Richard J. Dumbrill (Epernay 1947) is a British/French archaeomusicologist and composer. He is a relativist musicologist who opposes Universalism and Occicentrism theories in his field. [1]
Dumbrill has studied the archaeomusicology of the Ancient Near East, especially the interpretation of cuneiform texts of Music Theory written in Sumerian, Babylonian and Hurrian.
Dumbrill's interpretation of music theory is based on his knowledge of Middle-Oriental Musicology. He rejects (Pythagorean) ditonism and heptatonism, as a model for Oriental music and particularly rejects the hypothesis of dichords in the Musicology of the Ancient Near East.
Dumbrill offers an interpretation of the oldest song ever written, which was found in northwest Syria at the site of Ugarit. He reconstructed the Silver lyre of Ur (at the British Museum), from Woolley's notes, with Myriam Marcetteau. Dumbrill also reconstructed the Elamite harp of the battle of Ulai, with Margaux Bousquet. Dumbrill donated one of his harps to the Ministry of Culture in Iraq.
Drumbill is the founder, with Irving Finkel of the International Council of Near Eastern Archaeomusicology [2] (ICONEA) at the Institute of Musical Research, School of Advanced Studies, University of London. [3]
Dumbrill has lectured at Harvard and Yale and in Iraq, Beirut, Damascus, Leiden, Rotterdam, Corpus Christi (Cambridge), and Paris.
The Birth of Music Theory https://www.academia.edu/44818683/Birth_of_music_theory
Semitic Music Theory (2600-500 BC) https://www.academia.edu/38432560/Semitic_Music_Theory_2600_500_BC_
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are maximally separated from each other.
Akkadian is an extinct East Semitic language that was spoken in ancient Mesopotamia from the third millennium BC until its gradual replacement in common use by Old Aramaic among Assyrians and Babylonians from the 8th century BC.
The oud is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument, usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
Cuneiform is a logo-syllabic writing system that was used to write several languages of the Ancient Near East. The script was in active use from the early Bronze Age until the beginning of the Common Era. Cuneiform scripts are marked by and named for the characteristic wedge-shaped impressions which form their signs. Cuneiform is the earliest known writing system and was originally developed to write the Sumerian language of southern Mesopotamia.
Assyriology, also known as Cuneiform studies or Ancient Near East studies, is the archaeological, anthropological, historical, and linguistic study of the cultures that used cuneiform writing. The field covers Pre Dynastic Mesopotamia, Sumer, the early Sumero-Akkadian city-states, the Akkadian Empire, Ebla, the Akkadian and Imperial Aramaic speaking states of Assyria, Babylonia and the Sealand Dynasty, the migrant foreign dynasties of southern Mesopotamia, including the Gutians, Amorites, Kassites, Arameans, Suteans and Chaldeans. Assyriology can be included to cover Neolithic pre-Dynastic cultures dating to as far back as 8000 BC through to the Islamic Conquest of the 7th century AD so the topic is significantly wider than that implied by the root "Assyria".
Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world. Succeeding the music of prehistoric societies and lasting until the Post-classical era. Major centers of Ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome. Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation and the dominance of text in musical settings.
Music was ubiquitous throughout Mesopotamian history, playing important roles in both religious and secular contexts. Mesopotamia is of particular interest to scholars because evidence from the region—which includes artifacts, artistic depictions, and written records—places it among the earliest well-documented cultures in the history of music. The discovery of a bone wind instrument dating to the 5th millennium BCE provides the earliest evidence of music culture in Mesopotamia; depictions of music and musicians appear in the 4th millennium BCE; and later, in the city of Uruk, the pictograms for ‘harp’ and ‘musician’ are present among the earliest known examples of writing.
Eblaite, or Palaeosyrian, is an extinct East Semitic language used during the 3rd millennium BC in Northern Syria. It was named after the ancient city of Ebla, in modern western Syria. Variants of the language were also spoken in Mari and Nagar. According to Cyrus H. Gordon, although scribes might have spoken it sometimes, Eblaite was probably not spoken much, being rather a written lingua franca with East and West Semitic features.
