Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist ( ISBN 0-19-506071-7) is a book by Hazel Carby that was published in 1987. It documents the history of writing by American black women in the 1800s and early 1900s. It was positively received, being referred to as a landmark study and a groundbreaking work.
Reconstructing Womanhood analyzes writings from black women in the nineteenth and early twentieth centuries, as well as examines the social, political, and historical landscapes in which these works were produced.
Carby describes the history and politics of American black women along with their writings. She writes about racial topics including the imagined danger of black men raping white women, the lynching of black people, racism from white women, black women's organizations, and white supremacy. The black women writers featured used their writing for social justice, but they were unable to accomplish their goals. [1] The book covers the first century of writing by black women. Specifying by Susan Willis has been stated to be sort of a continuation of Reconstructing Womanhood due to Specifying covering the second century of black women authors. Willis's book deals with "contradiction and struggle" while Carby's book has to do with the "nationalist-capitalist system" and black women authors envisioning "social change". [2] The book documents the history of writing by American black women in fiction, feminist writings, literary criticism, and their lives throughout the late 1800s and early 1900s. Other chapters detail the thoughts of black women having exotic sexuality and how black women were separated from white women in American politics. Writings that are discussed include Our Nig from 1859, Incidents in the Life of a Slave Girl in 1861, Iola Leroy in 1892, and Quicksand in 1928. [2] Carby thinks that the novel Iola Leroy not being well received by literary scholars is an example of such writings from that time period being neglected. The last chapter details more modern fiction written by black women, while also focusing on individual writers. [3] Carby argues that literature by American black women started a new "black womanhood" during the 1800s and that the 19th century was the "first writing renaissance" for those writers rather than the 1970s. [4]
Jewelle Gomez wrote in The Nation that Carby's "more formal style makes her book less accessible, but she does offer some important observations about the development of Afro-American women novelists." [5] Angelo Costanzo of American Literature that "Carby convinces us that the time was rich with the voices of many women who were unafraid to express themselves in truthful and courageous ways". [6] Alison Donnell wrote in her book Companion to Contemporary Black British Culture that Reconstructing Womanhood is Carby's "landmark study". [7] Elizabeth Kowaleski-Wallac said in the Encyclopedia of Feminist Literary Theory that Reconstructing Womanhood is a "groundbreaking work". [8]
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Womanism is a term originating from the work of African American author Alice Walker in her 1983 book In Search of Our Mother's Garden: Womanist Prose, denoting a movement within feminism, primarily championed by Black feminists. Walker coined the term "womanist" in the short story Coming Apart in 1979. Her initial use of the term evolved to envelop a spectrum of issues and perspectives facing black women and others.
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African American writers have been recognized by the highest awards, including the Nobel Prize given to Toni Morrison in 1993. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Hazel Vivian Carby is Professor Emerita of African American Studies and of American Studies. She served as Charles C. and Dorathea S. Dilley Professor of African American Studies and American Studies at Yale University.
Iola Leroy, or Shadows Uplifted, an 1892 novel by Frances E. W. Harper, is one of the first novels published by an African-American woman. While following what has been termed the "sentimental" conventions of late nineteenth-century writing about women, it also deals with serious social issues of education for women, passing, miscegenation, abolition, reconstruction, temperance, and social responsibility.
Pauline Elizabeth Hopkins was an American novelist, journalist, playwright, historian, and editor. She is considered a pioneer in her use of the romantic novel to explore social and racial themes, as demonstrated in her first major novel Contending Forces: A Romance Illustrative of Negro Life North and South. In addition, Hopkins is known for her significant contributions as Editor for the Colored American Magazine, which was recognized as being among the first periodicals specifically celebrating African American culture through short stories, essays and serial novels. She is also known to have had connections to other influential African Americans of the time, such as Booker T. Washington and William Wells Brown.
Michele Faith Wallace is a black feminist author, cultural critic, and daughter of artist Faith Ringgold. She is best known for her 1979 book Black Macho and the Myth of the Superwoman. Wallace's writings on literature, art, film, and popular culture have been widely published and have made her a leader of African-American intellectuals. She is a Professor of English at the City College of New York and the Graduate Center of the City University of New York (CUNY).
Barbara T. Christian was an American author and professor of African-American Studies at the University of California, Berkeley. Among several books, and over 100 published articles, Christian was most well known for the 1980 study Black Women Novelists: The Development of a Tradition.
Jewelle Lydia Gomez is an American author, poet, critic and playwright. She lived in New York City for 22 years, working in public television, theater, as well as philanthropy, before relocating to the West Coast. Her writing—fiction, poetry, essays and cultural criticism—has appeared in a wide variety of outlets, both feminist and mainstream. Her work centers on women's experiences, particularly those of LGBTQ women of color. She has been interviewed for several documentaries focused on LGBT rights and culture.
