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Reading Egyptian Art: A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture is a 1992 primer on Egyptian hieroglyphs written by English archaeologist Richard H. Wilkinson.The book was written from the viewpoint of seeing hieroglyphs in the context of their use in iconography of sculpture, monuments, reliefs, tomb reliefs, literature, specifically the corpus of The Book of the Dead versions for various deceased Egyptians, and other areas.
The book is arranged sequentially with the 26 categories of Gardiner's Sign List. Each entry is a detailed write-up, and a facing page of one to six graphic or photo examples, elucidating the hieroglyphs usage.
The ankh or key of life is an ancient Egyptian hieroglyphic symbol that was most commonly used in writing and in Egyptian art to represent the word for "life" and, by extension, as a symbol of life itself.
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
Scorpion II, also known as King Scorpion, was a ruler during the Protodynastic Period of Upper Egypt.
Deshret was the formal name for the Red Crown of Lower Egypt and for the desert Red Land on either side of Kemet, the fertile Nile river basin. When combined with the Hedjet of Upper Egypt, it forms the Pschent, in ancient Egyptian called the sekhemti.
Gardiner's Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs.
This is a glossary of ancient Egypt artifacts.
The ancient Egyptian Man-prisoner is one of the oldest hieroglyphs from Ancient Egypt. An iconographic portrayal from predynastic Egypt eventually led to its incorporation into the writing system of the Egyptian language. Not only rebels from towns or districts, but foreigners from battle were being portrayed.
The ancient Egyptian Hand hieroglyph is an alphabetic hieroglyph with the meaning of "d"; it is also used in the word for 'hand', and actions that are performed, i.e. by the 'way of one's hands', or actions.
The Throw stick hieroglyph of ancient Egypt is an old hieroglyph that dates from the Predynastic Period; it is from the assemblage of hieroglyphs used on the ornamental, or ceremonial cosmetic palettes. It is used on the palettes both as a throwing-stick weapon in the animal hunt being portrayed-(the Hunters Palette), as well as on certain palettes, as a determinative referring to a "foreigner", or "foreign territory".
The Bull Palette is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255.
The fish palettes of predynastic Egypt are one of the common types of cosmetic palettes, or more specifically zoomorphic palettes, which are shaped in the form of the animal portrayed. The fish palettes are mostly ovoid in shape.
Ancient Egyptian Hieroglyphs: A Practical Guide is one of the modern primers on the Egyptian language and hieroglyphs, from the late 20th to early 21st century.
The Jubilee Festival for the Pharaoh, the Heb Sed is represented in hieroglyphs by a Jubilee Pavilion Hieroglyph. It is Gardiner Sign Listed as no. O23. However it often appears with other pavilion, or festival hieroglyphs: the Hall, no. O22,
The ancient Egyptian Townsite-city-region (hieroglyph) is Gardiner sign listed no. O49 for the intersection of a town's streets. In some Egyptian hieroglyphs books it is called a City Plan.
The ancient Egyptian Sail hieroglyph is Gardiner sign listed no. P5 for the sail of a ship. The hieroglyph shows a hoisted sail, curved because of wind filling it. It is used in Egyptian hieroglyphs as a determinative for words related to wind, air, breath, sailors,, floods-(of the Nile), etc. Also an ideogram in 'puff', 'wind', Egyptian (tsh)3w-(ṯau).
In ancient Egyptian art, the Set animal, or sha, is the totemic animal of the god Set. Because Set was identified with the Greek Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast.
The ancient Egyptian Scribe equipment hieroglyph 𓏞, or its reversed form 𓏟, portrays the equipment of the scribe. Numerous scribes used the hieroglyph in stating their name, either on papyrus documents, but especially on statuary or tomb reliefs.
Crocodile is the provisional name of a predynastic ruler, who might have ruled during the late Naqada III epoch. The few alleged ink inscriptions showing his name are drawn very sloppily, and the reading and thus whole existence of king "Crocodile" are highly disputed. His tomb is unknown.