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Retriggering is a tracker technique in which a sample is replayed a set number of times within a certain timeframe.
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Retriggering is a tracker technique in which a sample is replayed a set number of times within a certain timeframe.
Traditional music trackers cut time into "ticks" based on the system clock of the hardware the software is running on. For every tick, one event can take place. This event could be a sample playing, a volume changing, an effect taking place or a sample ceasing to play. This allows the musician to visually organize time in a gridwork of cells in which to set these events into motion, and thus decide the overall tempo of the music. This "time signature" can be altered programmatically throughout the piece of music, allowing tempo to rise, shift, swerve erratically or any combination of these as the musician sees fit.
For tracker musicians working at very slow speeds, the need to escape the confines of this time-grid is often apparent. For instance a musician might want to add a drum roll, but lack the time resolution to do so effectively. The retrigger effect allows this by calling an event that tells the software to replay the triggered sample at a set rate within the timeframe of the tick on which the event transpires. This ability to circumvent this one rigid limitation of the typical music tracker software has become a staple of the tracker scene, in some cases inspiring artist names and album titles based on the concept of retriggering.
MIDI is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing and recording music. The specification originates in a paper titled Universal Synthesizer Interface, published by Dave Smith and Chet Wood, then of Sequential Circuits, at the October 1981 Audio Engineering Society conference in New York City.
A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image. The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment. It can also serve a purpose similar to a metronome, as in the music industry, where it is often used during recording sessions and live performances.
Csound is a domain-specific computer programming language for audio programming. It is called Csound because it is written in C, as opposed to some of its predecessors.
A music tracker is a type of music sequencer software for creating music. The music is represented as discrete musical notes positioned in several channels at discrete chronological positions on a vertical timeline. A music tracker's user interface is usually number based. Notes, parameter changes, effects and other commands are entered with the keyboard into a grid of fixed time slots as codes consisting of letters, numbers and hexadecimal digits. Separate patterns have independent timelines; a complete song consists of a master list of repeated patterns.
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
A sampler is an electronic or digital musical instrument which uses sound recordings of real instrument sounds, excerpts from recorded songs or found sounds. The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords.
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument, an electronic or digital derivative of keyboard instruments. Broadly speaking, the term electronic keyboard or just a keyboard can refer to any type of digital or electronic keyboard instrument. These include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. However, an electronic keyboard is more specifically a synthesizer with a built-in low-wattage power amplifier and small loudspeakers.
GarageBand is a line of digital audio workstations for macOS, iPadOS, and iOS devices that allows users to create music or podcasts. GarageBand is developed by Apple for macOS, and was once part of the iLife software suite, along with iMovie and iDVD. Its music and podcast creation system enables users to create multiple tracks with pre-made MIDI keyboards, pre-made loops, an array of various instrumental effects, and voice recordings.
A digital audio workstation (DAW) is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.
Soundtrack Pro is a discontinued music composing and audio editing application made by Apple Inc. featured in Logic Studio and Final Cut Studio that included a collection of just over 5,000 royalty free professional instrument loops and sound effects. It was discontinued with the release of Final Cut Pro X, Motion 5, and Compressor 4.
FastTracker 2 is a music tracker created by Fredrik "Mr. H" Huss and Magnus "Vogue" Högdahl, two members of the demogroup Triton which set about releasing their own tracker after breaking into the scene in 1992 and winning several demo competitions. The source code of FastTracker 2 is written in Pascal using Borland Pascal 7 and TASM. The program works natively under MS-DOS.
DirectMusic is a deprecated component of the Microsoft DirectX API that allows music and sound effects to be composed and played and provides flexible interactive control over the way they are played. Architecturally, DirectMusic is a high-level set of objects, built on top of DirectSound, that allow the programmer to play sound and music without needing to get quite as low-level as DirectSound. DirectSound allows for the capture and playback of digital sound samples, whereas DirectMusic works with message-based musical data. Music can be synthesized either in hardware, in the Microsoft GS Wavetable SW Synth, or in a custom synthesizer.
Ableton Live is a digital audio workstation developed by Ableton for macOS and Windows. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available in three editions: Intro, Standard, and Suite.
Module file is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files and listen to them form the worldwide MOD scene, a part of the demoscene subculture.
Logic Pro is a digital audio workstation (DAW) and MIDI sequencer software application for the macOS platform. It was originally created in the early 1990s as Notator Logic, or Logic, by German software developer C-Lab which later went by Emagic. American technology company Apple acquired Emagic in 2002 and renamed Logic to Logic Pro. It is the second most popular DAW – after Ableton Live – according to a survey conducted in 2015.
In music, transcription is the practice of notating a piece or a sound which was previously unnotated and/or unpopular as a written music, for example, a jazz improvisation or a video game soundtrack. When a musician is tasked with creating sheet music from a recording and they write down the notes that make up the piece in music notation, it is said that they created a musical transcription of that recording. Transcription may also mean rewriting a piece of music, either solo or ensemble, for another instrument or other instruments than which it was originally intended. The Beethoven Symphonies transcribed for solo piano by Franz Liszt are an example. Transcription in this sense is sometimes called arrangement, although strictly speaking transcriptions are faithful adaptations, whereas arrangements change significant aspects of the original piece.
Band-in-a-Box is a music creation software package for Windows and macOS produced by PG Music Incorporated in Victoria, British Columbia. The software has many capabilities, but perhaps the most remarkable one is enabling a user to create virtually any song and have it played by real musicians by four basic keyboard inputs consisting of: chords; a key; a tempo; a musical style. The screen resembles a blank page of music. The user enters a series of chords, even complex ones, and within a few seconds the software generates a song played by four or five real studio musicians using real musical instruments including solos. The developers have enlisted the help of a number of skilled musicians as soloists and sidemen to build huge databases of phrases in many styles of music. The software intelligently retrieves and customizes groups of measures that are appropriate for soloing over a particular chord at a selected key and tempo. It can create backgrounds, melodies or solos for almost any chord progressions used in Western popular music, and can play them in any of thousands of different music styles.
Orchestral enhancement is the technique of using orchestration techniques, architectural modifications, or electronic technologies to modify the sound, complexity, or color of a musical theatre, ballet or opera pit orchestra. Orchestral enhancements are used both to create new sounds and to add capabilities to existing orchestral ensembles.
Mixcraft is a multitrack recording application for Windows. This music recording software functions as a digital audio workstation, MIDI sequencer, virtual instrument host, non-linear video arranger, and music loop recording program.
The stutter edit is the rhythmic repetition of small fragments of audio, occurring as the common 16th note repetition, but also as 64th notes and beyond, with layers of digital signal processing operations in a rhythmic fashion based on the overall length of the host tempo. The Stutter Edit audio software VST plug-in implements forms of granular synthesis, sample retrigger, and various effects to create a certain audible manipulation of the sound run through it, in which fragments of audio are repeated in rhythmic intervals. The plug-in allows musicians to manipulate audio in real time, slicing audio into small fragments and sequences the pieces into rhythmic effects, recreating techniques that formerly took hours to do in the studio. Electronic musician Brian Transeau is widely recognized for pioneering the stutter edit as a musical technique; he developed, coined the term, and holds multiple patents for the Stutter Edit software plug-in.