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The Exposition Internationale des Arts et Techniques dans la Vie Moderne was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Musée de l'Homme, and the Palais de Tokyo, which houses the Musée d'Art Moderne de la Ville de Paris, were created for this exhibition that was officially sanctioned by the Bureau International des Expositions. A third building, Palais d'Iéna, housing the permanent Museum of Public Works, which was originally to be among the new museums created on the hill of Chaillot on the occasion of the Exhibition, was not built until January 1937 and inaugurated in March 1939.
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The International Exhibition of Modern Decorative and Industrial Arts was a specialized exhibition held in Paris, France, from April to October 1925. It was designed by the French government to highlight the new modern style of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The modern style presented at the exposition later became known as "Art Deco", after the exposition's name.
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Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post-World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture design that had gone before it. There was an opposition to the decorative arts, which included Art Nouveau, Neoclassical, and Victorian styles. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. The forms of furniture evolved from visually heavy to visually light. This shift from decorative to minimalist principles of design can be attributed to the introduction of new technology, changes in philosophy, and the influences of the principles of architecture. As Philip Johnson, the founder of the Department of Architecture and Design at the Museum of Modern Art articulates:
"Today industrial design is functionally motivated and follows the same principles as modern architecture: machine-like simplicity, smoothness of surface, avoidance of ornament ... It is perhaps the most fundamental contrast between the two periods of design that in 1900 the Decorative Arts possessed ..."
Proto-Cubism is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and conditions, rather than from one isolated static event, trajectory, artist or discourse. With its roots stemming from at least the late 19th century, this period is characterized by a move towards the radical geometrization of form and a reduction or limitation of the color palette. It is essentially the first experimental and exploratory phase of an art movement that would become altogether more extreme, known from the spring of 1911 as Cubism.
China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain, developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
Raoul Albert La Roche was a Swiss banker and art collector. He was especially interested in purism and cubism and his collections have been donated to museums in Switzerland and France. His home in Paris, Maison La Roche, was designed by his friend Le Corbusier and now houses the Le Corbusier Foundation.
References
- ↑ Pelgrim, E. (1994). "Hilversumse historie. De Ripolin verffabriek". Eigen Perk. 14 (1): 24–39.
- 1 2 Muir, K.; Gautier, G.; Casadio, F.; A., Vila (2011), "Interdisciplinary Investigation of Early House Paints: Picasso, Picabia and their "Ripolin" Paintings – Revision 1", ICOM Committee for Conservation, 16th Triennial Meeting, Lisbon 19-23 September 2011, International Council of Museums
- ↑ Moskowitz, Clara. "Picasso's Genius Revealed: He Used Common House Paint". LiveScience.com. Retrieved 8 February 2013.
- ↑ Halle, David (1996). Inside Culture: Art and Class in the American Home. Chicago: University of Chicago Press. ISBN 9780226313689.
- ↑ Le Corbusier (1987) [1925]. The Decorative Art of Today. Dunnet, James I. (trans.). London: The Architectural Press. ISBN 978-0851390154.
- ↑ Le Corbusier (1987) [1925]. "The Law of Ripolin". The Decorative Arts of Today. London: Architectural Press.
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