Richard-Max Tremblay

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Richard-Max Tremblay
Richard Max Tremblay Selfportrait 2012.jpg
Tremblay in 2012
Born1952 (age 69–70)
Bromptonville (Sherbrooke), Quebec
Known forPainter, Photographer
Awards2015 RCA Trust Award, 2003 Prix Louis-Comtois
ElectedRoyal Canadian Academy of Arts (RCA)
Website richardmaxtremblay.com

Richard-Max Tremblay RCA (born 1952) is a Canadian artist and photographer. Known for painting and photographic portraits, Tremblay's artistic approach is described as "a dialogue between two media, photography and painting". [1] He is the recipient of the Royal Canadian Academy of Arts' 2015 RCA Trust Award, [2] the 2003 Prix Louis-Comtois, [3] and, as cinematographer of Gugging, the 1996 Special Jury Prize, International Festival of Films on Art and Pedagogy (UNESCO Paris). [3] Tremblay's work is found in the collections of the Montreal Museum of Fine Arts, [2] Musée national des beaux-arts du Québec, Musée d'art contemporain de Montréal, Musée d’art de Joliette, the City of Montreal and the Canada Council for the Arts' Art Bank. [4] [5]

Contents

Career

Richard-Max Tremblay was born in the Eastern-Township community of Bromptonville, Quebec. [1] As a young art student a viewing of a painting by Pierre Soulages at the Montreal Museum of Contemporary Art made a lasting impression. [6] He moved to Montreal to study art in 1972 and graduated with a Bachelor of Fine Arts degree from the Université du Québec à Montréal in 1975. He continued art studies in London in 1979-80 and received a post-graduate Diploma in Fine Arts from Goldsmiths College of Art and Design (now Goldsmiths, University of London). [4] [7] On his return to Montreal, Tremblay continued to paint and exhibited a series on London-deckchairs Les chaises in 1984 and portraits Têtes in 1985 at Galerie 13. [8] [9] At this time Tremblay began to explore photography and his images of artists Guido Molinari, Yves Gaucher, and Betty Goodwin were exhibited as Portraits 1983-1987 at John A. Schweitzer Gallery. [10] In 1987 he was commissioned by the Musée national des beaux-arts du Québec to photograph recipients of the Prix Paul-Émile Borduas for the 1988 exhibition L'art au Québec depuis Pellan: une histoire des prix Borduas. [1] Solo exhibitions of his work were held in 1994 at the Musée d’art de Joliette and Saidye Bronfman Centre for the Arts (Montreal). [11] From 1993-9 he was cinematographer, editor, and co-writer of the video Gugging (1996), on artists at the Gugging psychiatric residence near Vienna, Austria. [3] [7] By 1999 Tremblay's practice also included painting installations exhibited as Hors-Champs at the Montreal Telegraph Building. [12] He also exhibited there with Jean-Pierre Gauthier, Raymond Gervais, and John Heward in the 2000 multi-media exhibition on sound Montréal Télégraphe: le son iconographe which he co-curated with Louise Provencher. [13] [14] In 2001 an exhibition of black and white paintings Entre noir et blanc at Sherbrooke Museum of Fine Arts was followed by a second series Contretemps at Galerie Art Mûr in 2004. [13] [15] In 2010 Tremblay's photographs of windows in abandoned buildings were exhibited as Les tanneries at Association Artmandat in Barjols, France, and as Windows in 2011 at Galerie Division in Montreal. [16] [17] That year Montreal Museum of Fine Arts curator Diane Charbonneau organized a Tremblay photographic retrospective Tête-à-tête: Portraits of Artists, with 20 images from the museum's collection, including those of Francine Simonin, Michel Goulet, John A. Schweitzer, Manon de Pauw, and BGL. [6] [18] To coincide with the exhibition, a monograph of his work written by André Lamarre Richard-Max Tremblay. Portrait. was published by Éditions du passage. [6] A Tremblay retrospective was also held in 2011 at the Maison des arts et de la culture de Brompton. [1] In 2014 he was artist-in‐residence at the Canada Council for the Arts' Paris Studio. [2]

In 2018 Tremblay lived and worked in Montreal. [4]

Style and philosophy

Known for his photographic portraits of artists, Tremblay's early images of Martha Townsend and Fernand Leduc feature face and hands. [19] By 1986 his photographs of Betty Goodwin, John Heward and Pierre Soulages include studio shots to "introduce the work of the artist in the portrait." [1] Other photographic series include windows of derelict buildings and empty, stacked boxes, a comment on the disappearance of archival records in a digital era. [20] Tremblay described photography and painting as preservative, "acts of resistance against time", which are also "consequential acts that lead elsewhere, that sweep us forward." [21] He also described his use of photography as either "a step in the creation of a photographic work" or as a "painting which is inconceivable without the photographic juncture". [22] Also known for figurative art, Tremblay's early painting series Têtes (1985) was described as "anti-portraits", [9] while later compositions of "heads and gestural blurrings" link photographic realism to abstract-lyricism. [23] Recent paintings of Paris, Berlin or Venice also reference as metaphors mirrors or windows and the comcept of hidden and revealed. [24] [20] In 1975 Tremblay wrote, "I am fond of the theme of the black curtain... about showing what prevents you from seeing." [25] His sources of inspiration include Renaissance art, philosophical novels such as The Unbearable Lightness of Being by Milan Kundera, [1] as well as works by Franz Kafka, Samuel Beckett, and W. G. Sebald. [26]

