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Rita McKeough (born 1951) is a Canadian interdisciplinary artist, musician and educator [1] who frequently works in installation and performance.
McKeough was born in 1951 in Antigonish, Nova Scotia. McKeough completed her BFA at the University of Calgary in 1975 and her MFA at the Nova Scotia College of Art and Design in 1979. [2] She currently teaches at Alberta University of the Arts and resides in Calgary, Alberta. [3]
McKeough's practice uses a variety of analog, electronic and digital technology to create performance, media and sound works. Her pieces engage with feminist narratives, often using objects to perform sound. [4] McKeough has stated the imperative for taking action and fostering a situation for activating agency through her practice: "In my work, it’s not about speaking for anybody, but wanting to create or imagine situations or a society where everyone has a voice and speaks from his or her own position." [5] Much of her work is a call for action by creating a space for introspection, curiosity, humour and awareness. McKeough brings to attention various spectrum of social issues, including the oil industry and its impact on the ecosystem, meat production, human-animal relations, violence against women, and silenced female voices within private and public institutions.
Veins is an interactive environmental installation presented at TRUCK Contemporary Art in Calgary, Alberta in 2016. [6] Veins follows and builds on issues explored in her most recent works, Wilderment, Alternator, The Lion’s Share and H. This work is motivated by McKeough's sense of unease as it relates specifically to the ongoing planning and construction of the oil and gas pipelines being built across a fragile and vulnerable landscape. This work will look broadly at the sheer complications, multiplications and furtherance of the risks we take. The questioning of these processes will perhaps have an opening, and another layer of understanding of the vulnerability and complexities of the natural landscape.
Oh, Canada: Contemporary Art from North North America, organized by the Massachusetts Museum of Contemporary Art (MASS MoCA), is the largest survey of contemporary Canadian art ever produced outside Canada. [7] Comprising more than 100 artworks by 62 artists and collectives from across the country, Oh, Canada is huge in both scale and scope. This unique collaboration encourages dialogue, debate, and a deeper understanding of local, regional, and national contemporary practice.
"H" was a performance that took place in an old barber shop in Sackville, New Brunswick, from July 24 to August 2, 2014. Residents of Sackville were requested to bring their "sick" (i.e., outdated) cell phones to the temporary emergency hospital set up in the barber shop, where, in tiny hospital beds, they were attended by a larger-than-life squirrel and a tree that used a variety of techniques to help the cell phones recover. The public could visit recovering cell phones or simply watch the process.
University of Lethbridge Art Gallery, 2012; Doris McCarthy Art Gallery, Scarborough, Ontario; Dalhousie Art Gallery, Halifax, 2013, Kenderdine Art Gallery at University of Saskatchewan, 2014 [8] and Illingworth Kerr Gallery at Alberta College of Art and Design, Calgary, 2014. [9]
Art Gallery of Alberta, Timeland: Alberta Biennial of Contemporary Art, 2010; Neutral Ground, Solo Exhibition, May, 2013
2008, Nuit Blanche, Toronto; 2009, ArtCity Festival, Calgary; 2009, Art in the Streets Festival, Lethbridge; 2012, Oh Canada! Massachusetts Museum of Contemporary Art, Boston.
Inspired by French feminist writers Hélène Cixous and Luce Irigaray and the punk icon Patti Smith, McKeough created a ninety-minute operatic performance/installation with a six piece choir, two solo vocalists, three musicians, six dancers, a prerecorded audio tape and slide and video projections. Audience and performers were engulfed by a large wooden figure. The work was created to foster a collective, tangible voice to women's anger.
This work, created with her collaborator Cheryl L'Hirondelle, was an installation and performance at the Glenbow Museum in 1993. Here McKeough and L'Hirondelle literally chewed through the museum walls to expose eight concealed audio tapes. The work poignantly created a dynamic between domestic abuse and empowered the female agency that recovers silenced voice. [10]
McKeough's work is included in many public and private collections including the Canada Council Art Bank, Ottawa; Glenbow Museum, Calgary; Walter Phillips Gallery at The Banff Centre; University of Lethbridge, Lethbridge; [11] and the Dunlop Art Gallery, Regina. [12]
McKeough is also a musician. She has played drums/percussion for a number of bands including Sleepy Panther, The Permuters, Sit Com, Mode d'Emploi, Almost Even, Demi Monde, Confidence Band, and Books All Over the Bed.
McKeough was the winner of a 2009 Governor General's Award in Visual and Media Arts [13] and received the 2014 Canada Council for the Art International Residency at Artspace Sydney in Australia. [14]
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Katie Ohe, is a Canadian sculptor living in Calgary, Alberta. Ohe is known as one of the first artists to make abstract sculpture in Alberta, and has been influential as a teacher at the Alberta College of Art and Design. She is best known for her abstract and kinetic sculptures.
