Reingard Monika Nischik [1] (born 1962 [1] in Herford, Germany) is a retired German university professor and literary scholar.
Nischik studied English and North American Literature as well as Social Sciences at the University of Cologne (Germany), taking the First State Examination in 1977. She spent one year of her doctoral studies on a scholarship from the Canadian Government at the University of British Columbia in Vancouver from 1978 to 1979. In 1980 she obtained her Ph.D. from the University of Cologne with a thesis on single and multiple plotting in English-language literatures. Between 1984 and 1989 Nischik conducted postdoctoral studies at the University of Cologne (Germany) and the University of London (UK), on at the topic of mind style. Having worked as an assistant professor at the Chair for Anglo-American Literature at the University of Cologne from 1979 to 1986, Nischik took up a post as a Professor of Comparative Literature at the University of Mainz (Germany) from 1988 to 1992. In 1992, Nischik moved to the University of Freiburg (Germany), where she served as an Associate Professor of North American Literature at the Institute of North American Studies, before she became Full Professor and Chair of North American Literature at the University of Konstanz (Germany) in 1994. Awarded many prizes, fellowships and grants through her career, during the academic year 2009/2010, Nischik was a fellow at the Institute for Advanced Studies at the Center of Excellence "Cultural Foundations of Integration" at the University of Konstanz, funded by the German Universities Excellence Initiative, and in 2014 was awarded the competitive "Freedom for Creativity" by the German Research Foundation (DFG). [2]
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In both her teaching and her numerous publications, Nischik has focused on the literature and culture of the United States and Canada, with special emphasis on narratology, the short story, the work of Canadian writer Margaret Atwood, literature and gender, and literature and the visual media (see "Selected publications"). Nischik is considered[ by whom? ] one of the pioneers and leading scholars of Canadian Studies in Germany and Europe, and is an expert on the works of Margaret Atwood.[ citation needed ] Her current focus is specifically on Comparative North American Studies.
Nischik has twice been the recipient of the Margaret Atwood Society Best Book Award (for Margaret Atwood: Works and Impact [2000] and for Engendering Genre: The Works of Margaret Atwood [2009]. [3]
Margaret Eleanor Atwood is a Canadian novelist, poet, and literary critic. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of nonfiction, nine collections of short fiction, eight children's books, two graphic novels, and a number of small press editions of both poetry and fiction. Her best-known work is the 1985 dystopian novel The Handmaid's Tale. Atwood has won numerous awards and honors for her writing, including two Booker Prizes, the Arthur C. Clarke Award, the Governor General's Award, the Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television.
Canadian literature is written in several languages including English, French, and to some degree various Indigenous languages. It is often divided into French- and English-language literatures, which are rooted in the literary traditions of France and Britain, respectively. The earliest Canadian narratives were of travel and exploration.
The Handmaid's Tale is a futuristic dystopian novel by Canadian author Margaret Atwood published in 1985. It is set in a near-future New England in a patriarchal, totalitarian theonomic state known as the Republic of Gilead, which has overthrown the United States government. Offred is the central character and narrator and one of the "Handmaids": women who are forcibly assigned to produce children for the "Commanders", who are the ruling class in Gilead.
Audrey Grace Thomas, OC is a Canadian novelist and short story writer who lives on Galiano Island, British Columbia. Her stories often have feminist themes and include exotic settings. She is a recipient of the Marian Engel Award.
Ulf-Dietrich Reips is a German psychologist who is a professor in the Faculty of Sciences at the University of Konstanz, where he holds the Chair for Psychological Methods, Assessment, and iScience. Between 2009 and 2013 he was a IKERBASQUE research professor at University of Deusto in Bilbao, Spain, and remains affiliated with Ikerbasque. Until 2009 he was an assistant professor and lecturer ('Oberassistent') at the Psychology Department of the University of Zurich, Switzerland.
The Edible Woman is the first novel by Margaret Atwood, published in 1969, which helped to establish Atwood as a prose writer of major significance. It is the story of a young woman, Marian, whose sane, structured, consumer-oriented world starts to slip out of focus. Following her engagement, Marian feels her body and her self are becoming separated. Marian begins endowing food with human qualities that cause her to identify with it, and finds herself unable to eat, repelled by metaphorical cannibalism. In a foreword written in 1979 for the Virago edition of the novel, Atwood described it as a protofeminist rather than feminist work.