Recognition

An elected member of the Royal Canadian Academy of the Arts, Tremblay is the recipient of the 2015 RCA Trust Award. [2] [27] He was also awarded the 2003 Prix Louis-Comtois for "excellence within the visual arts" by the City of Montreal and the Contemporary Art Galleries Association (AGAC). [3] Known for photography, painting, and the creative "synergy and fusion" between the two, [28] Voir journalist Matthieu Petit wrote that Tremblay's "signature lies in photographic and pictorial parallels, but also in the enigmas that he enjoys developing." [1] Art reviewer Françoise Belu noted in his work a sense "of being and non-being", [29] which Nancy Pedri described in Circa Art as "showing and hiding, the curtain and the motif". [30] Noting the viewer's role in completing the staging or mis-en-scene, Vie des Arts critic Jean-Jacques Bernier described his work as "moving from the particular to the general or universal". [31] Also recognized as a cinematographer, Tremblay's video "Gugging", co-written and produced with Anne-Marie Rocher, received the 1996 Special Jury Prize – International Festival of Films on Art and Pedagogy (UNESCO Paris, France). [3]

Photography books

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References

  1. 1 2 3 4 5 6 7 Petit, Matthieu. "Richard-Max Tremblay: enigmes picturales." Voir Estrie, 22 Sep. 2011. p.12. Print. Web.
  2. 1 2 3 4 "RCA Trust Award Recipient 2015." RCA. Web.
  3. 1 2 3 4 5 Lamarche, Bernard. "Remise des prix Louis-Comtois et Pierre-Ayot - Richard-Max Tremblay et Pascal Grandmaison pour l'excellence en arts visuels." Le Devoir. 27 Nov. 2003. Print. Web.
  4. 1 2 3 "Artists: Richard-Max Tremblay." Galerie Division. 2017. Web.
  5. ↑ Lamarre, André. "Collections." Richard-Max Tremblay. Portrait. Les editions du passage. 2011. pp.183-4. Print.
  6. 1 2 3 Clément, Éric. "Hommage à Richard-Max Tremblay." La Presse. 11 Nov. 2011. 10-Arts p.1. Print. Web.
  7. 1 2 Lamarre, André. "Chronology." Richard-Max Tremblay. Portrait. Les editions du passage. 2011. pp.165-180. Print.
  8. ↑ Daigneault, Gilles. "Tremblay: l'obsession de la chaise protéiforme." Le Devoir. 7 Apr. 1984. p.28. Print.
  9. 1 2 Daigneault, Gilles. "Max Tremblay et Louise Paillé: la légèreté et la transparence." Le Devoir. 7 Sep. 1985. p.34. Print.
  10. ↑ Daigneault, Gilles. "Richard-Max Tremblay, photographe." Vie des arts, 128. Sept. 1987. p.68. Print. Web. p.6.
  11. ↑ Lamarre, André. "The Restless Work." Richard-Max Tremblay. Musée d’art de Joliette/Saidye Bronfman Centre for the Arts. 1994. Print. ISBN   2980179183.
  12. ↑ Bernier, Jean-Jacques. "Les redoublements de Richard-Max Tremblay." Vie des arts, vol.44:176, Autumn 1999. pp.28-30. Print. Web. pp.2-4.
  13. 1 2 Belu, Françoise. "Richard-Max Tremblay: Le jeu de l’art et du hasard-Notes biographiques." Vie des arts, 49(194). 2004. p.77. Print. Web. p.4.
  14. ↑ Robert, Pierre. "Montréal Télégraphe: le son iconographe (cédéroms)." Parachute, 102. Spring 2001. p.3. Print.
  15. ↑ Belu, Françoise. "Richard-Max Tremblay: Le jeu de l’art et du hasard." Vie des arts, 49(194). Spring 2004. pp.75-7. Print. Web. pp.2-4.
  16. ↑ Cousin, Jean-Pierre. "Des canadiens aux Perles." La Marseillaise. 6 Oct. 2010. p.6. Print.
  17. ↑ "Richard-Max Tremblay Fenetres," Galerie Division. Web.
  18. ↑ Charbonneau, Diane, "Tête-à-tête, portraits d’artistes signés Richard-Max Tremblay." M Magazine, 11. Sep. 2011. p.34. Print.
  19. ↑ Pedri, Nancy. "The Work of the Portrait." in André Lamarre's Richard-Max Tremblay. Portrait. pp.152-4. Print.
  20. 1 2 "Hidden by Richard-Max Tremblay at Division Gallery, Montreal." Blouin ArtInfo. Web.
  21. ↑ Lamarre, André. Richard-Max Tremblay. Portrait. p.146. Print.
  22. ↑ Lamarre, André. Richard-Max Tremblay. Portrait. p.138. Print.
  23. ↑ Johnson, Carl."Essay." L’œuvre inquiète, dans Richard-Max Tremblay. Musée regional de Rimouski. 1996. p.5. Print.
  24. ↑ Lamarre, André. "The Restless Work." Richard-Max Tremblay. p.45. Print.
  25. ↑ Pedri, Nancy. "The Work of the Portrait." in André Lamarre's Richard-Max Tremblay. Portrait. p.159. Print.
  26. ↑ Lamarre, André. Richard-Max Tremblay. Portrait. pp.139-142. Print.
  27. ↑ "List of members T." Royal Canadian Academy of the Arts. Web.
  28. ↑ Bernier, Jean-Jacques. "Les redoublements de Richard-Max Tremblay." p.28. Print. Web. p.2.
  29. ↑ Belu, Françoise. "Richard-Max Tremblay: Le jeu de l’art et du hasard." Vie des arts, 49(194). Spring 2004. p.77. Print. Web. p.4.
  30. ↑ Pedri, Nancy. "The Portrait: A Struggle to See - Richard-Max Tremblay Interview." Circa Art (Dublin), 116-s. 1 June 2006. pp.113-128. Print.
  31. ↑ Bernier, Jean-Jacques. "Les redoublements de Richard-Max Tremblay." p.29. Print. Web. p.3.
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