The Royal Library of Ashurbanipal, named after Ashurbanipal, the last great king of the Assyrian Empire, is a collection of more than 30,000 clay tablets and fragments containing texts of all kinds from the 7th century BCE, including texts in various languages. Among its holdings was the famous Epic of Gilgamesh.
Babylonian astrology was the first known organized system of astrology, arising in the second millennium BC.
Andrew R. George is a British Assyriologist and academic best known for his edition and translation of the Epic of Gilgamesh. Andrew George is Professor of Babylonian, Department of the Languages and Cultures of Near and Middle East at the School of Oriental and African Studies, University of London.
In philology, a commentary is a line-by-line or even word-by-word explication usually attached to an edition of a text in the same or an accompanying volume. It may draw on methodologies of close reading and literary criticism, but its primary purpose is to elucidate the language of the text and the specific culture that produced it, both of which may be foreign to the reader. Such a commentary usually takes the form of footnotes, endnotes, or separate text cross-referenced by line, paragraph or page.
Babylon was an ancient city located on the lower Euphrates river in southern Mesopotamia, within modern-day Hillah, Babil Governorate, Iraq about 85 kilometers south of modern day Baghdad. Babylon functioned as the main cultural and political centre of the Akkadian-speaking region of Babylonia, with its rulers establishing two important empires in antiquity, namely the 19th–16th century BC Old Babylonian Empire and the 7th–6th century BC Neo-Babylonian Empire, and the city would also be used as a regional capital of other empires, such as the Achaemenid Empire. Babylon was one of the most important urban centres of the ancient Near East until its decline during the Hellenistic period. Nearby ancient sites are Kish, Borsippa, Dilbat, and Kutha.
Sargon of Akkad, also known as Sargon the Great, was the first ruler of the Akkadian Empire, known for his conquests of the Sumerian city-states in the 24th to 23rd centuries BC. He is sometimes identified as the first person in recorded history to rule over an empire.
The Babylonian Map of the World is a Babylonian clay tablet with a schematic map and two inscriptions written in the Akkadian language. Dated to no earlier than the 9th century BC, it includes a brief and partially lost textual description. The tablet describes the oldest known depiction of the known world. Ever since its discovery there has been controversy on its general interpretation and specific features.
The Hurrian songs are a collection of music inscribed in cuneiform on clay tablets excavated from the ancient Amorite-Canaanite city of Ugarit, a headland in northern Syria, which date to approximately 1400 BC. One of these tablets, which is nearly complete, contains the Hurrian Hymn to Nikkal, making it the oldest surviving substantially complete work of notated music in the world. While the composers' names of some of the fragmentary pieces are known, h.6 is an anonymous work.
The cuneiform lexical lists are a series of ancient Mesopotamian glossaries which preserve the semantics of Sumerograms, their phonetic value and their Akkadian or other language equivalents. They are the oldest literary texts from Mesopotamia and one of the most widespread genres in the ancient Near East. Wherever cuneiform tablets have been uncovered, inside Iraq or in the wider Middle East, these lists have been discovered.
Daniel Edward Fleming is an American biblical scholar and Assyriologist whose work centers on Hebrew Bible interpretation and cultural history, ancient Syria, Emar, ancient religion, and the interplay of ancient Near Eastern societies. Since 1990, he has served as a professor of Hebrew Bible and Ancient Near Eastern Studies in the Skirball Department of Hebrew and Judaic Studies at New York University, where he has spent his whole career.
The Assyrian conquest of Egypt covered a relatively short period of the Neo-Assyrian Empire from 673 to 663 BCE. The conquest of Egypt not only placed a land of great cultural prestige under Assyrian rule but also brought the Neo-Assyrian Empire to its greatest extent.
[Dumbrill quoted Curt Sachs at the beginning of his paper, The Truth About Babylonian Music, addressing occidentalism in musicology:] 'In describing non-western music, be it oriental or primitive, one must strictly refrain from misusing incongruous concepts of western music. The terminology that has been learned in music school applies to the harmonic structure of music and is inappropriate, indeed misleading and distorting in descriptions of non-harmonic, non-western music.'
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