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Scopas was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius.
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa.
The J. Paul Getty Trust is the world's wealthiest art institution, with an estimated endowment of US$7.7 billion in 2020. Based in Los Angeles, California, it operates the J. Paul Getty Museum, which has two locations – the Getty Center in the Brentwood neighborhood of Los Angeles and the Getty Villa in the Pacific Palisades neighborhood of Los Angeles. Its other programs are the Getty Foundation, the Getty Research Institute, and the Getty Conservation Institute.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin and a cup in Tarquinia, are signed by him as painter.
The Getty Villa is at the easterly end of the Malibu coast in the Pacific Palisades neighborhood of Los Angeles, California, United States. One of two campuses of the J. Paul Getty Museum, the Getty Villa is an educational center and museum dedicated to the study of the arts and cultures of ancient Greece, Rome, and Etruria. The collection has 44,000 Greek, Roman, and Etruscan antiquities dating from 6,500 BC to 400 AD, including the Lansdowne Heracles and the Victorious Youth. The UCLA/Getty Master's Program in Archaeological and Ethnographic Conservation is housed on this campus.
Cornelius Clarkson Vermeule III was an American scholar of ancient art and curator of classical art at the Museum of Fine Arts, Boston, from 1957 to 1996. He was also well known as a numismatist. He also used the pseudonyms Wentworth Bunsen, Isao Tsukinabe and Northwold Nuffler.
The Amasis Painter was an ancient Greek vase painter who worked in the black-figure technique. He owes his name to the signature of the potter Amasis, who signed twelve works painted by the same hand. At the time of the exhibition, "The Amasis Painter and His World" (1985), 132 vases had been attributed to this artist.
The Victorious Youth, Getty Bronze, also known as Atleta di Fano, or Lisippo di Fano is a Greek bronze sculpture, made between 300 and 100 BC, in the collections of the J. Paul Getty Museum, Pacific Palisades, California. Many underwater bronzes have been discovered along the Aegean and Mediterrean coast; in 1900 sponge divers found the Antikythera Youth and the portrait head of a Stoic, at Antikythera, the standing Poseidon of Cape Artemision in 1926, the Croatian Apoxyomenos in 1996 and various bronzes until 1999. The Victorious Youth was found in the summer of 1964 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler. In the summer of 1977, The J. Paul Getty Museum purchased the bronze statue and it remains in the Getty Villa in Malibu, California. Bernard Ashmole, an archaeologist and art historian, was asked to inspect the sculpture by a Munich art dealer Heinz Herzer; he and other scholars attributed it to Lysippos, a prolific sculptor of Classical Greek art. The research and conservation of the Victorious Youth dates from the 1980s to the 1990s, and is based on studies in classical bronzes, and ancient Mediterranean specialists collaboration with the Getty Museum. The entire sculpture was cast in one piece; this casting technique is called the “lost wax” method; the sculpture was first created in clay with support to allow hot air to melt the wax creating a mold for molten bronze to be poured into, making a large bronze Victorious Youth. More recently, scholars have been more concerned with the original social context, such as where the sculpture was made, for what context and who he might be. Multiple interpretations of where the Youth was made and who the Youth is, are expressed in scholarly books by Jiri Frel, Paul Getty Museum curator, from 1973 to 1986, and Carol Mattusch, Professor of Art History at George Mason University specializing in Greek and Roman art with a focus in classical bronzes.
The Lansdowne Heracles is a Roman marble sculpture of about 125 CE. Today it is in the collection of the J. Paul Getty Museum's Getty Villa on the Malibu Coast, Los Angeles. The statue represents the hero Heracles as a beardless Lysippic youth grasping the skin of the Nemean lion with his club upon his shoulder. The work was discovered in 1790 in Tivoli, Italy, on the site of Hadrian's Villa, where many fine Hadrianic copies and pastiches of Greek sculptures had been discovered since the 16th century. Today, the sculpture is considered to be an example of Roman-era improvisations on the Greek sculptural style of the fourth century BCE rather than a copy of a specific Greek original.
Grave Circle A is a 16th-century BC royal cemetery situated to the south of the Lion Gate, the main entrance of the Bronze Age citadel of Mycenae in southern Greece. This burial complex was initially constructed outside the walls of Mycenae and ultimately enclosed in the acropolis when the fortification was extended during the 13th century BC. Grave Circle A and Grave Circle B, the latter found outside the walls of Mycenae, represents one of the significant characteristics of the early phase of the Mycenaean civilization.
Barbara A. Barletta was a prominent American Classical archaeologist and architectural historian.
Pelike with actors preparing is a two-handled jar (pelike) depicting actors preparing for a performance. It is a piece of red-figure pottery measuring 24.1 centimetres (9.5 in) in height and 18 centimetres (7.1 in) in diameter. It was manufactured in Athens between 440–430 BC by the Phiale Painter and is held in the Greek Classical Gallery at the Museum of Fine Arts (MFA) in Boston. It is thought to have been used for storage.
The mixing bowl with the exposure of baby Aegisthos is an ancient Greek ceramic calyx-krater, a bowl used for mixing wine and water. Manufactured in Taras in 330–320 BC, it is thought to be the only known artistic depiction of a lost play by Sophocles, Thyestes at Sikyon. It is currently on display in gallery 215C of the Museum of Fine Arts in Boston, Massachusetts, after having been purchased by them from Fritz Bürki and Son on February 25, 1987.
Beth Cohen is an American classical archaeologist. She studied under German-American art historian Dietrich von Bothmer at the Institute of Fine Arts of New York University where she received her doctorate on bilingual vase painting of Ancient Greece. Her dissertation, Attic Bilingual Vases and their Painters is the main book used in the study of bilingual vase painting. Cohen became a specialist in the field of Greek vase painting, especially on rare forms of Attic vase painting. She organized the 2006 exhibition The colors of clay. Special techniques in Athenian vases at J. Paul Getty Museum in Malibu.
Jack Ogden, FSA, FGA, is a British jewellery historian with a particular interest in the development of Materials and technology. He is considered one of the foremost experts in his field. He is the current President of The Society of Jewellery Historians, having held the position since February 2018, and was appointed Visiting Professor of Ancient Jewellery, Material and Technology, at the Birmingham School of Jewellery Birmingham City University in 2019
Ancient Greek funerary vases are decorative grave markers made in ancient Greece that were designed to resemble liquid-holding vessels. These decorated vases were placed on grave sites as a mark of elite status. There are many types of funerary vases, such as amphorae, kraters, oinochoe, and kylix cups, among others. One famous example is the Dipylon amphora. Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens.
The Lageion also known as the Hippodrome of Alexandria, was a hippodrome situated in the city of Alexandria, Egypt, below the Serapeum. It is named after the founder of the Ptolemaic Dynasty of Egypt, Ptolemy I Soter. Other sources cite that it was named after a figure called Lagos, who was believed to be the father of Ptolemy I.
The Red Figure Pelike with an Actor Dressed as a Bird is a ceramic vessel from the Attic region of Greece that is dated to between 430–420 BC. It is decorated using the red-figure technique and depicts a continuous scene from Greek old comedy. This vessel is currently housed in the Michael C. Carlos Museum at Emory University in Atlanta, Georgia.
Ann Mari Yasin is an Associate Professor of Art History and Classics at the University of Southern California specializing in the architecture and material culture of the Roman and late antique world. She studies materiality, built-environments, landscapes, and urbanism as they pertain to the ancient and late ancient religious worlds.
References
- ↑ Richard Neer, Department of Art History, University of Chicago. Retrieved 12 May 2012. Archived 2012-05-12 at the Wayback Machine
