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Charles Desmarais is the Art Critic for the San Francisco Chronicle.
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Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
The Contemporary Jewish Museum (CJM) is a non-collecting museum at 736 Mission Street at Yerba Buena Lane in the South of Market (SoMa) neighborhood of San Francisco, California. The museum, which was founded in 1984, is located in the historic Jessie Street Substation, which was gutted and its interior redesigned by Daniel Libeskind, along with a new addition; the new museum opened in 2008. The museum's mission is to make the diversity of the Jewish experience relevant for a twenty-first century audience through exhibitions and educational programs.
New Langton Arts was a not-for-profit arts organization focusing on contemporary art founded in 1975 and located the South of Market neighborhood in San Francisco, California. Part of the first wave of alternative art spaces in the United States, and New Langton Arts was a leader in exhibiting new media forms in art and involving artists in the decision-making process. Its first directors were Judy Moran and Renny Pritikin.
Joseph Thomas Del Pesco is a contemporary art curator and arts writer. He is currently the International Director of Kadist.
Squeak Carnwath is an American contemporary painter and arts educator. She is a professor emerita of art at the University of California, Berkeley. She has a studio in Oakland, California, where she has lived and worked since 1970.
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Natasha Boas is a French-American contemporary art curator, writer, and critic. She has taught art history and curatorial studies at Yale, Stanford, and the San Francisco Art Institute. Her exhibition on the Modernist Algerian artist, Baya Mahieddine Baya: Woman of Algiers in 2018 at the Grey Art Gallery at New York University garnered her international critical attention. In 2017 she was featured in Lynn Hershman Leeson's Vertighost, playing the role of herself as an art historian. She also authored the Facebook Artist in Residence book on the recent history of Art and Technology in the Bay Area for the 5th anniversary of Facebook's artist-in-residency program. An adjunct professor at the California College of the Arts, she is an expert in the art of California countercultures, the modernist avant-garde, surrealist women artists, the Mission School and Outsider artists.
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William "Bill" R. Olander was an American senior curator at the New Museum of Contemporary Art in New York City. He previously worked as curator and director of the Allen Memorial Art Museum. He was a co-founder of the arts organization Visual AIDS.
David Stuart Rubin is an American curator, art critic, and artist.
M. Louise Stanley is an American painter known for irreverent figurative work that combines myth and allegory, satire, autobiography, and social commentary. Writers such as curator Renny Pritikin situate her early-1970s work at the forefront of the "small, but potent" Bad Painting movement, so named for its "disregard for the niceties of conventional figurative painting." Stanley's paintings frequently focus on romantic fantasies and conflicts, social manners and taboos, gender politics, and lampoons of classical myths, portrayed through stylized figures, expressive color, frenetic compositions and slapstick humor. Art historians such as Whitney Chadwick place Stanley within a Bay Area narrative tradition that blended eclectic sources and personal styles in revolt against mid-century modernism; her work includes a feminist critique of contemporary life and art springing from personal experience and her early membership in the Women's Movement. Stanley has been awarded a Guggenheim Fellowship and grants from the Pollock-Krasner Foundation, Adolph and Esther Gottlieb Foundation, and National Endowment for the Arts. Her work has been shown at institutions including PS1, San Francisco Museum of Modern Art (SFMOMA), The New Museum and Long Beach Museum of Art, and belongs to public collections including SFMOMA, San Jose Museum of Art, Oakland Museum, and de Saisset Museum. Stanley lives and works in Emeryville, California.
The Sanchez Art Center is a nonprofit arts organization located in Pacifica, California. It was formed in 1996 by local artists and community members.
Alison "Ali" Gass is an American curator and museum director. She is the founding director of the Institute of Contemporary Art San Francisco. She has served as the director of the Institute of Contemporary Art San José, Smart Museum of Art, and chief curator of the Cantor Arts Center at Stanford University.
References
- 1 2 3 4 Hamlin, Jesse (2014-08-13). "Contemporary Jewish Museum curator Renny Pritikin on a buzz mission". SFGATE. Retrieved 2022-07-10.
- 1 2 Desmarais, Charles (October 11, 2018). "Leadership changes announced at Contemporary Jewish Museum, Museum of the African Diaspora". Datebook, San Francisco Arts & Entertainment Guide. Retrieved 2022-07-10.
- 1 2 3 "Renny Pritikin Named Chief Curator of Contemporary Jewish Museum in San Francisco". ArtAndEducation.net. April 11, 2014. Retrieved 2022-07-11.
- ↑ Pine, Dan (2015-01-16). "Chief curator adds personal touch to CJM". J. Retrieved 2022-07-10.
