The bibliography of Raymond Carver consists of 72 short stories, 306 poems, a novel fragment, a one-act play, a screenplay co-written with Tess Gallagher, and 32 pieces of non-fiction (essays, a meditation, introductions, and book reviews). In 2009, the 17 stories collected in What We Talk About When We Talk About Love were published in their manuscript form, prior to Gordon Lish's extensive editing, under the title Beginners . [1]
Raymond Carver's complete published works are collected in the following volumes:
Two texts which are not included in any of the collections above were published separately:
Title | Publisher | Contents | Notes |
---|---|---|---|
Near Klamath | Sacramento: English Club of Sacramento State College (1968) | ||
Winter Insomnia | Santa Cruz: Kayak (1970) | ||
At Night the Salmon Move | Santa Barbara: Capra (1976) | ||
Will You Please Be Quiet, Please? | New York: McGraw-Hill (1976) | 22 short stories | |
Furious Seasons and Other Stories | Santa Barbara: Capra (1977) | 8 short stories | |
What We Talk About When We Talk About Love | New York: Knopf (1981) | 17 short stories | |
Fires: Essays, Poems, Stories | Santa Barbara: Capra (1983); New York: Vintage (1984); New York: Vintage Contemporaries (1989) | 2 essays, 50 poems, 7 short stories | |
Cathedral | New York: Knopf (1983); London: Collins (1984) | 12 short stories | |
Dostoevsky | Santa Barbara: Capra (1985) | A Screenplay | Written with Tess Gallagher |
Where Water Comes Together with Other Water | New York: Random House (1985) | 80 poems | |
Ultramarine | New York: Random House (1986) | 84 poems | |
Where I'm Calling From: New and Selected Stories | New York: Atlantic Monthly (1988); Franklin Center, PA: Franklin Library (1988) | 37 short stories | |
A New Path to the Waterfall | New York: Atlantic Monthly (1989) | 73 poems | |
No Heroics, Please: Uncollected Writings | London: Collins Harvill (1991); New York: Vintage Contemporaries (1992) | stories, 19 poems and book reviews | |
Short Cuts: Selected Stories | New York: Vintage (1993) | 9 short stories, 1 poem | Released to accompany Short Cuts film (1993) |
All of Us: The Collected Poems | New York: Vintage (2000) | 306 poems | |
Call If You Need Me: The Uncollected Fiction and Other Prose | New York: Vintage (2001) | 10 stories, 1 novel fragment, 32 pieces of nonfiction | |
Collected Stories | New York: Library of America (2009) | 90 stories, 4 essays, 1 novel fragment | |
Title | Publisher | Contents | Notes |
---|---|---|---|
The Stories of Raymond Carver | London: Picador (1985) | 51 stories | Complete contents of Will You Please Be Quiet, Please?, What We Talk About When We Talk About Love, and Cathedral |
In a Marine Light: Selected Poems | London: Collins Harvill, (1987) | ||
Elephant and Other Stories | London: Collins Harvill (1988) | 7 short stories | Includes the 7 new stories collected in Where I'm Calling From |
Beginners | London: Chatto Bodley Head & Cape (2009) | 17 stories | Manuscript version of stories included in What We Talk About When We Talk About Love |
Title | Publisher | Contents |
---|---|---|
Put Yourself in My Shoes | Santa Barbara: Capra (1974) | 1 short story |
The Pheasant | Worcester, MA: Metacom (1982) | 1 short story |
Two Poems | Salisbury, MD: Scarab (1982) | 2 poems |
If It Please You | Northridge, CA: Lord John (1984) | 1 short story |
My Father's Life | Derry, NH: Babcock & Koontz (1986) | Biographical essay |
Two Poems | Concord, NH: Ewert (1986) | 2 poems |
Those Days: Early Writings by Raymond Carver | Elmwood, CT: Raven (1987) | 11 poems, 1 short story |
Title | Originally published in | Collected in: | Notes |
---|---|---|---|