David William Buchan was a Canadian artist who was part of the alternative art scene. He was also a graphic designer.
Annie Martin is a Canadian artist who works with installation, audio, video and textiles. Her work has been exhibited throughout Canada and internationally. Martin lives in Lethbridge, Alberta where she teaches at the University of Lethbridge. She previously lived and worked in Montreal.
Lyndal Osborne is a Canadian artist based in Edmonton, Alberta. Her works include BioArt, Sculpture, Video art, and multimedia. She applies many different artistic methods and often uses recycled or found objects as her materials. Osborne's' installation work speaks of the forces of transformation within nature and provides a commentary on issues relating to the environment. In her more recent works, Osborne has also examined the issues of genetically modified organisms as subject matter.
Cheryl L'Hirondelle is a Canadian multidisciplinary media artist, performer, and award-winning musician. She is of Métis/Cree (non-status/treaty), French, German, and Polish descent. Her work is tied to her cultural heritage. She explores a Cree worldview or nêhiyawin through body, mind, emotions, and spirit; examining what it means to live in contemporary space and time.
Ed Pien is a Canadian contemporary artist, known for his drawings and large-scale drawing-based installations inspired by multiple sources and traditions, printmaking, paper cuts and video and photography.
Elizabeth MacKenzie is a Canadian artist based in Vancouver known for her drawing, installation and video since the early eighties. MacKenzie uses drawing to explore the productive aspects of uncertainty through the use of repetition, interrogations of portraiture and considerations of intersubjective experience. Her work has been characterized by an interest in maternal ambivalence, monstrous bodies, interrogations of portraiture and considerations of the complexity of familial and other interpersonal relations.
Nancy Tousley is a senior art critic, journalist, art writer and independent curator whose practice has included writing for a major daily newspaper, art magazines, and exhibition catalogues.
Karilynn Ming Ho is a Vancouver-based interdisciplinary artist working with video art, performance, multi-media installation, theatre, sculpture and collage. Her work draws on existential themes as a means to examine formal and conceptual ideas around performativity as it relates to screen culture and the mediated body.
Linda Craddock is a Canadian visual artist living in Calgary, Alberta. Her work has been featured in exhibitions since 1973.
Adrian Stimson is an artist and a member of the Siksika Nation.
Gabrielle L'Hirondelle Hill is a Cree and Métis multimedia artist and writer, living and working in Vancouver, British Columbia, Canada. Through creating sculptures, collage, and installation works with found objects, she explores and questions the capitalistic treatment of land as an economic capital, which leads the land contamination and violence against people living on the land. As a member of BUSH Gallery, Hill is also involved in group art projects, through which artists embody the indigenous way of knowing and art practice, as a means of decentralizing Eurocentric theorization of art. Hill was longlisted for the 2019 Sobey Art Award.
Terrance James Houle is an Internationally recognized Canadian interdisciplinary artist and member of the Kainai Nation and ancestry from the Sandy Bay Reservation, Manitoba. His Mother is Maxine WeaselFat from the Kainai Nation and Father Donald Vernon Houle from Sandy Bay Reservation in Manitoba, they are both 3rd generation Residential School attendees & reside on the Blood reservation in Southern Alberta, Canada. His work ranges from subversive to humorous absurdity to solemn and poetic artistic expressions. His work often relates to the physical body as it investigates issues of history, colonization, Aboriginal identity and representation in popular culture, as well as conceptual ideas based on memory, home, and reserve communities. Currently, He has co-directed a Short Animation Otanimm/Onnimm with his daughter Neko which is currently touring Film festivals, In Los Angeles, NYC, Toronto, New Zealand, Vancouver, Oxford & many more. Recently their short film won the prestigious Golden Sheaf Indigenous Award at Yorkton Film Festival and is Neko's First Award in Film at 17 years old.
Dennis Burton was a Canadian modernist painter.
Ronald Benjamin Moppett is a Canadian painter. He is known primarily for abstract paintings and for works in which he combines paint and collage, along with non-traditional materials. Moppett is based in Calgary, Alberta.
Alexandra Haeseker is a Canadian painter, print maker, and installation artist, based in Calgary, Alberta. She is a professor emerita at Alberta University of the Arts. Her works can be found in public collections in Canada and internationally.
René Derouin is a Canadian multidisciplinary artist, known for revitalizing the print medium.
Louise Noguchi is a Canadian multidisciplinary visual artist who uses video, photography, sculpture, and installation to examine notion of identity, perception and reality.
Laura Millard is a Canadian contemporary artist. She uses for her installations drawings and videos records of the marks left on the earth obtained from drones, such as traces of the tracks of skates and snowmobiles on ice in northern Canada in a long-term investigation of ways to reinvent the landscape tradition of Canada. She also is an educator with over many years of experience working at OCAD University and a writer; she lives and works in Toronto.
David Garneau is a Métis artist whose practice includes painting, curating, and critical writing.