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Rita Livesi | |
|---|---|
| Born | 4 March 1915 |
| Occupation | Actress |
| Years active | 1935–1985 (film) |
Rita Livesi (born 1915) is an Italian former stage and film actress. She is known for Amore amaro (1974), Il berretto a sonagli (1985) and La ragazza del vagone letto (1979).
Miguel Najdorf was a Polish–Argentinian chess grandmaster. Originally from Poland, he was in Argentina when World War II began in 1939, and he stayed and settled there. He was a leading world player in the 1940s and 1950s, and is also known for the Najdorf Variation, one of the most popular chess openings.
Marc Lawrence was an American character actor who specialized in underworld types. He has also been credited as F. A. Foss, Marc Laurence and Marc C. Lawrence.
Federico Laredo Brú was an attorney and served as President of Cuba from 1936 to 1940. He was married to Leonor Gomez-Montes. Laredo Bru was a Colonel in Cuba’s Liberation Army during the Cuban War of Independence
Julie Bishop, previously known as Jacqueline Wells, was an American film and television actress. She appeared in more than 80 films between 1923 and 1957.
Veda Ann Borg was an American film and television actress.
Raffaello Matarazzo was an Italian filmmaker.
Alessandro Cicognini was an Italian composer who is chiefly remembered for his film scores.
José María Minella (1909–1981) was an Argentine football player and manager. He played for and managed Argentina's national team.
Mario Mattoli was an Italian film director and screenwriter. He directed 86 films between 1934 and 1966.
Paola Barbara was an Italian film actress. She appeared in more than 60 films between 1935 and 1978. She was sometimes credited as Pauline Baards.
Enrico Musy, better known as Enrico Glori was an Italian actor.
Leda Gloria was an Italian film actress. She appeared in 66 films between 1929 and 1965. During the expansion of Italian cinema of the Fascist era of the 1930s and early 1940s she appeared in starring roles, later transitioning into character parts after the Second World War. She appeared in the Don Camillo series of films, playing the wife of Gino Cervi's Giuseppe Bottazzi.
Silvio Bagolini was an Italian film actor. He appeared in more than 130 films between 1936 and 1973.
Nobody's Children is a 1951 French-Italian melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Françoise Rosay. It is one of a series of melodramas co-starring Nazzari and Sanson, which were very popular at the box office. The owner of a marble quarry falls in love with the daughter with one of his employees, and they have a baby together. However his mother attempts to sabotage the relationship with tragic consequences.
Fernando de Fuentes Carrau was a Mexican film director, considered a pioneer in the film industry worldwide. He is perhaps best known for directing the films El prisionero trece, El compadre Mendoza, and Vámonos con Pancho Villa, all part of his Revolution Trilogy on the Mexican Revolution.
Amore amaro is a 1974 Italian drama film directed by Florestano Vancini. For this film Lisa Gastoni was awarded with a Silver Ribbon for best actress.
María Denis was an Argentine-born actress in Italian made films. Denis moved to Italy in 1932 when she was 16, and appeared in her first film there the same year. Denis became a top Italian star between 1936 and 1942 playing girl next door characters. Denis later appeared in films in several other countries. In 1949 she appeared in the British film Private Angelo.
Adam's Tree is a 1936 Italian "white-telephones" comedy film directed by Mario Bonnard and starring Elsa Merlini, Antonio Gandusio and Renato Cialente.
The Man from Nowhere is a 1937 French drama film directed by Pierre Chenal and starring Pierre Blanchar, Isa Miranda and Catherine Fonteney. It was made at the Cines Studios in Rome, and based on Luigi Pirandello's 1904 novel Il fu Mattia Pascal. A separate Italian-language version of the film was also produced.
Special Correspondents is a 1943 Italian romantic thriller film directed by Romolo Marcellini and starring Dorothea Wieck, Otello Toso and Maurizio D'Ancora. It was produced as a propaganda film in support of the Italian war effort during the Second World War, released a few months before the overthrow of Benito Mussolini's regime.
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