"Fat" | Harper's Bazaar , September 1971 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"Neighbors" | Esquire , June 1971 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"The Idea" | Northwest Review , 1971-72 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"They're Not Your Husband" | Chicago Review , 1973 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"Are You a Doctor?" | Fiction , 1973 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"The Father" | Toyon, 1961 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"Nobody Said Anything" | Seneca Review , 1970 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"Sixty Acres" | Discourse, 1969 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"What's in Alaska?" | Iowa Review , 1972 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"Night School" | North American Review , 1971 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"Collectors" | Esquire, August 1975 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"What Do You Do in San Francisco?" | Colorado State Review, 1967 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"The Student's Wife" | Carolina Quarterly , 1964 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"Put Yourself in My Shoes" | Iowa Review, 1972 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"Jerry and Molly and Sam" | Perspective, 1972 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"Why, Honey?" | Sou'wester, 1972 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"The Ducks" | Carolina Quarterly, 1963 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"How About This?" | Western Humanities Review , 1970 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"Bicycles, Muscles, Cigarets" | Kansas Quarterly, 1973 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | |
"What Is It?" | Esquire, 1972 | Will You Please Be Quiet, Please? (1976); Where I'm Calling From (1988); Collected Stories (2009) | Titled "Are These Actual Miles?" in Where I'm Calling From (1988) |
"Signals" | December , 1970 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"Will You Please Be Quiet, Please?" | December, 1966 | Will You Please Be Quiet, Please? (1976); Collected Stories (2009) | |
"Pastoral" | Western Humanities Review , Winter 1963 | Furious Seasons and Other Stories (1977); Collected Stories (2009) | |
"Furious Seasons" | Selection, Winter 1960-1961 | Furious Seasons and Other Stories (1977); Collected Stories (2009) | |
"Why Don't You Dance?" | Quarterly West , 1978 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"Viewfinder" | Quarterly West, 1978 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"Mr. Coffee and Mr. Fixit" | TriQuarterly , 1980 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"Gazebo" | Missouri Review , 1980 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"I Could See the Smallest Things" | Missouri Review, 1980 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"Sacks" | Perspective, 1974 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"The Bath" | Columbia, 1981 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). Republished as "A Small, Good Thing" in rewritten and expanded form in Cathedral. |
"Tell the Women We're Going" | Sou'wester, 1971 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"After the Denim" | New England Review , 1981 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"So Much Water So Close to Home" | Spectrum, 1975 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"The Third Thing That Killed My Father" | Discourse, 1967 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"A Serious Talk" | Playgirl , 1980 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"The Calm" | Iowa Review, 1979 | What We Talk About When We Talk About Love (1981); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"Popular Mechanics" | Playgirl, March 1978 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Titled "Little Things" in Where I'm Calling From (1988); manuscript version titled "Mine" appears in Beginners (2009) and Collected Stories (2009). |
"Everything Stuck to Him" | Chariton Review, Fall 1975 (as "Distance") | Furious Seasons and Other Stories (1977); Fires (1983); What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Titled "Distance" in Where I'm Calling From (1988) Manuscript version titled "Distance" appears in Beginners (2009) and Collected Stories (2009). |
