Palermo is a city in southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea.
Rosalia (1130–1166), also called La Santuzza or "The Little Saint", and in Sicilian as "Rusulia", is the patron saint of Palermo in Italy, Camargo, Chihuahua, and three towns in Venezuela: El Hatillo, Zuata, and El Playon. She is especially important internationally as a saint invoked in times of plague. From 2020 onwards she has been invoked by some citizens of Palermo to protect the city from COVID-19.
Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina, was a Sicilian painter from Messina, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy. Unusually for a south Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
The Palatine Chapel is the royal chapel of the Norman Palace in Palermo, Sicily. This building is a mixture of Byzantine, Norman and Fatimid architectural styles, showing the tricultural state of Sicily during the 12th century after Roger I and Robert Guiscard conquered the island.
Pietro Novelli was an Italian painter of the Baroque period, active mainly in Palermo. Also known as il Monrealese or Pietro "Malta" Novelli to distinguish him from his father, Pietro Antonio Novelli I. He was also nicknamed by contemporaries as the Raphael of Sicily.
Guglielmo Borremans or Guglielmo Fiamingo (1670–1744) was a Flemish painter whose documented career took principally place in Italy, in particular Naples, Cosenza and Sicily. Here he was one of the pre-eminent late-Baroque fresco painters of the first half of the 17th century who received multiple commissions to decorate churches and palaces.
Giovanni Bernardino Azzolini was an Italian painter and sculptor who continued painting in a late-Mannerist style, mainly active in Naples and Genoa. He is also known by Azzolino or Mazzolini or Asoleni.
Francesco de Mura was an Italian painter of the late-Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism.
Jacopo del Sellaio (1441/2–1493), was an Italian painter of the early Renaissance, active in his native Florence. His real name was Jacopo di Arcangelo. He worked in an eclectic style based on those of Botticelli, Filippino Lippi, and Domenico Ghirlandaio. The nickname Sellaio derives from the profession of his father, a saddle maker.
Pompeo Landulfo was an Italian painter active mainly in Naples. He was born in Maddaloni near Caserta, Italy.
Pietro del Pò, also spelled del Po, was an Italian painter, engraver, and draughtsman of the Baroque. He was more distinguished as an engraver than as a painter.
Matthias Stom or Matthias Stomer was a Dutch, or possibly Flemish, painter who is only known for the works he produced during his residence in Italy. He was influenced by the work of non-Italian followers of Caravaggio in Italy, in particular his Dutch followers often referred to as the Utrecht Caravaggists, as well as by Jusepe de Ribera and Peter Paul Rubens. He did not share the other Northern Caravaggisti's preference for humorous, and sometimes scabrous, genre scenes and elaborate decorative allegories but favored stories from the bible instead. He worked in various locations in Italy where he enjoyed the patronage of religious institutions as well as prominent members of the nobility.
Bastiano di Bartolo Mainardi was an Italian painter of the Early Renaissance. He was born in San Gimignano and was active there and in Florence.
Mariano Rossi was an Italian painter, persisting in what had become an anachronistic Rococo style amid an ascendant neoclassical environment. His placement legions of figures in a complex scenography and quadrature recalls the work of Pietro da Cortona.
Simone De Wobreck was a 16th-century Flemish painter, whose known works all come from his long period in Sicily.
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629.
Santa Chiara all'Albergaria refers to a church and former monastery located in piazza Santa Chiara, in the quarter of Albergaria in the city of Palermo, region of Sicily, Italy. The church is located near the busy outdoor Ballarò marketplace.
San Francesco di Paola is a 16th-century Roman Catholic church and monastery, located on Via Carini corner Piazza San Francesco di Paola, in Palermo, region of Sicily, Italy.
