A curator is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. The term "curator" may designate the head of any given division, not limited to museums. Curator roles include "community curators", "literary curators", "digital curators", and "biocurators".
The Nelson-Atkins Museum of Art is an art museum in Kansas City, Missouri, known for its encyclopedic collection of art from nearly every continent and culture, and especially for its extensive collection of Asian art.
Wilhelm von Bode was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, and known as Wilhelm Bode for most of his career, he was ennobled in 1913, and thereafter adopted the aristocratic "von". He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904.
Hans Ulrich Obrist is a Swiss art curator, critic, and art historian. He is artistic director at the Serpentine Galleries, London. Obrist is the author of The Interview Project, an extensive ongoing project of interviews. He is also co-editor of the Cahiers d'Art review. He lives and works in London.
The Jack S. Blanton Museum of Art at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe. The Blanton's permanent collection consists of more than 21,000 works, with significant holdings of modern and contemporary art, Latin American art, Old Master paintings, and prints and drawings from Europe, the United States, and Latin America.
Aaron Elkins is an American mystery writer. He is best known for his series of novels featuring forensic anthropologist Gideon Oliver—the 'skeleton detective'.
The Frick Art Reference Library is the research arm of the Frick Collection. It is typically located at 10 East 71st Street on the Upper East Side of Manhattan in New York City. As of 2021, the library's reference services have temporarily relocated to 945 Madison Avenue.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Marcia Tucker was an American art historian, art critic and curator. In 1977 she founded the New Museum of Contemporary Art, a museum dedicated to innovative art and artistic practice in New York City, which she ran as the director until 1999.
The Renaissance Society, founded in 1915, is a leading independent contemporary art museum located on the campus of the University of Chicago, with a focus on the commissioning and production of new works by international artists. The kunsthalle-style institution typically presents four exhibitions each year, along with concerts, performances, screenings, readings, and lectures—all of which are free and open to the public. "The Ren" also produces publications in conjunction with many of its exhibitions.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Renny Pritikin is an American curator, museum professional, writer, poet, and educator. He was the chief curator of San Francisco's Contemporary Jewish Museum from 2014 to 2018. He was Director of the Richard L. Nelson Gallery and the Fine Arts Collection at the University of California, Davis from 2004 to 2012.
Ted Purves was an American artist, educator, and independent curator living in Oakland, California. He was the chair of the first Social Practice graduate program in the US, at the California College of the Arts in San Francisco, California. Central to Purves' interests were the gift economy, and the distribution of free goods and services by artists.
Sal Randolph is an American artist and theorist who works with issues of gift-giving, money, alternate economies, and social architecture. She founded the non-curated sound-exchange web project Opsound, which functions through the use of music released exclusively under a copyleft license, and has been cited by Lawrence Lessig as an example of how Creative Commons works to enable artists to collaborate more freely and build on each other's work. Other large-scale, collaborative projects created and implemented by Randolph include Free Manifesta and The Free Biennial, in which several hundred artists presented their work in free and open shows in New York's and Frankfurt am Main's public spaces. Artists participating in those projects included Christophe Bruno, Aram Saroyan, Swoon (artist), and Michael Cunningham, among many others.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Roee Rosen is an Israeli multidisciplinary artist, writer and filmmaker.
Evgeny Antufiev is a Russian artist.
Alvia J. Wardlaw is an American art scholar, and one of the country's top experts on African-American art. She is Curator and Director of the University Museum at Texas Southern University, an institution central to the development of art by African Americans in Houston. She also is a professor of Art History at Texas Southern University. Wardlaw is a member of the Scholarly Advisory Council of the National Museum of African American History and Culture, and co-founded the National Alliance of African and African American Art Support groups in 1998. Wardlaw was University of Texas at Austin's first African-American PhD in Art History.
Yesomi Umolu is a British curator of contemporary art and writer who has been director of curatorial affairs and public practice for the Serpentine Galleries since 2020.
José Antonio Vega Macotela is a multidisciplinary visual artist working across media and geographies in collaboration with diverse groups such as Indigenous communities, incarcerated people, soldiers, miners, and hackers, among others. The artist lives and works between Mexico City and Amsterdam.
