Richard Grayson | |
---|---|
Born | 1958 Morecambe UK |
Nationality | British |
Education | East Herts College of Art and Design, Newcastle upon Tyne Polytechnic B.A. Hons Fine Art |
Known for | Installation, Performance art, Video art, Art Criticism and curatorial work |
Notable work | Messiah, The Golden Space City of God, 2002 Biennale of Sydney |
Awards | British Council Grant 1984, Arts Council of England project grant 2008, Artist in Residence, International Studio Programme, Künstlerhaus Bethanien, Berlin 2003-2004, Artist in Residence, Artpace, San Antonio, Texas 2009. Official site: http://www.richardgrayson.co.uk/ |
Richard Grayson (born 1958) is a British artist, writer and curator. His art practice encompasses installation, video, painting and performance. He investigates ways that narratives shape our understandings of the world. His art and curatorial practice focus on narrative and the visual arts, belief systems and material expression, and ways cultural practices allow translation between the subjective and social/political realms.
Grayson was a founder member of the Basement Group [1] (1979–1984) in Newcastle upon Tyne. The Basement group was an artists' collective that focused on experimental time-based and performance art practices. It has been described as "unique in this country [the United Kingdom] in combining two functions: it is an 'exhibiting society' for a group of six artists working in time-based media (mostly performance and video), and it has up to the present provided a venue for any performing artist wishing to present work [in Newcastle]." [2]
Grayon's work has been exhibited at Matt's Gallery, London; [3] SMART Project Space, Amsterdam; Art Unlimited at Art Basel 2005, Switzerland; Museum of Contemporary Art Australia; Artpace, San Antonio, Texas [4] and included in the 17th Biennale of Sydney 2010, [5] "THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age" and ARSENALE 2012: The First Kyiv International Biennale of Contemporary Art 2012, [6] entitled "The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art".
Key works include: "Messiah" [7] , 2004, "Intelligence" [8] , 2005, "Ghost Houses", 2004–2007, "The Golden Space City of God", [9] 2009, "The Magpie Index", [10] 2010, a video focusing on legendary singer-songwriter Roy Harper, "The Magic Mountain" 2013, and "Possessions_inc", 20016-19 [11]
His critical writing has been published by Art Monthly , UK and Broadsheet, [12] Australia. He has written catalogue essays and monographs on Mark Wallinger, Roy Harper, Mike Nelson, Susan Hiller and Suzanne Treister.
Between 1992 and 1998, he was Director of the Experimental Art Foundation in Adelaide, Australia.
Grayson was Artistic Director of the 2002 Biennale of Sydney, [13] titled '(The World May Be) Fantastic', which investigated 'artists and practices using fictions, narratives, invented methodologies, hypotheses, subjective belief systems, modellings, fakes and experiments as a means to make works.'. [14] Writing in Art in America in October 2002, Michael Duncan said of the exhibition that it "gave free rein to complex, often offbeat works predicated on alternate realities. [15] Artists included: Mike Nelson, Chris Burden, Susan Hiller, Vito Acconci, Eleanor Antin, Henry Darger, Janet Cardiff and Rodney Graham. In an article in the Sydney Morning Herald from 17 May 2002, Bruce James describes the exhibition as "a hit". [16]
Grayson curated A Secret Service: Art, Compulsion, Concealment [17] in 2006/7, a Hayward Gallery Touring Exhibition; This Will Not Happen Without You: (Basement to Locus + 1975-2007) in 2006–2007, Arts Council of England Touring exhibition, Polytechnic [18] in 2010 for Raven Row, London, REVOLVER, [19] a series of co-collaborations with Robin Klassnik at Matt's Gallery, London in 2012 and Worlds in Collision, [20] the 3rd Adelaide International in 2014.
Grayson is currently a visiting lecturer at the Ruskin School of Art, University of Oxford, [21] The Royal College of Art, London and holds the position of Bartlett Research Fellow at Newcastle University, UK [22]
Sir Grayson Perry is an English artist. He is known for his ceramic vases, tapestries, and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles".
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region.
Michael Nelson is a contemporary British installation artist. He represented Britain at the Venice Biennale in 2011. Nelson has twice been nominated for the Turner Prize: first in 2001, and again in 2007.
Shirazeh Houshiary is an Iranian-born English sculptor, installation artist, and painter. She lives and works in London.
Fiona Margaret Hall, AO is an Australian artistic photographer and sculptor. Hall represented Australia in the 56th International Art Exhibition at the Venice Biennale in 2015. She is known as "one of Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
Anne Hardy is a British artist. Her art practice spans photography, sculptural installation and audio. She completed an MA in photography at the Royal College of Art in 2000, having graduated from Cheltenham School of Art in 1993 with a degree in painting. Hardy lives and works in London.
