory at the University of Amsterdam (1991–2011).
From 1993 to 1995 Bal was the Founding Director of the Amsterdam School for Cultural Analysis, a research institute and doctoral school devoted to the comparative and interdisciplinary study of culture. [2] [3]
In 2005 the Royal Netherlands Academy of Arts and Sciences awarded Bal with an Academy Professorship, a prestigious grant given to senior researchers for exceptional achievement throughout their career. [4] The Academy characterized Bal’s approach to literary theory and the visual arts as “highly innovative, robust, and displaying extraordinary creativity.” [5]
Bal has supervised over eighty Ph.D. dissertations spanning a wide variety of topics, including the Ph.D. dissertation of new media scholar Lev Manovich at the University of Rochester in 1993. [2]
Bal serves on the editorial board of academic journals including Parallax and Journal of Visual Culture , as well as on the international advisory board of Signs: Journal of Women in Culture and Society. [6] [7] [8]
University of Chicago Press published A Mieke Bal Reader in 2006, while in 2008 John Wiley & Sons published About Mieke Bal, a collection of essays celebrating her work. Mieke Bal received an Honorary Doctorate from the University of Lucerne in 2016. [9]
She is a member of the Norwegian Academy of Science and Letters. [10]
Bal's daughter, Nanna Verhoeff, is also a scholar. She is a professor of media and performance studies in Utrecht University's Department of Media and Culture Studies. [11]
Bal has published more than thirty books on a wide range of subjects. Her research interests include biblical and classical antiquity, seventeenth-century and modern art, contemporary literature, feminism, mental illness, and migratory culture. [12]
Bal’s Narratology: Introduction to the Theory of Narrative (1985) is an introduction to the systematic study of narrative, in which she adopts structuralist concepts and terms as tools for the analysis of stories. A revised and expanded third edition was published in 2009. [13]
Quoting Caravaggio: Contemporary Art, Preposterous History (1999) investigates how twentieth-century artists set up a dialogue with old-master art. Re-theorizing notions of linear influence and temporality, Bal introduces the concept of ‘pre-posterous history’ to help understand how modern quotations of Caravaggio renew our understanding of his work. [14]
In Travelling Concepts in the Humanities: A Rough Guide (2002), Bal explores the deployment of concepts in interdisciplinary cultural analysis. In a series of case studies, Bal eschews more conventional methodologies based on a single paradigm or discipline in favor of an open re-examination of concepts as they ‘travel’ between disciplines, historical periods, and (cultural) contexts. [15]
In 2013, Bal completed a trilogy of works on political art. Specifically, she seeks to understand how art can be politically effective without espousing particular political causes. In each of these books, she focuses on the oeuvre of an individual artist and their medium of choice. Of What One Cannot Speak (2010) examines the work of Colombian sculptor Doris Salcedo, Thinking in Film (2013) looks at the video installations of Finnish artist Eija-Liisa Ahtila, and Endless Andness (2013) engages with the abstract spatial interventions of Belgian artist Ann Veronica Janssens. [16] [17] [18]
In addition to her academic work, Bal is a video artist whose films and installations have been exhibited internationally. [2] As a member of the film collective Cinema Suitcase, she made several videos that mostly revolve around issues of migration. [19] With Michelle Williams Gamaker, she directed the feature-length film A Long History of Madness (2011). Based on the book Mère Folle by French psychoanalyst Françoise Davoine, the film is a so-called ‘theoretical fiction’ that examines how madness can be treated analytically. [20] Bal and Williams Gamaker are currently completing their second feature film Madame B (2014), a modern interpretation of Gustave Flaubert’s 1856 masterpiece Madame Bovary . [21]
Between 2004 and 2005, Mieke Bal collaborated with artist Shahram Entekhabi to produce a series of videos on migration: Glub, Road Movie, Lost in Space, eye contact.
In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
A cum shot is the depiction of human ejaculation, especially onto another person. The term is usually applied to depictions occurring in pornographic films, photographs, and magazines. Unlike ejaculation in non-pornographic sex, cum shots typically involve ejaculation outside the receiver's body, allowing the viewer to see the ejaculation in progress. Facial cum shots are regularly portrayed in pornographic films and videos, often as a way to close a scene. Cum shots may also depict ejaculation onto another performer's body, such as on the genitals, buttocks, chest or tongue.
