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"My Girl" is a soul music song recorded by the Temptations for the Gordy (Motown) record label. Written and produced by the Miracles members Smokey Robinson and Ronald White, it became the Temptations' first U.S. number 1 single, and is today their signature song. Robinson's inspiration for writing "My Girl" was his wife, Miracles member Claudette Rogers Robinson. The song was included on the Temptations 1965 album The Temptations Sing Smokey. In 2017, the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant".
"I Can't Get Next to You" is a 1969 number-one single recorded by The Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a number-one single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by The Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a number-one hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by The Dells, and replaced by another Motown song, "Baby I'm For Real" by The Originals.
"If I Ain't Got You" is a song by American singer-songwriter Alicia Keys from her second studio album The Diary of Alicia Keys (2003). Inspired by the 2001 death of singer Aaliyah, the terrorist September 11 attacks, and other events in the world and in Keys' life, the song is about "how material things don't feed the soul." The single cover depicts Keys similarly to the subject of Man Ray's 1924 painting Le Violon d'Ingres.
"Wishing on a Star" is a 1977 single by Rose Royce for Whitfield Records. The song was subsequently covered by numerous other artists.
"When a Man Loves a Woman" is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama. It made number one on both the Billboard Hot 100 and R&B singles charts. Singer and actress Bette Midler recorded the song 14 years later and had a Top 40 hit with her version in 1980. In 1991, Michael Bolton recorded the song and his version peaked at number one on both the Billboard Hot 100 chart and the Billboard Adult Contemporary Singles chart.
"That Girl" is a song by American R&B singer and songwriter Stevie Wonder. The song was the leading single from Wonder's album-era 1982 greatest-hits compilation, Stevie Wonder's Original Musiquarium I, as one of four newer songs from the collection. The song spent nine weeks at number one on the Billboard R&B singles chart – the longest time a Stevie Wonder single spent at the top spot – and reached number four on the Billboard Hot 100.
"It's All in the Game" is a pop song whose most successful version was recorded by Tommy Edwards in 1958. Carl Sigman composed the lyrics in 1951 to a wordless 1911 composition titled "Melody in A Major", written by Charles G. Dawes, who was later Vice President of the United States under Calvin Coolidge. It is the only No. 1 single in the U.S. to have been co-written by a U.S. Vice President or a Nobel Peace Prize laureate.
Slow Dance is the title of a number-one R&B single by R. Kelly with Public Announcement, from the album Born into the 90's. The song spent one week at number-one on the US R&B chart and became a minor pop hit on the US Billboard Hot 100, peaking at number forty-three. This was the second #1 R&B hit for Kelly; the previous being "Honey Love" from the same album.
"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell with a songwriting credit also given to Delaney Bramlett that has been a hit for many artists in different genres and interpretations in the years since; the best-known versions are by the Carpenters in 1971, and by Luther Vandross in 1983.
"Don't Knock My Love" is a hit song performed by R&B singer Wilson Pickett and written by Pickett with Brad Shapiro. Released in the spring of 1971 from the album of the same title, it spent a week at number-one on the Billboard Best Selling Soul Singles Chart and peaked at #13 on the Billboard Hot 100 Singles Chart. The song, which was produced under a funk tempo was Pickett's last number-one single and one of his last hits for Atlantic Records.
"I'll Be Good to You" is a 1976 hit song by R&B duo the Brothers Johnson. George Johnson, one of the two Johnson brothers in the band, wrote the song after deciding to commit to a relationship with one woman, instead of dating several at a time. While George was recording a demo for the song, family friend Senora Sam came by and added some lyrics. Brothers Johnson producer and mentor Quincy Jones heard the song, liked it, and convinced George to sing lead on the finished track. Released from their debut album, Look Out for #1, it was a top-ten hit on the Billboard Hot Singles Charts, peaking at number three, and a number one song on the Billboard R&B Charts during the summer of 1976. The single was later certified gold by the RIAA.
"Call Me" is a song written and recorded by American singer Aretha Franklin. The song was co-produced by Jerry Wexler, Tom Dowd and Arif Mardin.
"Doggin' Around" is a 1960 song written by Lena Agree and originally performed by Jackie Wilson. Reaching both the R&B and the pop singles charts in the U.S., "Doggin' Around" hit number one on the Hot R&B Sides chart for three weeks and peaked at number fifteen on the Billboard Hot 100. The A-side of the single was "Night", based on the aria "My Heart at Thy Sweet Voice" from the opera Samson and Delilah, by Saint-Saëns; it made the top five on the R&B and pop charts.
"I Wonder" is a 1944 song written and originally performed by Pvt. Cecil Gant. The original version was released on the Bronze label, before Gant re-recorded it for the Gilt-Edge label in Los Angeles. The record made it to number one on the Juke Box Race Records chart and was Pvt. Gant's most successful release. In February 1945, pianist, Roosevelt Sykes hit number one with his version of the song. Roosevelt Sykes version is notable in that it replaced Pvt. Gant's version, at number one on the Juke Box Race Records chart.
"Funny How Time Slips Away" is a song written by Willie Nelson and first recorded by country singer Billy Walker. Walker's version peaked at number 23 on the Hot C&W Sides chart. The tune is slightly similar to "When Two Worlds Collide", which was written by Roger Miller and Bill Anderson.
This is a list of the number-one albums of the UK R&B Singles and Albums Charts.
References
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 26.