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Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Kick Out the Jams is the debut album by American proto-punk band MC5. It was released in February 1969, through Elektra Records. It was recorded live at Detroit's Grande Ballroom over two nights, Devil's Night and Halloween, 1968.
Chocolate and Cheese is the fourth studio album by the American rock band Ween, originally released by Elektra Records in 1994. It was the first Ween album to be recorded in a professional studio, in contrast to the crude four-track home recordings of The Pod and Pure Guava. However, most of the instruments were still played by Dean and Gene Ween, including their drum machine.
Paintin' the Town Brown is a live compilation by American rock band Ween, released by Elektra Records on June 22, 1999.
Celebrate: The Three Dog Night Story, 1965–1975 is a two-CD anthology of Three Dog Night recordings released in 1993 which includes some pre-3DN material from co-lead singers Danny Hutton and Cory Wells, as well as an unreleased track "Time to Get Alone", penned and produced by Brian Wilson from the band's brief "Redwood" incarnation. It covers all of the band's singles, as well as some album tracks, in the band's career.
Stories We Could Tell is a country rock album by The Everly Brothers, released in 1972. It was reissued as Stories We Could Tell:The RCA Years by BMG in 2003 and included additional tracks, all stemming from the successor album Pass the Chicken & Listen. In 2014 it was re-released once more on Stories We Could Tell + Pass The Chicken & Listen by Morello Records.
Sally Can't Dance is the fourth solo studio album by American musician Lou Reed, released in September 1974 by RCA Records. Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States. The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed.
David Ackles is the self-titled debut album of American singer-songwriter David Ackles. Elektra Records later reissued it with new cover art under the title The Road to Cairo. Described by music historian Richie Unterberger as Ackles' "most rock-oriented record", it garnered faint praise from Rolling Stone critic Arthur Schmidt, who complained of thin melodies but who nevertheless described Ackles as "one of the best singers I've ever heard".
Danny Weis is an American guitarist, best known as a founding member of both Iron Butterfly and Rhinoceros, as well as co-writer of Rhinoceros's only charting single, "Apricot Brandy". Though he left Iron Butterfly after only one album due to internal tensions, his work was an influence in the band for most of their history, since his replacement Erik Brann made a conscious effort to imitate his playing. Weis later recounted "Erik Braunn replaced me in Iron Butterfly, and if I remember correctly, he bought a lot of my equipment, some of my clothes, they tried to clone me basically..."
John Finley is a Canadian singer/songwriter who came to prominence with Toronto R&B band Jon and Lee & The Checkmates and later with the Elektra supergroup Rhinoceros.
Jon and Lee & the Checkmates are a Canadian music group, best known for containing future members of Elektra band Rhinoceros. Together with Mandala, they spearheaded Toronto's R&B scene during the mid-1960s. As the Jon-Lee Group, the band released a lone single for ABC Records before splitting up in September 1967. The group has more recently reformed, released its debut album in late 2006.
Some Days You Eat the Bear and Some Days the Bear Eats You is the 1974 album by country rock/folk rock musician Ian Matthews.
Rhinoceros was an American rock band established in 1967 through auditions conducted by Elektra Records, rather than organic formation by musicians. The band, while well respected in many circles, did not live up to the record label's expectations. It was also poorly received by fans, producing a slow selling debut album and two even less successful LPs before breaking up. One reviewer commented, "Despite the fact that the band could not live up to the expectations that were raised by Elektra Records' publicity machine, Rhinoceros' contributions to rock still deserve more credit than subsequent rock histories give it."
Essential Rarities is a compilation album by the Doors, originally released as part of the boxed set The Complete Studio Recordings in 1999, but reissued in 2000 as a single CD, containing studio cuts, live cuts and demos taken from the 1997 The Doors: Box Set.
Stories We Could Tell: The RCA Years is a country rock compilation album by The Everly Brothers, released in 2003. The original LP Stories We Could Tell was produced by Paul Rothchild and released by RCA Victor in 1972. This CD contains the original album plus eight of the twelve tracks from the Everlys' other RCA album, Pass the Chicken & Listen.
Michael Fonfara was a Canadian keyboard player who was most notable for his work as a member of The Electric Flag and Rhinoceros in the 1960s, Rough Trade and Lou Reed's backing band in the 1970s and The Downchild Blues Band, from 1990 to the present. He studied classical piano at The Royal Conservatory of Music. He is a multiple Maple Blues Award winner as Piano/Keyboardist of the year and a Juno Award winner with the Downchild Blues Band. His distinguished musical career was so honoured by the Maple Blues Awards as early as 2000 and a Juno Award in 2014.
John B. Sebastian is the debut album by American singer-songwriter John Sebastian, previously best known as the co-founder and primary singer-songwriter of the 1960s folk-rock band the Lovin' Spoonful. The album, released in January 1970, includes several songs that would become staples of Sebastian's live performances during the early and mid-1970s. Most notably, the album included "She's a Lady", Sebastian's first solo single, and an alternate version of "I Had a Dream" which was used to open the soundtrack album of the 1970 documentary film Woodstock. John B. Sebastian also featured support performances by David Crosby, Stephen Stills and Graham Nash several months before that trio agreed to work together as a performing unit.
In My Own Dream is a 1968 album by The Butterfield Blues Band. It continued the trend of its predecessor The Resurrection of Pigboy Crabshaw in moving towards a more soul-oriented sound, supported by a first rate horn section,, but was not so well-received either by critics or the public as its predecessor.
Better Times Are Coming is the third studio album released in 1970 by supergroup Rhinoceros on the Elektra Records label.
"Let Me Serenade You" is a song written by John Finley. The original version of the song was entitled "I Will Serenade You" and performed by Rhinoceros, appearing on their 1968 self-titled album. It was later covered by Three Dog Night and featured on their 1973 album, Cyan. This version was produced by Richard Podolor and arranged by Podolor and Three Dog Night.
References
- ↑ Colin Larkin -The encyclopedia of popular music: Indexes -2006 0195313739 Volume 10 - Page 871 The spectacular fold-out cover artwork on their debut by Gene Szafran showed a brightly colourful, beaded Rhinoceros. Unfortunately the music was disappointing; only the Buddy Miles-influenced 'You're My Girl (I Don't Want To Discuss It)' and their 'greatest hit', the instrumental 'Apricot Brandy", stood out. The BBC adopted the latter as a Radio 1 theme. Two more albums followed, but by now the ponderous Rhinoceros had turned into a dodo. • ALBUMS: Rhinoceros (Elektra 1968) ...
- ↑ Colin Larkin - 1997 The Virgin encyclopedia of sixties music - Page 372 Two more albums followed, but by now the ponderous Rhinoceros had turned into a dodo. •ALBUMS: Rhinoceros (Elektra 1968)***, Satin Chickens (Elektra 1969)**, Better Times Are Coming (Elektra 1970) .