Eija-Liisa Ahtila is a contemporary visual artist and filmmaker who lives and works in Helsinki.
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. The term is an anglicisation of French narratologie, coined by Tzvetan Todorov. Its theoretical lineage is traceable to Aristotle (Poetics) but modern narratology is agreed to have begun with the Russian formalists, particularly Vladimir Propp, and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in The Dialogic Imagination (1975).
Mark Gerald Kingwell is a Canadian professor of philosophy and former associate chair at the University of Toronto's Department of Philosophy. Kingwell is a fellow of Trinity College. He specialises in theories of politics and culture. He writes widely in both scholarly and mainstream venues, and addresses specific topics in social justice, discourse ethics, aesthetics, film theory, philosophy of architecture and urbanism, philosophy of technology, and cultural theory.
Abigail "Abbie" B. Bakan is a Canadian academic.
The semiosphere is a concept in biosemiotic theory, according to which - contrary to ideas of nature determining sense and experience - the phenomenal world is a creative and logical structure of processes of semiosis where signs operate together to produce sense and experience.
The implied author is a concept of literary criticism developed in the 20th century. Distinct from the author and the narrator, the term refers to the "authorial character" that a reader infers from a text based on the way a literary work is written. In other words, the implied author is a construct, the image of the writer produced by a reader as called forth from the text. The implied author may or may not coincide with the author's expressed intentions or known personality traits.
H. Allen Brooks was an architectural historian and longtime professor at the University of Toronto. Brooks wrote on Frank Lloyd Wright and the Prairie School and on the early years of Le Corbusier.
Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze.
Michèle Lamont is a Canadian sociologist who is the Robert I. Goldman Professor of European Studies and a professor of Sociology and African American Studies at Harvard University. She is a contributor to the study of culture, inequality, racism and anti-racism, the sociology of morality, evaluation and higher education, and the study of cultural and social change. She is the recipient of the Gutenberg Award and the Erasmus award, for her "devoted contribution to social science research into the relationship between knowledge, power, and diversity." She has received honorary degrees from five countries. and been elected to the British Academy, Royal Society of Canada, Chevalier de l’Ordre des Palmes académiques, and the Sociological Research Association. She served as president of the American Sociological Association from 2016 to 2017. In 2024, she was elected to the American Philosophical Society.
This is a bibliography of works on Canada.
Spider is a sculpture by Louise Bourgeois. It was executed in 1996 as an edition of a series entitled Cells and cast in 1997; bronze with a silver nitrate patina, with the first of the edition being steel. The spider itself is made of bronze, whereas the cage is made of steel.
Patricia Kennedy Grimsted is a historian focused on the dispossession and restitution of cultural materials during and after World War II. She is a leading authority on archives in the former Soviet Union and its successor states.
The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero is a 2008 book by Ernest Mathijs about the films of director David Cronenberg. This book focuses on director David Cronenberg’s filmography, analyzing the alternative methods Cronenberg used to create and execute his films. This book focuses on the contemporary reception of Cronenberg’s works and dives into the personal experiences that have shaped Cronenberg’s film ideologies. It discusses Cronenberg’s films at length, diving into specific films to discuss technique, content, and impact. Mathijs had previously done his Ph.D. thesis on the reception of Cronenberg's films, and this book was based on that research. Mathijs had previously done his PhD thesis on the reception of Cronenberg's films, and this book was based on that research.
Fonderie Darling is a contemporary art complex located in the Cité du Multimédia district of Montreal, Quebec, Canada. Located in a former foundry, the complex consists of an art gallery and artists studios.
Debora Meijers is an art historian and professor of museum studies at the University of Amsterdam, an educational elective program that she developed herself.
Virginia Cox, is a British scholar of Italian literature, culture and history. She is best known for her research on Renaissance and Counter-Reformation Italian literature, the reception of classical rhetorical theory in Italy between the 13th and 16th centuries and Italian early modern women's writing.
Cathleen Chaffee is an American curator, writer, and art historian specializing in contemporary art. She currently serves as the chief curator of the Buffalo AKG Art Museum in Buffalo, New York, where she joined in January 2014.
Irene (Irena) Rima Makaryk is a Canadian English-language academic, author, and distinguished professor at the University of Ottawa.
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