Ramshackle Inn | |
---|---|
Written by | George Batson |
Directed by | Arthur Sircom |
Date premiered | January 5, 1944 |
Place premiered | Royale Theatre, New York City |
Original language | English |
Subject | Melodramatic farce about a spinster foiling a Rum Running gang. |
Genre | Comedy |
Setting | Lobby of Ye Olde Colonial Inn during a stormy evening. |
Ramshackle Inn is a three-act play, written by George Batson, revised by Owen Davis, and staged by Arthur Sircom. [1] [2] It is a comedy, a melodramatic farce, [3] with a medium-sized cast, moderate pacing, and only one setting. The action takes place during two hours of a stormy evening in the lobby of a dilapidated inn along the seacoast near Gloucester, Massachusetts. [4]
The play was produced by Robert Reud; settings were by Frederick Fox and costumes by Peggy Clark. [1] Despite much critical skepticism, [4] [5] [1] it was a moderate box office success on Broadway, running for 216 performances during early 1944. [6] It then went on tour, [6] and was played in community and regional theater during the 1950s, [7] but has not had a Broadway revival.
Characters are listed in order of appearance within their scope.
The Philadelphia Inquirer critic Linton Martin noted "'Ramshackle Inn' is the cluttered and confusing kind of play that would be difficult and dangerous to describe in detail". [8] Reviewer Bill Hill stated "To reduce to sentence form any of the action of this play would be pointless". [9]
Belinda Pryde, having read Grand Hotel , longs to own a similar rendezvous for interesting people. She settles for buying, sight unseen, Ye Olde Colonial Inn on the New England seacoast from its perpetually inebriated owner. It turns out to be a rundown, vermin-infested shambles, tenented by a murderous liquor-cutting gang, kidnappers, undercover FBI agents and soon after her arrival, a growing number of corpses. Sinister folks, some toting bodies, sidle in and out of the lobby's ten doorways, while Miss Pryde stalks and is stalked. By play's end she has captured all the crooks still living and proved the innocence of the unjustly accused son of the previous owner so he can marry his sweetheart.
George Batson, a former automat busboy then serving in the US Army Signal Corps, wrote the play in 1942 expressly for ZaSu Pitts. [10] Robert Reud announced on October 21, 1943, that he would produce and Arthur Sircom direct ZaSu Pitts in the play. [3]
By October 29, 1943, Frederick Fox had been signed to design the sets. [11] Producer Reud started rehearsals at the Ritz Theater on November 2, 1943, [12] though casting was still ongoing. [13] Corporal Batson, stationed at Fort Monmouth, had to apply for a pass from his commanding officer to attend the tryout. [14]
Role | Actor | Dates | Notes |
---|---|---|---|
Patton | Paul Huber | Nov 22, 1943 - Dec 18, 1943 | Huber was replaced after the Philadelphia tryout. [15] [16] |
Joe Downing | Dec 27, 1943 - Jul 08, 1944 | Downing came into the cast with the Norfolk tryout. [17] [6] | |
Joyce Rogers | Dorothy Mackaill | Nov 22, 1943 - Dec 18, 1943 | Mackaill left after the Philadelphia tryout. [15] [16] |
Ruth Holden | Dec 27, 1943 - Feb 13, 1944 | Holden joined the cast with the Norfolk tryout. [17] [18] | |
Margaret Callahan | Feb 15, 1944 - Jul 08, 1944 | [18] [6] | |
Mame Phillips | Luella Gear | Nov 22, 1943 - Dec 29, 1944 | Gear, heavily promoted in ads, chose to leave after the Norfolk tryout. [15] |
Ruth Gates | Dec 31, 1943 - Feb 13, 1944 | Gates joined the cast in Richmond with just 24 hours notice. [19] [18] | |
Cora Witherspoon | Feb 15, 1944 - Jul 08, 1944 | [18] [6] | |
Belinda Pryde | ZaSu Pitts | Nov 22, 1943 - Jul 08, 1944 | This was her first stage role on the East Coast and Broadway. [15] [6] |
Constable Small | Harlan Briggs | Nov 22, 1943 - Mar 04, 1944 | [15] [20] |
Will H. Philbrick | Mar 06, 1944 - Mar 24, 1944 | [20] [21] | |
