Rencontres | |
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Directed by | Philippe Agostini |
Written by | Philippe Agostini Odette Joyeux Bertram L. Lonsdale |
Starring | Michèle Morgan |
Music by | Marcel Stern |
Cinematography | Jacques Lemare Jacques Robin |
Release date | 16 February 1962 |
Running time | 95 min |
Country | Italy / France |
Language | French |
Rencontres (English title: Meetings) is a 1962 French language motion picture drama directed by Philippe Agostini who co-wrote screenplay with Odette Joyeux and Bertram L. Lonsdale. [1]
The film depicts the holiday love affair in which a woman has handicapped brother.
Paul Jackson Pollock was an American painter and a major figure in the abstract expressionist movement.
Alban Berg's Violin Concerto was written in 1935. It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. Berg composed it on a commission from Louis Krasner, and it became the last work that he completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona on 19 April 1936, after the composer's death.
Pollock is a 2000 American biographical film that tells the life story of American painter Jackson Pollock. It stars Ed Harris, Marcia Gay Harden, Jennifer Connelly, Robert Knott, Bud Cort, Molly Regan and Sada Thompson, and was directed by Harris.
Marcia Gay Harden is an American actress. Her film breakthrough was in the 1990 Coen brothers-directed Miller's Crossing. She followed this with roles in films including Used People (1992), The First Wives Club (1996), and Flubber (1997). For her performance as artist Lee Krasner in the 2000 film Pollock, she won the Academy Award for Best Supporting Actress. She earned another Academy Award nomination for her performance as Celeste Boyle in Mystic River (2003). Her other notable film roles include American Gun (2005) and 2007's The Mist and Into the Wild.
Lenore "Lee" Krasner was an American abstract expressionist painter, with a strong speciality in collage, who was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner’s training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock’s more intuitive and unstructured output.
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