"Menina", a wind turbine sculpture model by artist Elena Paroucheva
A renewable energy sculpture is an artwork that produces power from renewable sources, such as solar, wind, geothermal, hydroelectric or tidal.
Such a sculpture is functionally both a renewable energy generator and a work of art, fulfilling utilitarian, aesthetic, and cultural functions. The idea of renewable energy sculptures has been developed by artists including Patrice Stellest, Sarah Hall, Julian H. Scaff, Patrick Marold, Elena Paroucheva, architects Laurie Chetwood and Nicholas Grimshaw, University of Illinois professor Bil Becket, and collaborations such as the Land Art Generator Initiative. Echoing the philosophy of the environmental art movement as a whole, artists creating renewable energy sculpture believe that the aesthetics of the artworks are inextricably linked to their ecological function.[citation needed]
Izzy Fraser-Underhill, Aeolian art for a more beautiful landscape, Electrical tester, copyright 2015
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Strewlow, Heike, Ecological Aesthetics: Art in Environmental Design: Theory and Practice, Birhäuser Basel, copyright 2004
Koh, Rachel; Monoian, Elizabeth; Ferry, Robert, The Time is Now: Public Art of the Sustainable City, Land Art Generator Initiative, Page One Publishing, copyright 2012
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Ecological economics, bioeconomics, ecolonomy, eco-economics, or ecol-econ is both a transdisciplinary and an interdisciplinary field of academic research addressing the interdependence and coevolution of human economies and natural ecosystems, both intertemporally and spatially. By treating the economy as a subsystem of Earth's larger ecosystem, and by emphasizing the preservation of natural capital, the field of ecological economics is differentiated from environmental economics, which is the mainstream economic analysis of the environment. One survey of German economists found that ecological and environmental economics are different schools of economic thought, with ecological economists emphasizing strong sustainability and rejecting the proposition that physical (human-made) capital can substitute for natural capital.
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
Public art is art in any media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
Environmental design is the process of addressing surrounding environmental parameters when devising plans, programs, policies, buildings, or products. It seeks to create spaces that will enhance the natural, social, cultural and physical environment of particular areas. Classical prudent design may have always considered environmental factors; however, the environmental movement beginning in the 1940s has made the concept more explicit.
A green economy is an economy that aims at reducing environmental risks and ecological scarcities, and that aims for sustainable development without degrading the environment. It is closely related with ecological economics, but has a more politically applied focus. The 2011 UNEP Green Economy Report argues "that to be green, an economy must not only be efficient, but also fair. Fairness implies recognizing global and country level equity dimensions, particularly in assuring a Just Transition to an economy that is low-carbon, resource efficient, and socially inclusive."
Ecological engineering uses ecology and engineering to predict, design, construct or restore, and manage ecosystems that integrate "human society with its natural environment for the benefit of both".
Alan Sonfist is a New York City based American artist best known as a "pioneer" and a "trailblazer" of the Land or Earth Art movement.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
Findhorn Ecovillage is an experimental architectural community project based at The Park, in Moray, Scotland, near the village of Findhorn. The project's main aim is to demonstrate a sustainable development in environmental, social, and economic terms. Work began in the early 1980s under the auspices of the Findhorn Foundation but now includes a wide diversity of organisations and activities. Numerous different ecological techniques are in use, and the project has won a variety of awards, including the UN-Habitat Best Practice Designation in 1998.
Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area.
Eco-innovation is the development of products and processes that contribute to sustainable development, applying the commercial application of knowledge to elicit direct or indirect ecological improvements. This includes a range of related ideas, from environmentally friendly technological advances to socially acceptable innovative paths towards sustainability. The field of research that seeks to explain how, why, and at what rate new "ecological" ideas and technology spread is called eco-innovation diffusion.
Greenmuseum.org was a nonprofit online museum of environmental art. Since its launch in 2001, greenmuseum.org had become a source for information about this global art movement, which includes ecoart, land art, art in nature and related terms. It was formed by a group of artists in the San Francisco Bay Area who were interested in ecology who had observed that a museum did not exist that was dedicated to the history art and ecology.
Christian views on environmentalism vary among different Christians and Christian denominations.
Sustainable development in Scotland has a number of distinct strands. The idea of sustainable development was used by the Brundtland Commission which defined it as development that "meets the needs of the present without compromising the ability of future generations to meet their own needs." At the 2005 World Summit it was noted that this requires the reconciliation of environmental, social and economic demands - the "three pillars" of sustainability. These general aims are being addressed in a diversity of ways by the public, private, voluntary and community sectors in Scotland.
Ecological design or ecodesign is an approach to designing products and services that gives special consideration to the environmental impacts of a product over its entire lifecycle. Sim Van der Ryn and Stuart Cowan define it as "any form of design that minimizes environmentally destructive impacts by integrating itself with living processes." Ecological design can also be defined as the process of integrating environmental considerations into design and development with the aim of reducing environmental impacts of products through their life cycle.
This page is an index of sustainability articles.
The natural environment, commonly referred to simply as the environment, includes all living and non-living things occurring naturally on Earth.
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations. Ecological art is a distinct genre from Environmental art in that it involves functional ecological systems-restoration, as well as socially engaged, activist, community-based interventions. Ecological art also addresses politics, culture, economics, ethics and aesthetics as they impact the conditions of ecosystems. Ecological art practitioners include artists, scientists, philosophers and activists who often collaborate on restoration, remediation and public awareness projects.
Climate change art is art inspired by climate change and global warming, generally intended to overcome humans' hardwired tendency to value personal experience over data and to disengage from data-based representations by making the data "vivid and accessible". One of the goal of climate change art is to "raise awareness of the crisis", as well as engage viewers politically and environmentally.
Land Art Generator Initiative (LAGI), founded by Elizabeth Monoian and Robert Ferry, is an organization dedicated to devising alternative energy solutions through sustainable design and public art by providing platforms for scientists and engineers to collaborate with artists, architects and other creatives on public art projects that generate sustainable energy infrastructures.Since 2010, LAGI has hosted biannual international competitions stimulating artists to design public art that produces renewable energy. Sites for these contests have included Abu Dhabi, United Arab Emirates, Copenhagen, Denmark, New York City and Santa Monica, California. Land Art Generator Initiative also led efforts that have resulted in the world's first Solar Mural artworks.
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