Rita Donagh is a British artist, known for her realistic paintings and painstaking draughtsmanship.
Rasheed Araeen is a Karachi-born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, and has been working as a visual artist bridging life, art and activism since his arrival in London from Pakistan in 1964.
Diango Hernández is a Cuban artist, known for his paintings. From 1994 to 2003, Hernández was involved with Ordo Amoris Cabinet, which he co-founded with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña. He is married to artist Anne Pöhlmann. He lives and works between Düsseldorf, Germany and Havana.
Norbert Francis Attard is a Maltese multi-disciplinary artist, art collector, gallerist and entrepreneur known for his varied approaches to artistic projects, multi-media works, installations and anthropological-based projects.
Nathaniel Mellors is an English contemporary artist and musician.
Gillian Mary Wise was a British artist devoted to the application of concepts of rationality and aesthetic order to abstract paintings and reliefs. Between 1972 and 1990 she was known as Gillian Wise Ciobotaru.
Raven Row is a free art exhibition centre in Spitalfields. It was constructed from numbers 56 and 58, Artillery Lane. These properties were built about 1690. The area was formerly used for testing artillery and this portion of the lane was known as Raven Row until 1895. No. 56 and 58 had been rebuilt in the 1750s for use by Huguenot silk weavers and traders. The buildings were converted into a gallery in 2009 by 6a architects on behalf of Alex Sainsbury, who established a charity to run it. The inaugural exhibition was of work by New York artist Ray Johnson. Raven Row has held exhibitions by K.P. Brehmer, Iain Baxter, Adam Chodzko, Suzanne Treister, Peter Kennard, Hilary Lloyd, Harun Farocki, Eduardo Paolozzi, Stephen Willats and Yvonne Rainer. Other exhibitions have been curated by Richard Grayson, Lars Bang Larsen and Alice Motard.
Graham Fagen is a Scottish artist living and working in Glasgow, Scotland. He has exhibited internationally at the Busan BiennaleArchived 10 September 2013 at the Wayback Machine, South Korea (2004), the Art and Industry Biennial, New Zealand (2004), the Venice Biennale (2003) and represented Scotland at the 56th Venice Biennale in 2015 in a presentation curated and organised by Hospitalfield. In Britain he has exhibited at the Victoria & Albert Museum, Tate Britain and the Institute of Contemporary Arts, London. In 1999 he was invited by the Imperial War Museum, London to work as the Official War Artist for Kosovo.
Fiona Crisp is an English photographer and installation artist. She is also Professor of Fine Art at Northumbria University.
Matthew Joseph Williams Drutt is an American curator and writer who specializes in modern and contemporary art and design. Based in New York, he has owned and operated his independent consulting practice Drutt Creative Arts Management (DCAM) since 2013l. He is currently working with the Lee Ufan Foundation in Arles on an exhibition of non-objective art foor Fall 2024. More recently, he worked with the Nationalmuseum Stockholm on an exhibition and publication of modern and contemporary American crafts gifted from artists and collectors in the United States to the museum, originally organized by his mother, Helen Drutt. He has worked more recently with the Eckbo Foundation in Oslo on the first major monograph of Thorwald Hellesen published in English and Norwegian in by Arnoldsche Art Publishers. He is currently also developing several other titles with the publisher. Formerly, he worked with the Beyeler Foundation in Switzerland (2013–2016) and the State Hermitage Museum in Russia (2013–2014), consulting on exhibitions, publications, and collections. He continues to serve as an Advisory Curator to the Hermitage Museum Foundation Israel. In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres, and in 2003, his exhibition Kazimir Malevich: Suprematism won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics.
Koo Jeong A is a South-Korean born mixed-media and installation artist.
Robert Owen is an Australian artist and curator. He lives and works in Melbourne, Australia.
Deanna Petherbridge was a South African and British artist, writer and curator. Petherbridge's practice was drawing-based, although she also produced large-scale murals and designed for the theatre. Her publications in the area of art and architecture were concerned with contemporary as well as historical matters, and in latter years she concentrated on writing about drawing. The Primacy of Drawing: Histories and Theories of Practice was published June 2010 and curated exhibitions included The Quick and the Dead: Artists and Anatomy, 1997, Witches and Wicked Bodies, 2013. She celebrated a retrospective exhibition of her drawings at Whitworth Art Gallery, University of Manchester accompanied by the monograph Deanna Petherbridge: Drawing and Dialogue, Circa Press, 2016.
Robin Klassnik OBE is the founder and director of Matt's Gallery.