"What We Talk About When We Talk About Love" | Antaeus , 1981 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"One More Thing" | North American Review, 1979 | What We Talk About When We Talk About Love (1981); Where I'm Calling From (1988); Collected Stories (2009) | Manuscript version appears in Beginners (2009) and Collected Stories (2009). |
"The Lie" | Sou'wester, 1971 | Fires (1983); Collected Stories (2009) | |
"The Cabin" | Western Humanities Review, 1963 | Fires (1983); Collected Stories (2009) | |
"Harry's Death" | Eureka Review, 1975-76 | Fires (1983); Collected Stories (2009) | |
"The Pheasant" | Occident, 1973 | Fires (1983); Collected Stories (2009) | |
"Feathers" | The Atlantic Monthly, September 1982 | Cathedral (1983); Collected Stories (2009) | |
"Chef's House" | The New Yorker , November 30, 1981 | Cathedral (1983); Collected Stories (2009) | |
"Preservation" | Grand Street , 1983 | Cathedral (1983); Collected Stories (2009) | |
"The Compartment" | Granta , June 1983 | Cathedral (1983); Collected Stories (2009) | |
"A Small, Good Thing" | Columbia, 1981 | Cathedral (1983); Collected Stories (2009) | Originally published as "The Bath" in What We Talk About When We Talk About Love in a shorter form. |
"Vitamins" | Granta, March 1981 | Cathedral (1983); Collected Stories (2009) | |
"Careful" | The Paris Review , 1983 | Cathedral (1983); Collected Stories (2009) | |
"Where I'm Calling From" | The New Yorker, March 15, 1982 | Cathedral (1983); Collected Stories (2009) | |
"The Train" | Antaeus, 1983 | Cathedral (1983); Collected Stories (2009) | |
"Fever" | North American Review, 1983 | Cathedral (1983); Collected Stories (2009) | |
"The Bridle" | The New Yorker, July 19, 1982 | Cathedral (1983); Collected Stories (2009) | |
"Cathedral" | The Atlantic Monthly, September 1981 | Cathedral (1983); Where I'm Calling From (1988); Collected Stories (2009) | |
"Boxes" | The New Yorker, February 24, 1986 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"Whoever Was Using This Bed" | The New Yorker, April 28, 1986 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"Intimacy" | Esquire, August 1986 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"Menudo" | Granta, 1987 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"Elephant" | The New Yorker, June 9, 1986 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"Blackbird Pie" | The New Yorker, July 7, 1986 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"Errand" | The New Yorker, June 1, 1987 | Where I'm Calling From (1988); Elephant and Other Stories (1988); Collected Stories (2009) | |
"The Hair" | Toyon, 1963 | Call If You Need Me (2000); Collected Stories (2009) | |
"The Aficionados" | Toyon, 1963 | Call If You Need Me (2000); Collected Stories (2009) | |
"Poseidon and Company" | Toyon, 1963 | Call If You Need Me (2000); Collected Stories (2009) | |
"Bright Red Apples" | Gato Magazine, 1967 | Call If You Need Me (2000); Collected Stories (2009) | |
"Kindling" | Esquire, July 1999 | Call If You Need Me (2000); Collected Stories (2009) | |
"What Would You Like to See?" | The Guardian , June 24, 2000 | Call If You Need Me (2000); Collected Stories (2009) | |
"Dreams" | Esquire, August 2000 | 'Call If You Need Me (2000); Collected Stories (2009) | |
"Vandals" | Esquire, October 1999 | Call If You Need Me (2000); Collected Stories (2009) | |
"Call If You Need Me" | Granta, 1999 | Call If You Need Me (2000); Collected Stories (2009) |
Carver's 306 poems are collected in All Of Us (1996) after previously appearing in the collections: Near Klamath (1968), Winter Insomnia (1970), At Night The Salmon Move (1976), Fires (1983), Where Water Comes Together With Other Water (1985), This Water (1985), Ultramarine (1986), Early For The Dance (1986), Those Days: Early Writings By Raymond Carver: Eleven Poems And A Story (1987), In A Marine Light: Selected Poems (1987), A New Path To The Waterfall (1989), and No Heroics, Please (1991).
Notable poems include "Photograph of My Father in His Twenty-Second Year", which grew out of the essay "My Father's Life", and "Gravy", which was published in The New Yorker in August 1988 following Carver's death. The poems "Late Fragment" and "Gravy" are both inscribed on his tombstone.
