Denis Villeneuve is a French-Canadian filmmaker. He is a four-time recipient of the Canadian Screen Award for Best Direction, winning for Maelström in 2001, Polytechnique in 2009, Incendies in 2010 and Enemy in 2013. The first three of these films also won the Canadian Screen Award for Best Motion Picture, while the latter was awarded the prize for best Canadian film of the year by the Toronto Film Critics Association.
21-87 is a 1963 Canadian abstract montage-collage film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board, combined with his own black and white 16 mm footage which he shot on the streets of Montreal and New York City, among other locations.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
Very Nice, Very Nice is a Canadian avant-garde collage film made by Arthur Lipsett in 1961, and produced by the National Film Board of Canada.
Donald Code Brittain, was a film director and producer with the National Film Board of Canada.
Look at Life is a 1965 one-minute short student film by George Lucas, produced for a course in animation while Lucas was a film student at USC Film School. The film's running time of exactly one minute was required by the course. This was the first film made by George Lucas, and was heavily influenced by Canadian filmmaker Arthur Lipsett.
Martin Lavut was a Canadian filmmaker born in Montreal, Quebec. He wrote and directed numerous theatrical and television dramas, and documentary films. Among his dramas are the films Certain Practices, War Brides, Charlie Grant's War and The Marriage Bed. His documentaries include At Home, Without a Hobby It’s No Life, Orillia, and After Darwin. In 2006, he directed Remembering Arthur, a biography of filmmaker Arthur Lipsett.
Colin Archibald Low was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations.
Theodore Asenov Ushev is a Bulgarian animator, film director and screenwriter based in Montreal. He is best known for his work at the National Film Board of Canada, including the 2016 animated short Blind Vaysha, which was nominated for an Academy Award. He is a Chevalier of the Ordre des Arts et des Lettres of France.
Wolf Koenig was a German-born Canadian filmmaker and animator, who pioneered Direct Cinema at the National Film Board of Canada.
Lipsett Diaries is a 2010 short animated documentary film about the life and art of collage filmmaker Arthur Lipsett, animated and directed by Theodore Ushev and written by Chris Robinson. The 14-minute film was produced by the National Film Board of Canada in Montreal, where Lipsett had worked from 1958 to 1972, before committing suicide in 1986. The film is narrated by Xavier Dolan.
Joseph (Joe) Koenig is a Canadian filmmaker and entrepreneur who was the founder and president of Electronics Workbench.
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
À St-Henri le cinq septembre is a 1962 National Film Board of Canada (NFB) documentary film directed by Hubert Aquin about the first day of school for children and their families in the working class Montreal district of Saint-Henri. As Aquin was primarily a writer, he worked with a variety of cameramen. The NFB credits 11 on the film—Guy Borremans, Michel Brault, Georges Dufaux, Claude Fournier, Bernard Gosselin, Jean Roy, Claude Jutra, Bernard Devlin, Arthur Lipsett, Don Owen and Daniel Fournier. Caroline Zéau in her book L'Office national du film et le cinéma canadien (1939-2003): éloge de la frugalité states that as many as 28 filmmakers worked on the project, including the entire French production team, with Jacques Godbout reading narration.
Luc Bourdon is a Canadian documentary filmmaker and video artist from Quebec known for his 2008 film The Memories of Angels. His other films have included La Grande Bibliothèque (2005), Classes de Maîtres (2009) and Une vie pour deux (2013).
The 21st Canadian Film Awards were held on October 4, 1969 to honour achievements in Canadian film. The ceremony, attended by 1,200 people, was hosted by broadcaster Fred Davis.
At Home is a 1968 Canadian short documentary film directed by Martin Lavut. The film documents Lavut's home life, including his relationship with his girlfriend Adrienne Horswill. The film was originally commissioned by CBC Television, but the network declined to air the finished product.
Jeremiah Hayes is a Canadian film director, writer and editor. Hayes is known for being the co-director, co-writer and the editor of the documentary Reel Injun, which was awarded a Gemini Award in 2010 for Best Direction in a Documentary Program. In 2011, Reel Injun won a Peabody Award for Best Electronic Media. Hayes was the co-editor of Rumble: The Indians Who Rocked the World, which was awarded a Canadian Screen Award for Best Editing in a Documentary in 2018.
A still image film, also called a picture movie, is a film that consists primarily or entirely of still images rather than consecutive still images in succession, forgoing the illusion of motion either for aesthetic or practical reasons. These films usually include a standard soundtrack, similar to what is found in typical sound films, complete with music, sound effects, dialogue or narration. They may also use various editing techniques found in traditional films, such as dissolves, zooms, and panning.
