"Return Of Da Livin' Dead" | ||||
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Single by The D.O.C. | ||||
from the album Helter Skelter | ||||
Released | October 31, 1995 [1] | |||
Recorded | 1995 | |||
Genre | Hip hop, Horrorcore, G-funk | |||
Length | 3:34 | |||
Label | ||||
Songwriter(s) | The D.O.C. | |||
Producer(s) | The D.O.C. | |||
The D.O.C. singles chronology | ||||
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"Return Of Da Livin' Dead" is a single by American rapper The D.O.C. from his 1996 album Helter Skelter . The single was released on Halloween 1995 on CD, cassette, and 12" formats. It spent 14 weeks on the US Top Rap Songs chart, peaking at #9. [2] The song also charted on the US Bubbling Under 100, US R&B/Hip-Hop, and US Dance/Electronic Billboard charts. A horror-themed video was made to promote the song.
"Return of Da Livin' Dead" was produced by The D.O.C. himself; the song samples The D.O.C.'s previous hit "It's Funky Enough" [3] which was produced by Dr. Dre and contains a sample of "Misdemeanor" by Foster Sylvers. [4]
Both the music video for "Return of Da Livin' Dead" and the intro track on Helter Skelter feature the D.O.C. dying in a car accident (which mimicks his real-life near-death wreck) and emerging from his own grave to perform the song. Horror imagery is used throughout the music video.
A side
B side
Chart (1995) | Peak Position |
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US Bubbling Under Hot 100 (Billboard) | 11 |
US Hot R&B/Hip-Hop Songs (Billboard) | 67 |
US Rap Songs (Billboard) | 9 |
US Dance/Electronic Singles (Billboard) | 50 |
"Helter Skelter" is a song by the English rock band the Beatles from their 1968 album The Beatles. It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible. It is regarded as a key influence in the early development of heavy metal. In 1976, the song was released as the B-side of "Got to Get You into My Life" in the United States, to promote the Capitol Records compilation Rock 'n' Roll Music.
Tracy Lynn Curry, better known by his stage name the D.O.C., is an American rapper, songwriter, and record producer from Dallas, Texas. Along with his solo career, he was a member of the Southern hip hop group Fila Fresh Crew, and later co-wrote for and collaborated with the gangsta rap group N.W.A and Eazy-E. He has also worked with record producer Dr. Dre, co-writing his solo debut album, while Dre produced Curry's debut studio album, No One Can Do It Better (1989), which was released by Eazy-E's Ruthless Records in a joint venture with Atlantic Records. With Dr. Dre and record executives Suge Knight and Dick Griffey, Curry co-founded Death Row Records in 1991, which has signed artists including Tupac Shakur and Snoop Dogg.
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Das EFX is an American hip hop duo. It consists of emcees Dray and Skoob. They named themselves "DAS" standing for "Dray and Skoob" and "EFX" meaning "effects". They rose to popularity in the early 1990s due to the duo's stream of consciousness lyrical delivery, which became one of the most influential lyrical styles in rap music at the time; as well as their affiliation with EPMD's Hit Squad. Their style combined intricate rhymes, sometimes mixed with made up words, delivered with a fast-paced flow and numerous pop culture and hip hop culture references.
"One More Chance / Stay with Me (Remix)" is a song written and recorded by American rapper The Notorious B.I.G. Three versions of the song exist: An original, lyrically explicit version prefaced by an answering machine performance featured on the album, and two versions released as singles, both of which contain identical lyrics by B.I.G. despite differing instrumentals and choruses. The first is an upbeat "Hip Hop Mix" that samples Marley Marl's "Droppin Science", and the second is a sultrier R&B remix parenthetically labeled the "Stay with Me Remix", which samples the namesake 1983 song by the band DeBarge. The lattermost remains the most popular, and features backing vocals and harmonies performed by his wife Faith Evans, as well as uncredited appearances by Mary J. Blige and Bad Boy Records label boss Puff Daddy—who also produced the version with Rashad Smith. It received platinum certification by the RIAA by July 31, 1995, and has sold 1.1 million copies.
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"Tha Crossroads" is a song written and performed by hip hop group Bone Thugs-n-Harmony, released as a single in April 1996. The song is dedicated to the group's mentor, the late gangsta rap icon Eazy-E, and other family members. The song was the highest-debuting rap single when it debuted at number two on the US Billboard Hot 100, reaching number one the following week and staying there for eight consecutive weeks. It also reached number one in New Zealand, where it was the most successful single of 1996. In 1997, the song won a Grammy for Best Rap Performance by a Duo or Group.
No One Can Do It Better is the debut studio album by The D.O.C., released on July 13, 1989, by Ruthless Records and Atlantic Records. It reached no. 1 on the US Top R&B/Hip-Hop Albums chart for two weeks, while peaking in the Top 20 on the Billboard 200 chart. The album was certified Gold by the RIAA three months after it was released, and Platinum on April 21, 1994. This was the only solo album The D.O.C. was able to record before a car accident resulted in crushing his larynx and permanently changing his voice. In recent years, however, he has been undergoing vocal surgery. He would not release another album until 7 years later, with Helter Skelter (1996), also released by Warner Music Group, but on Giant Records rather than Atlantic. "The Formula" has been seen as the song that invented G-funk.
Helter Skelter is the second studio album by The D.O.C.; released on January 23, 1996. This album was an attempt at making a comeback following the car crash which severely damaged his vocal cords. The album was widely ignored, and has even been discredited by D.O.C himself. The name of the album is a reference to Charles Manson's idea of The Beatles' "Helter Skelter" prophesying the end of the world.
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"Here Comes the Hotstepper" is a song co-written and recorded by Jamaican dancehall artist Ini Kamoze. It was released in 1994 by Columbia Records as the lead single from his 1995 album of the same name as well as the soundtrack to the film Prêt-à-Porter. It is known for its "naaaa na na na naaaa..." chorus inspired by the Cannibal and the Headhunters version of "Land of 1000 Dances".
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