William Nunn | Mar 26, 1944 - Apr 23, 1944 | [21] [22] | |
Harlan Briggs | Apr 25, 1944 - Jul 08, 1944 | [22] [6] | |
Bill Phillips | William Barrett | Nov 22, 1943 - Dec 18, 1943 | [15] [16] |
William Blees | Dec 27, 1943 - Mar 24, 1944 | [17] [21] | |
Richard Basehart | Mar 26, 1943 - Jul 08, 1944 | [21] [6] | |
Mary Temple | Mary Barthelmess | Nov 22, 1943 - Jul 08, 1944 | She was the daughter of actor Richard Barthelmess. [15] [6] |
Mr. Cosgrove | John Souther | Nov 22, 1943 - Dec 18, 1943 | This character was dropped after the Philadelphia tryout, and Souther left the cast. [15] [16] |
Arbothnot | George Spelvin | Dec 27, 1943 - Dec 29, 1944 | This character was added with the Norfolk tryout, but Spelvin only lasted until the Richmond tryout. [17] |
Mason Curry | Dec 31, 1943 - Jul 08, 1944 | Curry became "the most mobile corpse on Broadway2 with this part. [19] [6] | |
Lucius Towser | Watson White | Nov 22, 1943 - Dec 18, 1943 | [15] [16] |
Ralph Theadore | Dec 27, 1943 - Jul 08, 1944 | [17] [6] | |
Dr. Russell | Hall Shelton | Nov 22, 1943 - Dec 18, 1943 | [15] [16] |
Richard Rober | Dec 27, 1943 - Jul 08, 1944 | [17] [6] | |
Gail Russell | Helene Heigh | Nov 22, 1943 - Jul 08, 1944 | [15] [6] |
Alice Fisher | Maurine Alexander | Nov 22, 1943 - Jul 08, 1944 | [15] [6] |
Mr. Temple | Royal Dana Tracy | Nov 22, 1943 - Jul 08, 1944 | [15] [6] |
Gilhooley | Robert Toms | Nov 22, 1943 - Jul 08, 1944 | [15] [6] |
Fred Porter | John Lorenz | Nov 22, 1943 - Jul 08, 1944 | [15] [6] |
The first tryout opened in Boston at the Wilbur Theatre on November 22, 1943. [15] The local reviewer noted the audience's enthusiasm for a work that was neither original nor brilliant; its familiarty and stock characters seemed to be what they wanted. [15] After two weeks in Boston, the production moved to Philadelphia, where it opened at the Walnut Theatre on December 6, 1943. [8] The reviewer here was more critical of the play: "'Ramshackle Inn' is a rather ramshackle play, with its crazy quilt plot a farrago of odds and ends of wild melodrama and dizzy farce". [8] The author "has hit upon a few amusing wisecracks. But they are not sufficient to make the play.... hang together or give it the sustained excitement and tension necessary". [8]
After two weeks in Philadelphia, producer Reud announced the production would take a week off to rehearse new material provided by Owen Davis. [2] The revised play replaced the original Nazi spies and saboteurs with a black market liquour-cutting racket. It also dropped one featured character, Mr. Cosgrove, and introduced another, Arbothnot. Six members of the cast were replaced with new actors at this time. The producer then took the unusual step of having the revised production do a four-day tryout at Blair Junior High School auditorium in Norfolk, Virginia. [23] This surprisingly large facility held an audience of up to nine hundred when the revised play debuted there on December 27, 1943. [17] Local reviewer Warner Twyford was kind with the actors, but said of the play: "It is not funny enough to be crackerjack comedy, it is not scary enough to be exciting melodrama, it is not mysterious enough to be a mystery". [17]
The production then went to Richmond for two more days of tryouts, having shed and acquired a supporting actor along the way. [19] Once there, lead actress Luella Gear chose to depart, necessitating replacement Ruth Gates to go on with 24 hours notice. [24] Both local reviewers felt the acting and direction were ok, that star ZaSu Pitts provided sufficient drawing power, but the play itself was flawed. [19] [24]
The play had its premiere at the Royale Theatre on January 5, 1944. [4] According to a columnist, there was some talk about Max Gordon scheduling his premiere of Ruth Gordon's Over 21 on the same date Reud had reserved for Ramshackle Inn, [25] but Reud later revealed he was a follower of Evangeline Adams and had chosen the date according to astrological principles. [fn 1] [26]
