Richard Charles Krueger, Jr. (born January 27, 1960) [1] is an American rock singer-songwriter and neonatologist, as of 2017-2022 based in the Chicago, Illinois, area. [2]
Krueger was born in Bedford–Stuyvesant, Brooklyn, New York. He grew up listening to and translating songs by Jacques Brel, which later inspired him to start writing his own songs. [2]
Krueger earned a B.A. degree in 1982 and a Ph.D. in biochemistry in 1988, both from the University of Chicago. He then completed a residency and internship in pediatrics at Northwestern University's Children's Memorial Hospital, followed by a postdoc in neuroscience at the University of Chicago. Since 2012, he has been a clinical associate in pediatrics at the University of Chicago. [1] [3]
In 1985, Krueger started the band The Dysfunctionells, which describe themselves as “THE Butt-Ugliest Band in Chicago”. [2] [4] The Dysfunctionells' music was described by the Chicago Tribune as "acoustic folk-rock". [5] Krueger was the band's singer-songwriter, guitarist, and harmonica player. The other members of the band are bassist Russell Clark, drummer Vencent Edmonds, as of 2017-2022 based in the Chicago, Illinois, areamonds, guitarist Vernon Tonges, and accordionist Oliver Steck. [6]
Krueger self-released his solo debut album, Life Ain’t That Long, in January 2018. Later in 2018, he released his second solo album, NOWThen, which featured performances by Robbie Fulks, Gary Lucas, and Peter Stampfel, among other artists. [2]
Robert Christgau gave Life Ain't That Long an "A" grade in a review for his "Expert Witness" column. [7] Frank Gutch, Jr. of No Depression also reviewed the album favorably, writing, "Sometimes you need only one song and sometimes it takes years but if an album is really good you will eventually know it. For Life Ain't That Long, it didn't even take a song. The first few measures of “A Stoopid Broken Heart”, I knew. By the end of the second song, I really knew and by the end of the third I was laughing, it was so damn good." Gutch also compared Krueger's music favorably to that of Randy Newman. [8] A similar comparison was made by Keith Harris, who wrote that "...[Krueger's] ability to inhabit characters (“The Gospel According to Carl” is worthy of a kinder Randy Newman) is equaled by his insight into his own romantic haplessness". [9]
In describing the song "Kenny’s (It’s Always Christmas in This Bar)", the opening track from NowTHEN, Greil Marcus wrote, "I can’t remember the last time I said yes to a song out loud in its first three seconds. In the instant when I realized that Krueger...was something different, I also felt as if I’d been listening to this song half my life. Krueger catches the feel, the cadence, of ordinary talk as he jumps the waves in the sound." [10] Robert Christgau also reviewed NowTHEN favorably, giving it an A grade, concluding, "...here be a literary songwriter of the first rank whose pipes benefited from his long break and who's reeled in enough fine musicians to execute his ambitious arrangements. Vanity projects seldom come prouder." [11]
Mathis James Reed was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man" (1961), and "Bright Lights, Big City" (1961) appeared on both Billboard magazine's rhythm and blues and Hot 100 singles charts.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known, revered, and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
Lifes Rich Pageant is the fourth studio album by the American alternative rock band R.E.M., released on July 28, 1986. R.E.M. chose Don Gehman to produce the album, which was recorded at John Mellencamp's Belmont Mall Studios in Belmont, Indiana. This was the only album the band recorded with Gehman, who moved them from the more obscure and dense sound of their earlier albums to an accessible, hard rock-influenced quality. The album was well-received critically.
Leave Home is the second studio album by American punk rock band the Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
Before the Flood is a live album by American singer-songwriter Bob Dylan and The Band, released on June 20, 1974, on Asylum Records in the United States and Island Records in the United Kingdom. It was Dylan's first live album, although live recordings of earlier performances would later be released. It is the 15th album by Dylan and the seventh by the Band, and documents their joint 1974 American tour. It peaked at No. 3 on the Billboard 200, reached No. 8 on the popular album chart in the UK, and has been certified Platinum by the Recording Industry Association of America.
Dream Police is the fourth studio album by American rock band Cheap Trick. It was released in 1979, and was their third release in a row produced by Tom Werman. It is the band's most commercially successful studio album, going to No. 6 on the Billboard 200 chart and being certified platinum within a few months of its release.
Everybody's Rockin' is the 13th studio album by Canadian / American musician Neil Young, released on August 1, 1983. The album was recorded with the Shocking Pinks, and features a selection of rockabilly songs. Running 25 minutes, it is Young's shortest album. Everybody's Rockin' is typical of his 1980s period in that it bears little or no resemblance to the album released before it, nor the one released after it.
