Rakhshanda Jalil | |
---|---|
Born | 20 July 1963 60) | (age
Education | Miranda House, Delhi, Delhi University, Jamia Millia Islamia |
Occupation(s) | Indian writer, critic and literary historian |
Rakhshanda Jalil (born 20 July 1963) is an Indian writer, translator, critic and literary historian. She is known for her book on Delhi's lesser-known monuments called Invisible City: The hidden Monuments of Delhi [1] [2] and a well-received collection of short stories, called Release & Other Stories [3] [4] (HarperCollins, 2011). Her PhD on the Progressive Writers' Movement as Reflected in Urdu Literature has been published by Oxford University Press as Liking Progress, Loving Change [5] [6] (2014). Jalil runs an organization called Hindustani Awaaz, devoted to the popularization of Hindi-Urdu literature and culture.
Jalil graduated from Miranda house, Delhi University in 1986. She started her career as a lecturer in Khalsa College. [7] After that she worked at Aligarh Muslim University as lecturer (1987), editorial assistant at Tata McGraw-Hill Book Publishing Company [7] (1987–89), sub-editor in the Publications Division of the India International Centre (1989–90), assistant editor in the Publications Division of the India International Center (1990 – March 1995). She later joined Jamia Millia Islamia [7] and worked there as director of the outreach programme. She co-edited a quarterly journal called Third Frame: Literature, Culture and Society, published and distributed by Cambridge University Press from 2007 to 2009. She was senior associate fellow at the Council of Social Development, New Delhi, and associate editor of Social Change, the journal brought out by CSD (Jan 2011-Jan 2012).
She has edited four collections of short stories: Urdu Stories [8] (Srishti, 2002), a selection by Pakistani women writers called Neither Night Nor Day [9] (HarperCollins, 2007), New Urdu Writings: From India & Pakistan [10] (Westland, 2013), and Pigeons of the Domes: Stories of Communalism (Niyogi, 2015); a collection of essays on the little known monuments of Delhi, called Invisible City (Niyogi, 2008, revised third edition 2011); two co-authored books, Partners in Freedom: Jamia Millia Islamia [11] (Niyogi, 2006) and Journey to a Holy Land: A Pilgrim’s Diary [12] [13] (OUP, 2009). She was co-editor of Third Frame, [14] a journal devoted to literature, culture and society brought out by the Cambridge University Press. She has edited and introduced a volume of essays entitled Qurratulain Hyder and the River of Fire: The Meaning, Scope and Significance of her Legacy [15] (Aakar, 2010; and Oxford University Press, Karachi, 2010).
She has published nine works of translations: Premchand's short stories entitled The Temple and the Mosque [16] (HarperCollins, 1992; revised and enlarged 2011); a collection of satirical writing in Hindi by Asghar Wajahat entitled Lies: Half Told [17] (Srishti, 2002); 32 satirical cameos by Saadat Hasan Manto entitled Black Borders [18] (Rupa & Co., 2003); Through the Closed Doorway, [19] nazms by Urdu poet Shahryar (Rupa & Co. 2004); short stories by Intizar Husain entitled Circle and Other Stories [20] (Rupa & Co. 2004; Sang-e-Meel, Lahore, 2012); a collection of Premchand's short stories for children called A Winter's Tale and Other Stories (Puffin, 2007); Naked Voices and other Stories [21] – a collection of stories and sketches by Saadat Hasan Manto translated by her from Urdu (Roli, 2008); Panchlight and Other Stories by Hindi writer Phanishwarnath Renu (Orient Blackswan, 2010); and Traitor, translated from Krishan Chander's Gaddaar, published by Tranquebar in 2017. [22]
The biography of Urdu feminist writer Dr Rashid Jahan by Rakhshanda Jalil has been published by Women Unlimited under the title A Rebel and her Cause (2014). [23] With over 15 books behind her and over 50 academic papers at seminars and conferences, at present she contributes regularly to national and international newspapers and magazines, writes book reviews, opinion pieces and travelogues, and appears on television to talk about issues of culture, literature and society. She also contributes regularly to Himal (Kathmandu), The Herald (Karachi) and The Friday Times (Lahore), apart from The Hindu, Biblio, The Literary Review, etc. in India.
Her debut collection of fiction, Release & Other Stories, was published by HarperCollins in 2011, and received critical acclaim. At present, she is engaged in a study of Indian secularism.
Dhanpat Rai Srivastava, better known as Munshi Premchand based on his pen name Premchand, was an Indian writer famous for his modern Hindustani literature. Premchand was a pioneer of Hindi and Urdu social fiction. He was one of the first authors to write about caste hierarchies and the plights of women and laborers prevalent in the society of late 1880s. He is one of the most celebrated writers of the Indian subcontinent, and is regarded as one of the foremost Hindi writers of the early twentieth century. His works include Godaan, Karmabhoomi, Gaban, Mansarovar, Idgah. He published his first collection of five short stories in 1907 in a book called Soz-e-Watan.
Saadat Hasan Manto was a Pakistani writer, playwright and author born in Ludhiana, who was active in British India and later, after the 1947 partition of India, in Pakistan.
Ismat Chughtai was an Indian Urdu novelist, short story writer, liberal humanist and filmmaker. Beginning in the 1930s, she wrote extensively on themes including female sexuality and femininity, middle-class gentility, and class conflict, often from a Marxist perspective. With a style characterised by literary realism, Chughtai established herself as a significant voice in the Urdu literature of the twentieth century, and in 1976 was awarded the Padma Shri by the Government of India.
Urdu literature comprises the literary works, written in the Urdu language. While, It tends to be dominated by poetry, especially the verse forms of the ghazal and nazm, it has expanded into other styles of writing, including that of the short story, or afsana. Urdu literature is popular mostly in Pakistan, where Urdu is the national language, and in India, where it is a Eighth Schedule language.
Khalid Hasan was a Pakistani journalist and writer. Author and editor of several books, in addition to being a regular columnist for a number of English-language Pakistani newspapers, he is best known for his translations of the short stories of Saadat Hasan Manto and the lyrics of Faiz Ahmed Faiz.
The Progressive Writers' Association or the Progressive Writers' Movement of India or Anjuman Tarraqi Pasand Mussanafin-e-Hind or Akhil Bhartiya Pragatishil Lekhak Sangh was a progressive literary movement in pre-partition British India. Some branches of this writers' group existed around the world besides in India, Kashmir and Pakistan
Rashid Jahan was an Indian writer and medical doctor known for her Urdu literature and trenchant social commentaries. She wrote short stories and plays and contributed to Angarey (1932), a collection of unconventional short stories written in collaboration with Sajjad Zaheer, Ahmed Ali, and Mahmuduz Zafar.
Syed Sajjad Zaheer was an Indian Urdu writer, Marxist ideologue and radical revolutionary who worked in both India and Pakistan. In the pre-independence era, he was a member of the Communist Party of India and the Progressive Writers' Movement. Upon independence and partition, he moved to the newly created Pakistan and became a founding member of the Communist Party of Pakistan.
Qurratulain Hyder was an Indian Urdu novelist and short story writer, an academic, and a journalist. One of the most outstanding and influential literary names in Urdu literature, she is best known for her magnum opus, Aag Ka Darya, a novel first published in Urdu in 1959, from Lahore, Pakistan, that stretches from the fourth century BC to post partition of India.
Mirza Muhammad Hadi RuswaUrdu مرزا ہادی رسوا was an Indian Urdu poet and writer of fiction, plays, and treatises. He served on the Nawab of Awadh's advisory board on language matters for many years. He spoke many languages including Urdu, Greek, and English.
Mushirul Hasan was a historian of modern India. He wrote on the partition of India, communalism, and on the history of Islam in South Asia.
Rajinder Singh Bedi was an Indian Urdu writer of the progressive writers' movement and a playwright, who later worked in Hindi cinema as a film director, screenwriter and dialogue writer and he is grandfather to Rajat Bedi and Manek Bedi.
Akhlaq Mohammad Khan, better known by his takhallusShahryar, was an Indian academician, and a doyen of Urdu poetry in India. As a Hindi film lyricist, he is best known for his lyrics in Gaman (1978) and Umrao Jaan (1981) directed by Muzaffar Ali. He retired as the head of the Urdu Department at the Aligarh Muslim University, and thereafter he remained sought after name in mushairas or poetic gatherings, and also co-edited the literary magazine Sher-o-Hikmat.
Ahmad Siddiq, better known by his pen name Majnun Gorakhpuri, was an Urdu short story (Afsana) writer, poet and literary critic.
Shahid Mahmood Nadeem is a Pakistani journalist, playwright, screenwriter, theater and television director, and a human rights activist.
Thanda Gosht is a short story written by Saadat Hasan Manto. The book was first published in a literary magazine in March 1950 in Pakistan. Later it was published by Sang-e-Meel Publications. Manto was charged with obscenity for this story and faced a trial in criminal court.
Angarey or Angaaray is a collection of nine short stories and a one act play in Urdu by Sajjad Zaheer, Rashid Jahan, Mahmud-uz-Zafar and Ahmed Ali first published in 1932 and generally considered to have marked the beginning of the Progressive Writers' Movement in Indian literature. The release of the book was marked by protests and it was subsequently banned by the government of the United Provinces a few months after publication.
Manto Ke Afsanay is a collection of short stories in Urdu by Saadat Hasan Manto. It was first published in 1940. Rekhta has the largest collection of 233 stories written by Saadat Hasan Manto.
Dhuan is a collection of short stories in Urdu by Saadat Hasan Manto first published in 1941.