Robert Ashton (photographer)

Last updated

Robert Ashton (1950) is an Australian photographer and photojournalist.

Contents

Early life and education

Robert Ashton was born on August 11, 1950, in Melbourne. He studied Photography at Prahran College 1969-71 and graduated with a Diploma of Visual Arts and Design.

Career

In the early 1970s, Robert Ashton shared house with Carol Jerrems and Ian Macrae in Mozart Street, St Kilda, [1] their artist associates being Ingeborg Tyssen, Paul Cox and Bill Heimerman, and Ashton's cousin Rennie Ellis with whom he shared a studio [2] in Greville Street, Prahran. From 1974 to 1981, [3] Ashton was assistant director at Ellis's Brummels Gallery in Toorak Road, South Yarra, [4] [5] where he also exhibited. [6]

Photography curator Judy Annear notes that;

"Robert Ashton's work is typical of the highly personalised documentary photographs that began to emerge in the 1970s." [7]

His subject matter includes urban indigenous, life and incidents in inner suburbia in Melbourne, [8] particularly Fitzroy. [9] [10] Writer and musician Mark Gillespie, who had become involved in a new publishing venture, Outback Press, with Fred Milgrom Colin Talbot and Morry Schwartz, commissioned Ashton for the book Into the Hollow Mountain. Its images, [11] of "kids on the prowl, the old Salvo street bands, the Koorie clans, the card joint kaphenois", [12] were first shown at Brummels in a exhibition of that title in 1974, and when re-exhibited forty years later at Colour Factory, "serve as a rare documentation of day-to-day Melbourne and glimpse into an era that, while not actually all that distant, is most definitely a thing of the past." [13]

Ashton has published several other books, of portraits and close-up, abstracted landscape, and exhibited widely in Australia. His photograph Bernard Diving [14] featured in the 1988 exhibition, and on the cover its catalogue, The Thousand Mile Stare, a survey of Australian photography published by the Victorian Centre for Photography. [15]

In pursuing the best quality output for his imagery, Ashton adopted, and currently uses, hand-built large format cameras and advanced printing techniques including photogravure and the Collodion process. [16]

He lives on Victoria's Surf Coast, and imagery of the ocean and landscape is a consistent interest.

Exhibitions

Solo

Group

Collections

Publications

Related Research Articles

<span class="mw-page-title-main">Centre for Contemporary Photography</span>

The Centre for Contemporary Photography (CCP), in Fitzroy, Melbourne, Victoria, is a venue for the exhibition of contemporary photo-based arts, providing a context for the enjoyment, education, understanding and appraisal of contemporary practice.

David Moore was an Australian photojournalist, historian of Australian photography, and initiator of the Australian Centre for Photography.

<span class="mw-page-title-main">Carol Jerrems</span> Australian photographer (1949–1980)

Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.

Susan Fereday is an Australian artist, writer, curator and educator. She holds a doctorate from Monash University, Melbourne. She was born in Adelaide, South Australia.

Henry Talbot, born Heinz Tichauer was a German-Australian fashion photographer noted for his long association with the Australian fashion industry, particularly the Australian Wool Board.

Joyce Olga Evans, B.A., Dip. Soc. Stud. was an Australian photographer active as an amateur from the 1950s and professional photographic artist from the 1980s, director of the Church Street Photography Centre in Melbourne (1976–1982), art curator and collector, and tertiary photography lecturer.

Reynolds Mark Ellis was an Australian social and social documentary photographer. He also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, where he established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.

<span class="mw-page-title-main">John Cato</span> Australian photographer and teacher

John Chester Cato was an Australian photographer and teacher. Cato started his career as a commercial photographer and later moved towards fine-art photography and education. Cato spent most of his life in Melbourne, Australia.

<span class="mw-page-title-main">Jennie Boddington</span>

Jennifer "Jennie" Boddington was an Australian film director and producer, who was first curator of photography at the National Gallery of Victoria in Melbourne (1972–1994), and researcher.

Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.

Brummels Gallery in South Yarra, Melbourne, Australia, was a commercial gallery established by David Yencken in 1956 to exhibit contemporary Modernist Australian painting, sculpture and prints, but after a period of dormancy became best known in the 1970s, under the directorship of Rennie Ellis, as the first in Australia to specialise in photography at a time when the medium was being revived as an art form. The gallery closed in 1980.

Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.

The Photographers' Gallery and Workshop (1973–2010) was an Australian photography gallery established in South Yarra, Melbourne, and which ran almost continuously for nearly 40 years. Its representation, in the 1970s and 1980s, of contemporary and mid-century, mostly American and some European original fine prints from major artists was influential on Australian audiences and practitioners, while a selection of the latter's work sympathetic to the gallery ethos was shown alternately and then dominated the program.

Leonie Reisberg is an Australian photographer.

Stephen Wickham is an Australian photographer, painter and printmaker.

Jacqueline Mitelman is an Australian portrait photographer.

Artists Space Gallery was an Australian art gallery showing mainly photography, as well as other media, through the 1980s in Melbourne.

Virginia Fraser was born on 28 December 1947 in Melbourne, Victoria. She was an Australian First Nations artist, writer, curator and advocate for women artists. Her art practice consisted mainly of video and installation works, often made in collaboration with Destiny Deacon. Fraser died on 26 January 2021, aged 74.

Rozalind Drummond is a photographic artist and an early exponent of postmodernism in Australia.

<span class="mw-page-title-main">David Stephenson (photographer)</span> American-Australian photographer

David Stephenson is an American-Australian fine art photographer known for his representations of the sublime. His photographic subjects have included landscapes from America to Australia, the Arctic and Antarctica, the Southern Ocean, European sacred architecture, and day- and nighttime skyscapes. He has lived in Tasmania since 1982.

References

  1. King, Natalie; Jerrems, Carol; Heide Museum of Modern Art (Bulleen, Vic.) (2010). Up close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang. Melbourne: Heide Museum of Modern Art. ISBN   978-1-86395-501-0. OCLC   759868741.
  2. "Quiet cameraman won access to the heart of working-class enclave". 15 August 2014.
  3. "Robert Ashton". www.mga.org.au. Retrieved 25 January 2020.
  4. "Brummels". www.rennieellis.com.au. Retrieved 25 January 2020.
  5. Ashton, R. (2004). Rennie Ellis, 1940-2003:[Obituary.]. