Founded in 1990, the Center for Curatorial Studies, Bard College is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present. The Center initiated its graduate program in 1994 and is one of the oldest institutions in curatorial pedagogy, offering a two-year graduate-degree program in curating. Hundreds of curators, writers, critics, artists, and scholars taught seminars and lectured in practicums. The Center alumni/ae include more than 200 individuals working in contemporary art field in the U.S. and internationally.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
The Renaissance Society, founded in 1915, is a leading independent contemporary art museum located on the campus of the University of Chicago, with a focus on the commissioning and production of new works by international artists. The kunsthalle-style institution typically presents four exhibitions each year, along with concerts, performances, screenings, readings, and lectures—all of which are free and open to the public. "The Ren" also produces publications in conjunction with many of its exhibitions.
The Abraaj Group was a private equity firm operating in six continents that is currently in liquidation due to accusations of fraud. The firm was founded by Pakistani businessman Arif Naqvi and was based in Dubai, United Arab Emirates.
Kamrooz Aram is a contemporary artist whose diverse artistic practice engages the complicated relationship between traditional non-Western art and Western Modernism. Through a variety of forms including painting, collage, drawing and installation, Aram has found the potential for image-making to function critically in its use as a tool for a certain renegotiation of history. He lives and works in Brooklyn, New York.
Iwona Maria Blazwick OBE is a British art critic and lecturer. She is currently the Chair of the Royal Commission for Al-'Ula’s Public Art Expert Panel. She was the Director of the Whitechapel Art Gallery in London from 2001 to 2022. She discovered Damien Hirst and staged his first solo show at a public London art gallery, Institute of Contemporary Arts in 1992. She supports the careers of young artists.
Christiane Paul is Curator of Digital Art at the Whitney Museum of American Art and Professor Emerita in the School of Media Studies at The New School. She is the author of the book Digital Art, which is part of the 'World of Art' series published by Thames & Hudson.
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who has been serving as the Director of Castello di Rivoli Museo d'Arte Contemporanea and Fondazione Francesco Federico Cerruti in Turin since 2016. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence.
Helen Anne Molesworth is an American curator of contemporary art based in Los Angeles. From 2014 to 2018, she was the Chief Curator at The Museum of Contemporary Art (MOCA) in Los Angeles.
Omar Kholeif is an Egyptian-born artist, curator, writer and editor. Kholeif's curatorial practice focuses on art that intersects with the internet, as well as works of art from emerging geographic territories that have yet to be seen in the mainstream.
Nadia Kaabi-Linke is a Tunis-born, Berlin-based visual artist best known for her conceptual art and 2011 sculpture Flying Carpets. Her work has explored themes of geopolitics, immigration, and transnational identities. Raised between Tunis, Kyiv, Dubai and Paris, she studied at the Tunis Institute of Fine Arts and received a Ph.D. in philosophy of art from the Sorbonne. Kaabi-Linke won the 2011 Abraaj Group Art Prize, which commissioned Flying Carpets, a hanging cage-like sculpture that casts geometric shadows onto the floor akin to the carpets of Venetian street vendors. The piece was acquired by the New York Guggenheim in 2016 as part of their Guggenheim UBS MAP Global Art Initiative. Kaabi-Linke also won the Discoveries Prize for emerging art at the 2014 Art Basel Hong Kong. Her works have been collected by the Museum of Modern Art, Dallas Museum of Art, Burger Collection, and Samdani Art Foundation, and exhibited in multiple solo and group shows.
Elvira Dyangani Ose is a Spanish art curator who has been serving as the director of MACBA Contemporary Art Museum in Barcelona.
Aria Dean is an American artist, critic, and curator. Until 2021, Dean served as Curator and Editor of Rhizome. Her writings have appeared in various art publications including Artforum, e-flux, The New Inquiry, Art in America, and Topical Cream. Dean has exhibited internationally at venues such as Foxy Production and American Medium in New York, Chateau Shatto in Los Angeles, and Arcadia Missa in London. Dean also co-directs As It Stands LA, an artists project space that opened in 2015. Dean lives and works in New York City and Los Angeles. She is represented by Greene Naftali.
Adrienne Edwards is a New York–based art curator, scholar, and writer. Edwards is currently the Engell Speyer Family Curator and Director of Curatorial Affairs at the Whitney Museum of American Art.
Michelle Jacques is a Canadian curator and educator known for her expertise in combining historical and contemporary art, and for her championship of regional artists. Originally from Ontario, born in Toronto to parents of Caribbean origin, who immigrated to Canada in the 1960s, she is now based in Saskatoon, Saskatchewan.
Catharine Margaret Mastin is a Canadian curator. She is a specialist in modern and contemporary art with an emphasis on gender and women's art practices. She has worked at the Art Gallery of Windsor in Ontario and the Glenbow Museum in Calgary, Alberta. At the Art Gallery of Windsor, she was curator, arts administrator and executive director (2010-2020). She is an Adjunct Member of the Faculty of Graduate Studies in Art History at York University. Mastin also curated the exhibition "Franklin Carmichael: Portrait of a Spiritualist", an exhibition organized by the National Gallery of Canada, Ottawa which toured Canada between 1999 and 2001.
Luke Syson is an English museum curator and art historian. Since 2019, he has been the director of the Fitzwilliam Museum at the University of Cambridge, prior to which he held positions at the British Museum (1991–2002), the Victoria and Albert Museum (2002–2003), the National Gallery (2003–2012) and the Metropolitan Museum of Art (2015–2019). In 2011 he curated the acclaimed Leonardo da Vinci exhibition at the National Gallery: Leonardo da Vinci: Painter at the Court of Milan, which included his pivotal role in the controversial authentication by the National Gallery of da Vinci's Salvator Mundi.
Gabi Ngcobo is a South African curator, artist and educator. Currently she is the Curatorial Director at the Javett Art Centre at the University of Pretoria (Javett-UP).
The Sanchez Art Center is a nonprofit arts organization located in Pacifica, California. It was formed in 1996 by local artists and community members.