Critical reception of the play was unanimous that ZaSu Pitts performed very well in a losing effort, the work itself being fatally flawed. Arthur Pollock of The Brooklyn Eagle said of ZaSu Pitts and the play that it was "no pearl of the comic spirit, but she is a charming buffoon and there are many people who will find the thing funny with her in it". [5] He also credited Pitts with carrying the whole show: "The dialogue has no spring in it whatever. Take away Miss Pitts and there is nothing". [5] Lewis Nichols of The New York Times expressed the hope Miss Pitts might have a better vehicle in her next Broadway appearance. [1] According to Nichols, "'Ramshackle Inn' quite often succeeds in being only sleepy when it means to be hair-raising, and silly when it means to be funny". [1]
John Chapman in the Daily News concurred with other reviewers that Miss Pitts' performance was the main draw, but also mentioned some able support from Joe Downing, Richard Rober, and Harlan Briggs. [4] He called Ramshackle Inn a "tumbledown play" and noted that the audience could only have "a merely mildly exciting time as the plot unfolded like one of Miss Pitts' knee joints". [4] However, there is nothing harder for critics to predict than the popular appeal of a comic farce. By the end of March 1944, Ramshackle Inn had reached its 100th performance, paid off all its production and tryout costs, and was still raking in between twelve and eighteen thousand dollars a week. [27]
The original Broadway run closed at the Royale on July 8, 1944, after 216 performances. [6] Columnist Jack O'Brien ascribed the Broadway closing to "torridity". [28]
As soon as the production closed in New York, it moved to Washington, D.C. for one week at the National Theatre starting July 10, 1944. [9] This was an unusual summer opening at a time when most theaters had no air-conditioning. It then went to Chicago where it opened on July 17, 1944, at the Selwyn Theater. [29]
Role | Actor | Dates | Notes |
---|---|---|---|
Patton | Joe Downing | Jul 10, 1944 - | [9] |
Joyce Rogers | Margaret Callahan | Jul 10, 1944 - | [9] |
Mame Phillips | Cora Witherspoon | Jul 10, 1944 - | [9] |
Belinda Pryde | ZaSu Pitts | Jul 10, 1944 - | [9] |
Constable Small | Harlan Briggs | Jul 10, 1944 - | [9] |
Bill Phillips | Jack Ruth | Jul 10, 1944 - Jul 15, 1944 | Ruth was used just for the Washington D.C. performances. [9] [29] |
Richard Basehart | Jul 17, 1944 - | [29] | |
Mary Temple | Mary Barthelmess | Jul 10, 1944 - | [9] |
Arbothnot | Mason Curry | Jul 10, 1944 - | [9] |
Lucius Towser | Ralph Theadore | Jul 10, 1944 - | [9] |
Dr. Russell | Lucian Self | Jul 10, 1944 - Jul 15, 1944 | [9] [29] |
Joseph Draper | Jul 17, 1944 - | [29] | |
Gail Russell | Helene Heigh | Jul 10, 1944 - | [9] |
Alice Fisher | Delma Byron | Jul 10, 1944 - Jul 15, 1944 | [9] [29] |
Dorothy Benson | Jul 17, 1944 - | [29] | |
Mr. Temple | Royal Dana Tracy | Jul 10, 1944 - Jul 15, 1944 | Tracy committed to Washington D.C. but no farther on the national tour. [9] [29] |
Arthur Griffin | Jul 17, 1944 - | [29] | |
Gilhooley | Robert Toms | Jul 10, 1944 - | [9] |
Fred Porter | John Lorenz | Jul 10, 1944 - | [9] |
Ramshackle Inn was adapted to an hour-long teleplay for the Philco Television Playhouse, with ZaSu Pitts, Joe Downing, Ralph Theadore, and Robert Toms reprising their roles. [30] It was broadcast live on January 2, 1949, [31] and featured Nancy Davis as Mary Temple, Vivian Vance as Joyce Rogers, Gordon Peters as Constable Small, with Lewis Charles, Richard Bishop, Michael Lawson, Joseph Sweeny, and Don De Leo. [32] [33] Recorded on kinescope, it was later rebroadcast on local television stations. [34]
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