Title | Originally published in | Collected in: | Notes |
---|---|---|---|
"My Father's Life" | Esquire , September 1984 | Fires (1983); Collected Stories (2009) | |
"On Writing" | The New York Times Book Review , 15 February 1981 (as "A Storyteller's Shoptalk") | Fires (1983); Collected Stories (2009) | |
"Fires" | Antaeus, Autumn 1982 | Fires (1983); Collected Stories (2009) | Appears in anthology In Praise of What Persists (1983) |
"On Where I'm Calling From" | Where I'm Calling From (1988) (as "A Special Message for the First Edition") | No Heroics, Please (1991); Call If You Need Me (2001); Collected Stories (2009) | |
"John Gardner: The Writer as Teacher" | Georgia Review, Summer 1983 (as "John Gardner: Writer and Teacher") | Call If You Need Me (2001) | Reprinted as foreword to Gardner's On Becoming a Novelist (1983) |
"Friendship" | Granta, Autumn 1988 | Call If You Need Me (2001) | |
"Meditation on a Line from Saint Teresa" | Commencement, 15 May 1988 untitled statement | Call If You Need Me (2001) |
Title | Published in: | Collected in: |
---|---|---|
On "Neighbors" | Cutting Edges: Young American Fiction for the '70s, ed. Jack Hicks (New York: Holt, Rinehart and Winston, 1973) | Call If You Need Me |
On "Drinking While Driving" | New Voices in American Poetry, ed. David Allan Evans (Cambridge, Massachusetts: Winthrop Publishers, 1973) | Call If You Need Me |
On Rewriting | Afterward to Fires: Essays, Poems, Stories, (Santa Barbara, California: Capra Press, 1983) | Call If You Need Me |
On the Dosotevsky Screenplay | Introduction to Dostoevsky: A Screenplay (Santa Barbara, California: Capra Press, 1985) | Call If You Need Me |
On "Bobber" and Other Poems | The Generation of 2000: Contemporary American Poets ed. William Heyen (Princeton, New Jersey: Ontario Review Press, 1984) | Call If You Need Me |
On "For Tess" | Literary Cavalcade 39, no. 7 (Scholastic, Inc. New York, April 1987) | Call If You Need Me |
On "Errand" | The Best American Short Stories 1988 (Boston: Houghton Mifflin, 1988) | Call If You Need Me |
On Where I'm Calling From | Foreword to Where I'm Calling From (New York: Atlantic Monthly, 1988); | Call If You Need Me |
Title | Introduction to: | Collected in: |
---|---|---|
Steering by the Stars | Syracuse Poems and Stories 1980 Syracuse University, 1980 | Call If You Need Me |
All My Relations | Call If You Need Me | |
The Unknown Chekhov | Call If You Need Me | |
Fiction of Occurrence and Consequence (with Tom Jenks) | Call If You Need Me | |
On Contemporary Fiction | Call If You Need Me | |
On Longer Stories | Call If You Need Me |
Title | Books reviewed | Published in: | Collected in: |
---|---|---|---|
Big Fish, Mythical Fish | My Moby Dick by William Humphrey | Chicago Tribune Book World, 29 October 1978 | Call If You Need Me |
Barthelme's Inhuman Comedies | Great Days by Donald Barthelme | Chicago Tribune Book World, 28 January 1978 | Call If You Need Me |
Rousing Tales | Call If You Need Me | ||
Bluebeard Mornings, Storm Warnings | Call If You Need Me | ||
A Gifted Novelist at the Top of His Game | Call If You Need Me | ||
Fiction That Throws Light on Blackness | Call If You Need Me | ||
Brautigan Serves Werewolf Berries and Cat Cantaloupe | Call If You Need Me | ||
McGuane Goes After Big Game | Call If You Need Me | ||
Richard Ford's Stark Vision of Loss, Healing | Call If You Need Me | ||
A Retired Acrobat Falls under the Spell of a Teenage Girl | Call If You Need Me | ||
"Fame Is No Good, Take It from Me" | Call If You Need Me | ||
Coming of Age, Going to Pieces | Call If You Need Me |
At College
Carver's first publication was in the Chico State student newspaper, The Wildcat, on October 31, 1958. His contribution was a letter to the editor entitled "Where Is Intellect?", which complained about the apathy of students on campus. In 1962, Carver wrote an absurdist one-act play entitled Carnations, which was staged on his college's campus on May 11 and received mostly negative feedback. The play was published in 1992 by Engdahl Typography.[ citation needed ]