Legendary Hearts is the twelfth solo studio album by American musician Lou Reed, released in March 1983 by RCA Records. Reed self-produced the album, and dedicated it to his then-wife, Sylvia, who was credited with the cover concept. Due to tensions with Reed, most of Robert Quine's guitar parts were mixed down or removed entirely.
Fleetwood Mac in Chicago is an album by the rock band Fleetwood Mac released on 5 December 1969. It was the result of a recording session in early 1969 at Chess Records in Chicago with Fleetwood Mac, then a young British blues band, and a number of famous Chicago blues artists from whom they drew inspiration. The album has also been released, with slightly different track listings, under the titles Blues Jam at Chess and Blues Jam in Chicago Volumes One and Two.
Ain't Complaining is the eighteenth studio album by British rock band Status Quo. Initially released on the Vertigo label on 13 June 1988, it was the group's first album on that label to fall short of the UK Top 10, breaking a streak of 12 studio albums in the process. It reached no higher than its entry position of No. 12. The band, however, reentered the Top 10 just three years later with Rock 'Til You Drop in 1991.
One Way Out is a live album by the Allman Brothers Band. It is the first live album to feature Warren Haynes and Derek Trucks together, although both had appeared separately on previous live albums. It was recorded during the group's annual Beacon Theatre run in New York City on March 25 and 26, 2003, and released a year later. This would be the final album released by the band before they disbanded in 2014.
Imaginary Friend is the second and final studio album by English indie rock band Th' Faith Healers, released in 1993 by Too Pure. It was released by Elektra Records in the United States.
The Original Soul of Michael Jackson is a remix album by American singer Michael Jackson. It features songs recorded and published early in his solo career during the 1970s and remixed in 1987, before its release that year by Motown.
"I Knew the Bride " is a song written by Nick Lowe and first popularized by Dave Edmunds. It was released on Edmunds's 1977 album Get It and a year later in a live version by Nick Lowe's Last Chicken in the Shop on Live Stiffs Live.
Rock 'n' Roll with the Modern Lovers is an album by Jonathan Richman and the Modern Lovers, released by Beserkley Records in 1977.
The Paranoid Style is an American, Washington, D.C.-based garage rock band led by the husband-and-wife duo of Elizabeth Nelson and Timothy Bracy. Formed in 2012, the band is named after Richard J. Hofstadter's 1964 essay The Paranoid Style in American Politics. Their first two releases were the EPs The Power of Our Proven System and The Purposes of Music in General. Both EPs were released together in 2013 by Misra Records in a limited release. The band's first physical release was the 2015 EP Rock & Roll Just Can’t Recall, released by Battle Worldwide Recordings. Their full-length debut, Rolling Disclosure, was released on July 15, 2016 on Bar/None Records. It was preceded by the single "Giving Up Early ", which was released earlier that month. The band's 2016 video for "The Thrill is Back!" - a shot-for-shot remake of Journey's "Separate Ways " was directed by Full Frontal With Samantha Bee producer Miles Kahn and featured comedians Jordan Klepper and Mary Houlihan. In 2017, the band released the EP Underworld U.S.A. via Bar/None and in 2018, they released a split single on Bar/None with Wussy. Bar/None also re-issued 2015's Rock and Roll Just Can't Recall in 2018 as an expanded release with three new songs.
American Epic: The Collection is a 100-track, 5-CD box set of American roots music performances from the 1920s and 1930s. It was compiled by film director Bernard MacMahon to accompany the release of his American Epic documentary film series. The box features 100 songs by 100 different artists and has been acclaimed by many critics as a worthy successor to the Anthology of American Folk Music and one of the best box sets to ever be released. The box set won particular acclaim for the song selection and the sound quality of the transfers of vintage 78rpm records.
American Epic: The Best of Blues is a compilation of early blues songs recorded between 1927 and 1936 and released to accompany the American Epic films in 2017. The album was released as a 17-track download and a 13-track vinyl LP. The album was praised by critics as the definitive pre-war blues compilation.
American Epic: The Soundtrack is the soundtrack of the 2017 documentary film American Epic. The album features the 15 musical highlights from the documentary series recorded between 1927 and 2014.
American Epic: The Best of Country is a compilation of early country and folk songs recorded between 1922 and 1934 and released in 2017 to accompany the award-winning American Epic documentary film series. The album was released as a 16-track download and a 12-track vinyl LP.