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Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art.
Nam June Paik was a South Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Madeline Charlotte Moorman was an American cellist, performance artist, and advocate for avant-garde music. Referred to as the "Jeanne d'Arc of new music", she was the founder of the Annual Avant Garde Festival of New York and a frequent collaborator with Korean American artist Nam June Paik.
Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has increased in popularity as digital video production technology has become more readily accessible. Today, video installation is ubiquitous and visible in a range of environments—from galleries and museums to an expanded field that includes site-specific work in urban or industrial landscapes. Popular formats include monitor work, projection, and performance. The only requirements are electricity and darkness.
Daniel Graham was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Mariko Mori is a Japanese multidisciplinary artist. She is known for her photographs and videos of her hybridized future self, often presented in various guises and featuring traditional Japanese motifs. Her work often explores themes of technology, spirituality and transcendence.
Shigeko Kubota was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it to a "new paintbrush." Kubota is known for constructing sculptural installations with a strong DIY aesthetic, which include sculptures with embedded monitors playing her original videos. She was a key member and influence on Fluxus, the international group of avant-garde artists centered on George Maciunas, having been involved with the group since witnessing John Cage perform in Tokyo in 1962 and subsequently moving to New York in 1964. She was closely associated with George Brecht, Jackson Mac Low, John Cage, Joe Jones, Nam June Paik, and Ay-O, among other members of Fluxus. Kubota was deemed "Vice Chairman" of the Fluxus Organization by Maciunas.
Isa Genzken is a German artist who lives and works in Berlin. Her primary media are sculpture and installation, using a wide variety of materials, including concrete, plaster, wood and textile. She also works with photography, video, film and collage.
Liz Phillips is an American artist specializing in sound art and interactive art. A pioneer in the development of interactive sound sculpture, Phillips' installations explore the possibilities of electronic sound in relation to living forms. Her work has been exhibited at a wide range of major museums, alternative spaces, festivals, and other venues, including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Spoleto Festival USA, the Walker Art Center, Ars Electronica, Jacob's Pillow, The Kitchen, and Creative Time. Phillips' collaborations include pieces with Nam June Paik and the Merce Cunningham Dance Company, and her work has been presented by the Cleveland Orchestra, IBM, and the World Financial Center. She is often associated with, and exhibited alongside other early American sound artists Pauline Oliveros, John Cage and Max Neuhaus.
Janet Biggs is an American visual artist, known for her work in video, photography and interdisciplinary performance art. Biggs lives and works in New York City.
A video sculpture is a type of video installation that integrates video into an object, environment, site or performance. The nature of video sculpture is that it utilizes the material of video in an innovative way in space and time, different from the standard traditional narrative screening where the video has a beginning and end.
Fujiko Nakaya is a Japanese artist, a member of Experiments in Art and Technology, and a promoter, supporter, and practitioner of Japanese video art. She is best known for her fog sculptures.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
A K Dolven is a Norwegian artist. She works across painting, film, sound, sculpture and interventions in public space.
Nan Hoover was a Dutch/American-expatriate artist who is known for her pioneering work in video art, photography and performance art. She spent almost four decades living and working in the Netherlands. She also used the mediums of drawing, painting, photography and film and created art objects and sculptures. One of the main themes of her art was light and motion. The rigorous, minimalist handling of her means as well as the intense concentration with which she performed within spaces of light and shadow are the most salient characteristics of her artistic work.
Sarah Anne Johnson is a Canadian photo-based, multidisciplinary artist working in installation, bronze sculpture, oil paint, video, performance, and dance.
Shirley Tse is a U.S. contemporary artist based in California. Her art is often installation-based, employing sculpture, photography and/or video that may function as stand-alone works or in relation to one another. She explores conceptual themes including plasticity, multiplicity and multi-dimensional thinking, balancing attention to the physical attributes of raw materials, craft, form and socio-political issues such as global mobility, social negotiation and sustainability. Critic Doug Harvey wrote that Tse has "continually produc[ed] elegant and idiosyncratic artifacts that engage the audience formally, while producing a convincing mash-up of late modernist sculptural concerns and something between identity politics and autobiography."
Camille Norment is an Oslo-based multimedia artist who works with sound, installation, sculpture, drawing, performance, and video. Norment also works as a musician and composer. She performs with Vegar Vårdal and Håvard Skaset in the Camille Norment Trio.
Lene Berg is a Norwegian film director and artist, who works in Oslo and Berlin. Her artistic praxis includes film, installation, collage and text-based work. She has produced a number of projects in public spaces and directed four independently produced feature-length films. She represented Norway in the 55th Venice Biennale with the film Dirty Young Loose (2013). In 2022 she was invited to the prestigious Norwegian Festival Exhibition at the Bergen Kunsthall for which she produced the large-scale exhibition Fra Far. In 2023 her novel with the same title was published by Kolon Forlag. She is a member of the Norwegian Visual Artist Guilds NBK & UKS, the Directors Guild of Norway and The Writers Guild of Norway. She co-founded the distribution agency Filmbyrået Jack and the production company VIDEONOVA.
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- Jewels of Kvinesdal (2009) Utsikten Kunstsenter
- Website of Raphaele Shirley Official Website