A fragment of Carver's unfinished novel The Augustine Notebooks was published in Iowa Review (Summer 1979), and later collected in Call If You Need Me (2000) and Collected Stories (2009). Additionally, Carver had accepted an advance on an unwritten novel from McGraw-Hill and planned to write a novel he imagined as "an African Queen sort of thing" set in German East Africa after World War I. [2] Carver later admitted he stopped working on the novel after two weeks, and it appears that nothing of it exists beyond the published fragment.[ citation needed ]
Michael Cimino Screenplays
In 1982, Carver was approached by director Michael Cimino with the idea of reworking a screenplay on the life of Fyodor Dostoevsky. Carver asked Tess Gallagher to assist him in the project. The movie was never produced but the screenplay, entitled Dostoevsky, was published by Capra (Santa Barbara, 1985). [3]
Carver and Cimino later collaborated on a screenplay which the two completed in fall of 1983. [3] [4] Tentatively called Purple Lake, the film was to be a contemporary Western "about the rehabilitation of juvenile felons," as described by The New York Times . [5] This screenplay is now considered lost.[ citation needed ]
At an unspecified date, Cimino also claimed to have co-written another screenplay with Carver on the life of the American poet Thomas McGrath. [6]
Carver served as the founding editor of the Chico State literary magazine Selection in 1960 and the UC Santa Cruz journal Quarry (later Quarry West) in 1971. He also edited the Spring 1963 issue of Toyon at Humboldt State. Carver also selected the contents for the book Syracuse Poems and Stories 1980 (Syracuse, N.Y.: Department of English, Syracuse University, 1980). He also selected, along with Shannon Ravenel, the stories included in The Best American Short Stories 1986 (Boston: Houghton Mifflin, 1986) and edited American Short Story Masterpieces (New York: Delacorte Press, 1987) with Tom Jenks.
Anton Pavlovich Chekhov was a Russian playwright and physician. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress."
The Hopwood Awards are a major scholarship program at the University of Michigan, founded by Avery Hopwood.
Raymond Clevie Carver Jr. was an American short story writer and poet. He published his first collection of stories, Will You Please Be Quiet, Please?, in 1976. His breakout collection, What We Talk About When We Talk About Love (1981), received immediate acclaim and established Carver as an important figure in the literary world. It was followed by Cathedral (1983), which Carver considered his watershed and is widely regarded as his masterpiece. The definitive collection of his stories, Where I'm Calling From, was published shortly before his death in 1988. In their 1989 nomination of Carver for the Pulitzer Prize for Fiction, the jury concluded, "The revival in recent years of the short story is attributable in great measure to Carver's mastery of the form."
Michael Antonio Cimino was an American film director, screenwriter, producer and author. Notorious for his obsessive attention to detail and determination for perfection, Cimino achieved fame with The Deer Hunter (1978), which won five Academy Awards, including Best Picture and Best Director.
Tess Gallagher is an American poet, essayist, and short story writer. Among her many honors were a fellowship from the Guggenheim Foundation, National Endowment for the Arts award, Maxine Cushing Gray Foundation Award.
Constance Clara Garnett was an English translator of nineteenth-century Russian literature. She was the first English translator to render numerous volumes of Anton Chekhov's work into English and the first to translate almost all of Fyodor Dostoevsky's fiction into English. She also rendered works by Ivan Turgenev, Leo Tolstoy, Nikolai Gogol, Ivan Goncharov, Alexander Ostrovsky, and Alexander Herzen into English. Altogether, she translated 71 volumes of Russian literature, many of which are still in print today.
