The Man from Nowhere | |
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Directed by | Pierre Chenal |
Written by | Luigi Pirandello (play) Pierre Chenal Christian Stengel Armand Salacrou Roger Vitrac |
Produced by | Michel Kagansky Christian Stengel |
Starring | Pierre Blanchar Isa Miranda Catherine Fonteney |
Cinematography | Joseph-Louis Mundwiller |
Edited by | Pierre Chenal |
Music by | Jacques Ibert |
Production companies | Général Productions Ala-Colosseum Film |
Distributed by | Société d'Édition et de Location de Films |
Release date |
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Running time | 92 minutes |
Country | France |
Language | French |
The Man from Nowhere (French: L'Homme de nulle part) is a 1937 French drama film directed by Pierre Chenal and starring Pierre Blanchar, Isa Miranda and Catherine Fonteney. [1] It was made at the Cines Studios in Rome, and based on Luigi Pirandello's 1904 novel Il fu Mattia Pascal . A separate Italian-language version of the film was also produced.
It was a popular success, and was re-released in 1942.
The film's sets were designed by Guido Fiorini.
Jean Servais was a Belgian film and stage actor. He acted in many 20th century French cinema productions, from the 1930s through the early 1970s.
Marie Glory was a French actress.
Isa Miranda was an Italian actress with an international film career.
François Périer was a French actor renowned for his expressiveness and diversity of roles.
The Les Molière is the national theatre award of France and it recognises achievement of French theatre each year. The awards are considered the highest honour for productions and performances. Presided and decided by the Association professionnelle et artistique du théâtre (APAT), supported by the Ministry of Culture in a ceremony annually held, called the Nuit des Molières in Paris.
Pierre Blanchar was a French actor. He appeared in more than 50 films between 1922 and 1961. Blanchar was married to actress Marthe Vinot, with whom he had a daughter, actress Dominique Blanchar. He played Napoleon in the 1938 British film A Royal Divorce alongside Ruth Chatterton as Josephine. He later appeared alongside Michèle Morgan in the 1946 film Pastoral Symphony.
The Two Lives of Mattia Pascal is a 1985 Italian drama film directed by Mario Monicelli. It was adapted from the novel Il fu Mattia Pascal by Luigi Pirandello. It was entered into the 1985 Cannes Film Festival.
Street of Shadows is a 1937 French spy film directed by G. W. Pabst. An English-language version with exactly the same plot was filmed at the same time under the direction of Edmond T. Gréville, but with some changes in the cast. Dita Parlo remained as Mademoiselle Docteur, but Erich von Stroheim took over the part of the German spy chief. The English-language version was released in the United States under the title Under Secret Orders. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art directors Robert Hubert and Serge Piménoff.
A Certain Mister is a 1950 French crime film directed by Yves Ciampi and starring René Dary, Hélène Perdrière and Pierre Destailles. It was shot at the Billancourt Studios in Paris. The film's sets were designed by the art director Lucien Carré. The script is based on Jean Le Hallier's 1947 novel of the same title.
Love and the Frenchwoman is the US title of a 1960 French anthology film originally entitled La française et l'amour. It starred Jean-Paul Belmondo and Dany Robin.
The Citadel of Silence is a 1937 French drama film directed by Marcel L'Herbier and starring Annabella, Pierre Renoir and Bernard Lancret. The film's sets were designed by the art directors Andrej Andrejew and Guy de Gastyne.
After Love is a 1948 French drama film directed by Maurice Tourneur and starring Pierre Blanchar, Simone Renant and Giselle Pascal. The film is based on the 1924 play of the same title by Henri Duvernois and Pierre Wolff which has been adapted for the screen a number of times. Tourneur shot it in five weeks and came in under budget. It was the director's penultimate film, followed by Dilemma of Two Angels the same year.
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Alfred-Adolphe Pasquali was a French actor and theatre director.
Great Man is a 1951 French drama film directed by Yves Ciampi and starring Pierre Fresnay, Renée Devillers and Jean-Claude Pascal.
The Former Mattia Pascal is a 1937 Italian drama film directed by Pierre Chenal and starring Pierre Blanchar, Isa Miranda and Irma Gramatica. It is based on the 1904 novel Il fu Mattia Pascal by Luigi Pirandello. The film was shot at the Cines Studios in Rome. A separate French-language version was also made, under the title The Man from Nowhere.
Catherine Bégin was a Canadian actress.
The Devil in the Bottle is a 1935 French-German drama film directed by Heinz Hilpert, Reinhart Steinbicker and Raoul Ploquin. It stars Käthe von Nagy, Pierre Blanchar and Gina Manès. It was made by the German studio UFA as a French-language remake of its 1934 film Liebe, Tod und Teufel. Both films are based on Robert Louis Stevenson's story The Bottle Imp. The film's sets were designed by the art directors Otto Hunte and Willy Schiller.
The Last of the Six is a 1941 French mystery thriller film directed by Georges Lacombe and starring Pierre Fresnay, Michèle Alfa and Suzy Delair. It was shot at the Billancourt Studios in Paris. The film's sets were designed by the art director Andrej Andrejew. It is based on the 1931 novel The Six Dead Men by the Belgian writer Stanislas-André Steeman.