Claire Martin, was the pseudonym of the Canadian writer Claire Montreuil. She wrote mainly in French. Her novels often have themes of women's liberation and erotic relationships. Martin frequently revealed her devotions toward the "Frenchness" and Quebec nationalism as saying "I prefer to be of Quebec." or "I feel closer to love as a French-Canadian." In her works, Quebec and French-Canadian are portrayed as well-educated and living well. Martin focused her writing style on risks and illnesses of love, and wrote with prejudice and social conventions. Her works are characterized by purity and crafty use of language.
The Animals in That Country is a 1968 poetry collection written by Canadian author Margaret Atwood. It is her fifth volume of poetry.
Shannon E. Hengen is a literary critic and professor of Canadian and women's literature at Laurentian University, Ontario, Canada where she formerly served as chairperson for the Department of English. Her specialities include dramatic comedy, aboriginal theatre, contemporary feminist writing, and Margaret Atwood. The theory that most informs her work involves performance, carnival, and gender. The aspect of literary style that most concerns her is voice, and the theme that most intrigues her at present is marriage. She has written or edited numerous books.
Power Politics is a book of poetry by Canadian author Margaret Atwood, published in 1971.
Winfried Fluck studied German, English and American literature at Freie Universität Berlin, Harvard University and the University of California, Berkeley. In 1972, he got his doctoral degree from Freie Universität Berlin with a dissertation on aesthetic premises in the literary criticism of Mark Twain’s Adventures of Huckleberry Finn. For his Habilitation, the European qualification for a professorship, he wrote a study on American realism as a form of “staged reality” (Inszenierte Wirklichkeit). After visiting scholarships at Harvard and Yale University, he got his first appointment as a professor at the University of Constance in Germany before he became Professor and Chair of North American Culture at the John F. Kennedy-Institute for North American Studies at Freie Universität Berlin. Winfried Fluck taught as a guest professor at Princeton University and the Universidad Autonoma Barcelona, and he was a research fellow at the National Humanities Center in North Carolina, the Advanced Studies Center of the Rockefeller Foundation in Bellagio, and the Internationales Kulturwissenschaftliches Zentrum in Vienna. From 2005-2008, he was chair of the Research Reviewing Committee of the German Research Council on the humanities. He is a founding member of the Graduate School of North American Studies at Freie Universität Berlin, funded by the German Universities Excellence Initiative, and is directing it together with Ulla Haselstein. He is also co-director of the Futures of American Studies Institute at Dartmouth College established and directed by Donald E. Pease.
Camden House, Inc. was founded in 1979 by professors James Hardin and Gunther Holst with the purpose of publishing scholarly books in the field of German literature, Austrian Literature, and German language culture. Camden House books were published in Columbia, South Carolina, until 1998. When the company became an imprint in that year, place of publication moved to Rochester, New York.
John Coulter was an Irish Canadian playwright and broadcaster.
Bref récit et succincte narration de la navigation faite en MDXXXV et MDXXXVI is a literary work published in 1545, which recounts Jacques Cartier’s second voyage to the St. Lawrence Valley region of North America and details his interactions with the local St. Lawrence Iroquoian peoples. The book was more than likely written by Cartier's secretary, Jehan Poullet.
Aleida Assmann is a German professor of English and Literary Studies, who studied Egyptology and whose work has focused on Cultural Anthropology and Cultural and Communicative Memory.
"Boys and Girls" (1964/1968) is a short story by Alice Munro, the Canadian winner of the Nobel Prize in Literature in 2013 which deals with the making of gender roles.
The Canadian Authors Association is Canada's oldest association for writers and authors. The organization has published several periodicals, organized local chapters and events for Canadian writers, and sponsors writing awards, including the Governor General's Awards.
Anne Fuchs, is an academic specialist on modern and post-war German literature and Culture.
Zhao Jin is a Chinese professor of German linguistics and a scholar in cultural-analytical linguistics.
Luise von Flotow is a German-Canadian translator, author, and academic. She is a Full Professor of Translation Studies at the University of Ottawa (uOttawa).