Ploughshares is an American literary journal established in 1971 by DeWitt Henry and Peter O'Malley in The Plough and Stars, an Irish pub in Cambridge, Massachusetts. Since 1989, Ploughshares has been based at Emerson College in Boston. Ploughshares publishes issues four times a year, two of which are guest-edited by a prominent writer who explores personal visions, aesthetics, and literary circles. Guest editors have been the recipients of Nobel and Pulitzer prizes, National Book Awards, MacArthur and Guggenheim fellowships, and numerous other honors. Ploughshares also publishes longform stories and essays, known as Ploughshares Solos, all of which are edited by the editor-in-chief, Ladette Randolph, and a literary blog, launched in 2009, which publishes critical and personal essays, interviews, and book reviews.
John Raymond Knister was a Canadian poet, novelist, story writer, columnist, and reviewer, "known primarily for his realistic narratives set in rural Canada ... Knister was a highly respected member of the Canadian literary community during the 1920s and early 1930s, and recent criticism has acknowledged him as a pioneer in establishing a distinctively modern voice in Canadian literature."
Richard Pevear and Larissa Volokhonsky are literary translators best known for their collaborative English translations of classic Russian literature. Individually, Pevear has also translated into English works from French, Italian, and Greek. The couple's collaborative translations have been nominated three times and twice won the PEN/Book-of-the-Month Club Translation Prize. Their translation of Dostoevsky's The Idiot also won the first Efim Etkind Translation Prize.
A sketch story, literary sketch or simply sketch, is a piece of writing that is generally shorter than a short story, and contains very little, if any, plot. The genre was invented after the 16th century in England, as a result of increasing public interest in realistic depictions of "exotic" locales. The term was most popularly used in the late nineteenth century. As a literary work, it is also often referred to simply as "the sketch".
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David Magarshack was a British translator and biographer of Russian authors, best remembered for his translations of Dostoevsky and Nikolai Gogol.
Carol Sklenicka is an American biographer and literary scholar known for her authoritative, full-scale biographies of two important figures in late twentieth-century American literature: acclaimed short story masters Raymond Carver and Alice Adams.
Jeremy Brooks was a novelist, poet, and dramatist. He is best known for his novels and for his stage adaptations of classic works, particularly a series of Maxim Gorky plays for the Royal Shakespeare Company. His novels were praised for their lyricism and for their "Chekhovian mixture of comic concision and pathos". Anthony Burgess, in The Novel Now said "Jeremy Brooks has come to considerable stature in Jampot Smith and Smith, as Hero: he has created one of the few really large picaresque characters in the post-war novel."
Beginners is the title given to the manuscript version of Raymond Carver's 1981 short story collection What We Talk About When We Talk About Love, published with the permission of Carver's widow Tess Gallagher in 2009.
Numéro Cinq was an online international journal of arts and letters founded in 2010 by the Governor-General's Award-winning Canadian novelist Douglas Glover. Numéro Cinq published a wide variety of new and established artists and writers with a bent toward the experimental, hybrid works, and work in translation as well as essays on the craft and art of writing. Its last issue appeared in August 2017.
Ieronim Ieronimovich Yasinsky was a Russian novelist, poet, literary critic and essayist. Among the numerous pseudonyms he used, were Maxim Belinsky, Nezavisimy and M.Tchunosov.
The Story of an Unknown Man, translated also as The Story of a Nobody and An Anonymous Story, is an 1893 novella by Anton Chekhov first published by Russkaya Mysl, in Nos. 2 and 3 1893 issues. In a revised version Chekhov included into Volume 6 of his Collected Works, published by Adolf Marks in 1899–1901.
"Peasants" is an 1897 novella by Anton Chekhov. Upon its publication it became a literary sensation of the year, caused controversy but in retrospect is regarded as one of Chekhov's masterpieces.
The Great Chain of Unbeing is the eighth fiction book by Andrew Crumey, published by Dedalus Books in 2018. It was shortlisted for Scotland's National Book Awards and nominated for the British Science Fiction Awards. The title alludes to the great chain of being and the book consists of stories that range widely in theme and style but are subtly linked. The book has been variously interpreted as a short story collection or novel.