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The ornament is a trill on a long-short dotted rhythm accelerating to end on either a tremolo or a regular trill. [1]
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Ribattuta or Ribattuta di gola is a musical ornament found in Italian and German works of the 17th and 18th centuries.
The ornament is a trill on a long-short dotted rhythm accelerating to end on either a tremolo or a regular trill. [1]
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The ornament is described by Mattheson (1739), [2] Spiess (1745), [3] and Marpurg (1749). [4]
Frederick Neumann [5] notes the trill following the dotted preparation is a main-note trill (that is, starting on the written note), and he cautions against use of the term as a general descriptor for dotted alternation as a prelude to a trill.
Italian: ribattuta (f) di gola
German: der Zurückschlag [6] or der gedehnte oder punctirte Triller (Mattheson)
English: ribattuta
French: ribattuta (f) or tour de gosier (Marpurg) or cadence pleine à progression (Lacassagne) [7] or double cadence (Bérard-Blanchet) [8]
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The trill is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill. It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. A cadential trill is a trill associated with each cadence. A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. Sometimes it is expected that the trill will end with a turn, or some other variation. Such variations are often marked with a few appoggiaturas following the note bearing the trill indication.
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