Rew Hanks | |
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Born | 19 May 1958 ![]() |
Occupation | Printmaker ![]() |
Works | linocut print ![]() |
Rew Hanks (born 1958) is an Australian printmaker who specialises in hand painted linocut. Hanks is known for his highly detailed works that explore Australian cultural histories whilst also making wry social commentaries. [1] [2]
Born in 1958, in Sydney, New South Wales, Australia, Hanks holds a Master of Fine Arts from the University of Sydney, College of Fine Arts.
By using the medium of linocut, Hanks replicates the appearance of 18th century prints, [3] often combining the people and cultural images associated with Australia's early colonial period. He surrounds his subjects with ethnographic objects and loose Australian iconography to invite viewers to reflect on their own histories, beliefs about indigenous resistance, colonisation and Australia's cultural and social history. [4] [5]
Hanks' works are held in the collections of the National Gallery of Australia, the Art Gallery of South Australia, Artbank, the Art Gallery of New South Wales, and other regional and international collections. [1] [6] Subjects of Hanks' art works have included Joseph Banks (The Hunter and collector), Dame Nellie Melba and Russell Crowe (Peaches and cream 2022), Napoleon Bonaparte (Napoleon in exile 2022), Gerard Krefft (Krefft's chair 2022) and Captain James Cook (Fish between the flags 2023). [7]
In 1991, Hanks was awarded a Print Fellow from the Tamarind Institute at the University of New Mexico in the United States of America. [6]
Hanks has been a finalist on numerous occasions for the Blake Prize, the Basil Sellers Art Prize and National Works on Paper. [10]