An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds.
In the Western Church of the Early and High Middle Ages, a sacramentary was a book used for liturgical services and the mass by a bishop or priest. Sacramentaries include only the words spoken or sung by him, unlike the missals of later centuries that include all the texts of the mass whether read by the bishop, priest, or others. Also, sacramentaries, unlike missals, include texts for services other than the mass such as ordinations, the consecration of a church or altar, exorcisms, and blessings, all of which were later included in Pontificals and Rituals instead.
A missal is a liturgical book containing instructions and texts necessary for the celebration of Mass throughout the liturgical year. Versions differ across liturgical tradition, period, and purpose, with some missals intended to enable a priest to celebrate Mass publicly and others for private and lay use. The texts of the most common Eucharistic liturgy in the world, the Catholic Church's Mass of Paul VI of the Roman Rite, are contained in the 1970 edition of the Roman Missal. Missals have also been published for earlier forms of the Roman Rite and other Latin liturgical rites. Other liturgical books typically contain the Eucharistic liturgies of other ritual traditions, but missals exist for the Byzantine Rites, Eastern Orthodox Western Rites, and Anglican liturgies.
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance. However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own. In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, and important monasteries, as well as the court circles of the emperor and his leading vassals.
The Church of St. Michael is an early-Romanesque church in Hildesheim, Germany. It has been on the UNESCO World Cultural Heritage list since 1985 because of its outstanding Romanesque architecture and art. It is now a shared church, the main church being Lutheran and the crypt being Roman Catholic.
Hildesheim Cathedral, officially the Cathedral of the Assumption of Mary or simply St. Mary's Cathedral, is a medieval Roman Catholic cathedral in the city centre of Hildesheim, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.
Bernward was the thirteenth Bishop of Hildesheim from 993 until his death in 1022.
The Joshua Roll is a Byzantine illuminated manuscript of highly unusual format, probably of the 10th century Macedonian Renaissance, believed to have been created by artists of the imperial workshops in Constantinople, and is now held in the Vatican Library.
The Leofric Missal is an illuminated manuscript, not strictly a conventional missal, from the 10th and 11th century, now in the Bodleian Library at Oxford University where it is catalogued as MS Bodl. 579.
The term Cross of Bernward principally refers to two Ottonian crosses in the cathedral museum in Hildesheim:
The Hezilo chandelier is an 11th-century Romanesque wheel chandelier. It is part of the treasures of the Hildesheim Cathedral in Hildesheim, Germany, which has been a UNESCO World Cultural Heritage site since 1985. The chandelier was most likely commissioned by Bishop Hezilo of Hildesheim, who rebuilt the cathedral after a fire. He probably also influenced the program of imagery and inscriptions. It is the largest of four extant wheel chandeliers of the period; the others surviving examples are the Azelin chandelier, the Barbarossa chandelier in the Aachen Cathedral, and the Hartwig chandelier in the Abbey of Comburg.
The Bernward Doors are the two leaves of a pair of Ottonian or Romanesque bronze doors, made c. 1015 for Hildesheim Cathedral in Germany. They were commissioned by Bishop Bernward of Hildesheim (938–1022). The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art, and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.
The Bernward Column also known as the Christ Column is a bronze column, made c. 1020 for St. Michael's Church in Hildesheim, Germany, and regarded as a masterpiece of Ottonian art. It was commissioned by Bernward, thirteenth bishop of Hildesheim in 1020, and made at the same time. It depicts images from the life of Jesus, arranged in a helix similar to Trajan's Column: it was originally topped with a cross or crucifix. During the 19th century, it was moved to a courtyard and later to Hildesheim Cathedral. During the restoration of the cathedral from 2010 to 2014, it was moved back to its original location in St. Michael's, but was returned to the Cathedral in August 2014.
St. Godehard is a church in Hildesheim, Germany, formerly the church of a Benedictine abbey. It remained almost unaltered through the centuries and was not damaged much in World War II. It is one of the most important examples of Romanesque architecture in Germany.
The Hildesheim Cathedral Museum is the treasury and diocesan museum of Hildesheim, which illustrates over a thousand years of art and church history in Lower Saxony. It is located in historic rooms off the southern transept of the Hildesheim Cathedral. During the cathedral renovations of 2010, the nearby church of St Antonius and part of the cathedral cloisters were converted into display rooms for the museum.
The Rich Bernward Gospels are a richly decorated evangeliary in the Hildesheim Cathedral Museum. It was a donation of Bernward, Bishop of Hildesheim, to his foundation St. Michael's, specifically for the altar to Mary in the crypt below the west choir, which was consecrated in 1015 and which he had designated as his tomb.
The Sacramentary of Henry II, also called the Regensburg Sacramentary, is a manuscript of liturgical texts, which was created in Regensburg at the order of Emperor Henry II. It is among the most significant works of Ottonian illumination. The manuscript was gifted to Bamberg Cathedral by Henry II, was part of the Cathedral treasury until 1803 when it became part of the Bavarian State Library as a result of Secularisation. It remains there today, stored under the inventory number clm 4456. It is modelled on the Codex Aureus of St. Emmeram donated by Charles the Bald in 870.
A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself. The miniature is thus symbolic, and presumably represents an event in the future. Usually it is found at the start of the volume, as a frontispiece before the main text, but may also be placed at the end, as in the Vivian Bible, or at the start of a particular text in a collection.
The Stammheim Missal is an illuminated manuscript Roman missal now in the J. Paul Getty Museum, acquired from the barons of Fürstenberg's private collection; they sold it to raise funds to repair Schloss Körtlinghausen. A Carolingian ivory diptych had been used on or for its binding, but was removed in 1904 and was in the State Museums of Berlin until 1945, when it disappeared after the museum was bombed.
St. Bernward is a Catholic church and parish in Döhren, part of Hanover, the capital of Lower Saxony, Germany. It was consecrated in 1893.
