The Walker Art Center is a multidisciplinary contemporary art center in the Lowry Hill neighborhood of Minneapolis, Minnesota, United States. The Walker is one of the most-visited modern and contemporary art museums in the U.S.: together with the adjacent Minneapolis Sculpture Garden and Cowles Conservatory, it has an annual attendance of around 700,000 visitors. The museum's permanent collection includes over 13,000 modern and contemporary art pieces, including books, costumes, drawings, media works, paintings, photography, prints, and sculpture.
The Museum of Contemporary Art (MCA) Chicago is a contemporary art museum near Water Tower Place in Near North Side of Chicago, Illinois, United States. The museum, which was established in 1967, is one of the world's largest contemporary art venues. The museum's collection is composed of thousands of objects of Post-World War II visual art. The museum is run gallery-style, with individually curated exhibitions throughout the year. Each exhibition may be composed of temporary loans, pieces from their permanent collection, or a combination of the two.
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically overlooked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
The Pennsylvania Academy of the Fine Arts (PAFA) is a museum and private art school in Philadelphia, Pennsylvania. It was founded in 1805 and is the first and oldest art museum and art school in the United States.
The Studio Museum in Harlem is an American art museum devoted to the work of artists of African descent. The museum's galleries are currently closed in preparation for a building project that will replace the current building, located at 144 West 125th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue in Harlem, Manhattan, New York City, with a new one on the same site. Founded in 1968, the museum collects, preserves and interprets art created by African Americans, members of the African diaspora, and artists from the African continent. Its scope includes exhibitions, artists-in-residence programs, educational and public programming, and a permanent collection.
The National Museum of African Art is the Smithsonian Institution's African art museum, located on the National Mall of the United States capital. Its collections include 9,000 works of traditional and contemporary African art from both Sub-Saharan and North Africa, 300,000 photographs, and 50,000 library volumes. It was the first institution dedicated to African art in the United States and remains the largest collection. The Washington Post called the museum a mainstay in the international art world and the main venue for contemporary African art in the United States.
Thomas Hirschhorn is a Swiss artist who lives and works in Paris.
Katherine Sophie Dreier was an American artist, lecturer, patron of the arts, and social reformer. Dreier developed an interest in art at a young age and was afforded the opportunity of studying art in the United States and in Europe due to her parents' wealth and progressive attitudes. Her sister Dorothea, a Post-Impressionist painter traveled and studied with her in Europe. She was most influenced by modern art, particularly by her friend Marcel Duchamp, and due to her frustration with the poor reception that the works received, she became a supporter of other artists. She was co-founder of the Society of Independent Artists and the Société Anonyme, which had the first permanent collection of modern art, representing 175 artists and more than 800 works of art. The collection was donated to Yale University. Her works were exhibited in Europe and the United States, including the 1913 International Exhibition of Modern Art.
Keith Anthony Morrison, Commander of Distinction (C.D.), born May 20, 1942), is a Jamaican-born painter, printmaker, educator, critic, curator and administrator.
Arts Club of Chicago is a private club and public exhibition space located in the Near North Side community area of Chicago, a block east of the Magnificent Mile, that exhibits international contemporary art. It was founded in 1916, inspired by the success of the Art Institute of Chicago's handling of the Armory Show. Its founding was viewed as a statement that art had become an important component of civilized urban life. The Arts Club is said to have been pro-Modernist from its founding. The Club strove to break new ground with its shows, rather than collect the works of established artists as the Art Institute does.
Eva Watson-Schütze was an American photographer who was one of the founding members of the Photo-Secession.
Katharine Kuh was an art historian, curator, critic, and dealer from Chicago, Illinois. She was the first woman curator of European art and sculpture at the Art Institute of Chicago.
The National Association of Women Artists, Inc. (NAWA) is a United States organization, founded in 1889 to gain recognition for professional women fine artists in an era when that field was strongly male-oriented. It sponsors exhibitions, awards and prizes, and organizes lectures and special events.
Daniel J. Robbins was an American art historian, art critic, and curator, who specialized in avant-garde 20th-century art and helped encourage the study of it. Robbins' area of scholarship was on the theoretical and philosophical origins of Cubism. His writings centered on the importance of artists such as Albert Gleizes, Jean Metzinger, Henri Le Fauconnier and Jacques Villon. He was a specialist in early Modernism, writing on Salon Cubists and championed contemporaries such as Louise Bourgeois and the Color Field painters. Art historian Peter Brooke referred to Robbins as "the great pioneer of the broader history of Cubism".
The Metropolitan Museum of Art Centennial was a series of events and initiatives celebrating the 100th anniversary of the charter of the Museum occurring between 1969 and 1971.
Edith Emerson was an American painter, muralist, illustrator, writer, and curator. She was the life partner of acclaimed muralist Violet Oakley and served as the vice-president, president, and curator of the Woodmere Art Museum in the Chestnut Hill section of Philadelphia, Pennsylvania, from 1940 to 1978.
Rodney Carswell is an American abstract artist. He first gained recognition for human-scaled, geometric paintings that feature exposed, projected support structures, creating interplay between sculptural presence and richly painted pictorial surfaces. His recent paintings eschew the superstructures and evoke a greater sense of immediacy, playfulness, and narrative. Critics often describe Carswell's work as uncanny, elusive or quirky, for its tendency to negotiate "in-between" spaces and embrace contradictions such as order and instability, intention and accident, or back and front. Employing irregularly shaped canvasses, thick supports, and openings or holes that reveal the stretcher construction and walls behind them, works like 3 (1994) often occupy a place between painting and sculpture. In a similar way, Carswell uses the modernist languages of Minimalism, Suprematism and Constructivism, yet eludes those categories with postmodern allusions to architecture, the body and spiritual iconography, and with his process-oriented, "hand-made" surfaces. In his essay for Carswell's mid-career retrospective at Chicago's Renaissance Society, Los Angeles Times critic David Pagel suggested that his understated paintings worked their way into one's consciousness in a "supple, somewhat unsettling manner" that achieves a subtle, but lingering shift in perception.
Judy Ledgerwood is an American abstract painter and educator, who has been based in Chicago. Her work confronts fundamental, historical and contemporary issues in abstract painting within a largely high-modernist vocabulary that she often complicates and subverts. Ledgerwood stages traditionally feminine-coded elements—cosmetic and décor-related colors, references to ornamental and craft traditions—on a scale associated with so-called "heroic" abstraction; critics suggest her work enacts an upending or "domestication" of modernist male authority that opens the tradition to allusions to female sexuality, design, glamour and pop culture. Critic John Yau writes, "In Ledgerwood’s paintings the viewer encounters elements of humor, instances of surprise, celebrations of female sexuality, forms of vulgar tactility, and intense and unpredictable combinations of color. There is nothing formulaic about her approach."
Lloyd Eldred Herman (1936-2023) was an American arts administrator, curator, writer, museum planner and acknowledged expert on contemporary craft. He was known for being the founding Director of the Renwick Gallery of the Smithsonian American Art Museum in Washington D.C., from 1971 to 1986.
Yesomi Umolu is a British curator of contemporary art and writer who has been director of curatorial affairs and public practice for the Serpentine Galleries since 2020.