Cheryl L. Clarke is an American lesbian poet, essayist, educator and a Black feminist community activist who continues to dedicate her life to the recognition and advancement of Black and Queer people. Her scholarship focuses on African-American women's literature, black lesbian feminism, and the Black Arts Movement in the United States. For over 40 years, Cheryl Clarke worked at Rutgers, the State University of New Jersey, and maintains a teaching affiliation with the Graduate Faculty of the Department of Women and Gender Studies, though retired. In addition, Clarke serves on the board of the Newark Pride Alliance. She currently lives in Hobart, New York, the Book Village of the Catskills, after having spent much of her life in New Jersey. With her life partner, Barbara Balliet, she is co-owner of Bleinheim Hill Books, a new, used, and rare bookstore in Hobart. Actively involved in her community, Clarke along with her sister Breena Clarke, a novelist, organizes the Hobart Festival of Women Writers each September
Conditions was a lesbian feminist literary magazine that came out biannually from 1976 to 1980 and annually from 1980 until 1990, and included poetry, prose, essays, book reviews, and interviews. It was founded in Brooklyn, New York, by Elly Bulkin, Jan Clausen, Irena Klepfisz and Rima Shore.
Home Girls: A Black Feminist Anthology (1983) is a collection of Black lesbian and Black feminist essays, edited by Barbara Smith. The anthology includes different accounts from 32 black women of feminist ideology who come from a variety of different areas, cultures, and classes. This collection of writings is intended to showcase the similarities among black women from different walks of life. In the introduction, Smith states her belief that "Black feminism is, on every level, organic to Black experience." Writings within Home Girls support this belief through essays that exemplify black women's struggles and lived experiences within their race, gender, sexual orientation, culture, and home life. Topics and stories discussed in the writings often touch on subjects that in the past have been deemed taboo, provocative, and profound.
Aisha E'ismat Taymur was an Egyptian social activist, poet, novelist, and feminist in the Ottoman era. She was active in the early 19th century in the field of women's rights. Her writings came out in a period of time where women in Egypt were realizing that they were being deprived of some of the rights that Islam granted them. Taymur was one of the earliest Arab women to be alive while her poetry and other writings were recognized and published in modern times.
Maria Firmina dos Reis was a Brazilian author. She is considered Brazil's first black female novelist. In 1859, she published her first book Úrsula, which is considered the first Brazilian abolitionist novel. The book tells the story of a love triangle, in which the system of slavery is put into question.
Hortense J. Spillers is an American literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature, collected in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003, and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, a collection edited by Spillers published by Routledge in 1991.
Writing Black Britain 1948–1998 is an anthology of black British writings published in 2000 and edited by James Procter. The selection of writings includes many well-known writers such as Stuart Hall and Paul Gilroy. This is an interdisciplinary collection and contains a variety of writings that discuss different forms of representation, i.e. films, music, and photography. It is centred on works of the diaspora, including Caribbean, African, and South Asian experiences. This collection is the first of its kind and critically engages with both the construction and community of "black Britain" and power relations. Every writer has something to say about their own positionality and how they've come to theorize black Britain.
Delia Jarrett-Macauley, also known as Dee Jarrett-Macauley, is a London-based British writer, academic and broadcaster of Sierra Leonean heritage. Her debut novel, Moses, Citizen & Me, won the 2006 Orwell Prize for political writing, the first novel to have been awarded the prize. She has devised and presented features on BBC Radio, as well as being a participant in a range of programmes. As a multi-disciplinary scholar in history, literature and cultural politics, she has taught at Leeds University, Birkbeck, University of London, and other educational establishments, most recently as a fellow in English at the University of Warwick. She is also a business and arts consultant, specialising in organisation development.
Quilombhoje is a literary group of Afro-Brazilian writers formed in the early 1980s. The word "Quilombhoje" is a portmanteau of the Portuguese words quilombo and hoje (today). It was part of a greater black identity movement internationally ubiquitous in the 20th century. Since its founding, Quilombhoje has hosted many literary and cultural activities which promote awareness of, and pride in, Afro-Brazilian heritage.
Ann Allen Shockley is an American journalist, editor and author, specialising in themes of interracial lesbian love, especially the plight of black lesbians living under what she views as the "triple oppression" of racism, sexism, and homophobia. She has also encouraged libraries to place special emphasis on Afro-American collections.
Mecca Jamilah Sullivan is an American writer and professor, best known for her debut novel Big Girl (2022). Her short story collection Blue Talk & Love received the 2018 Judith A. Markowitz Award for emerging LGBTQ writers from Lambda Literary. Sullivan is currently an associate professor of English at Georgetown University, where she teaches courses in African-American poetry, Black queer and feminist literature, and creative writing.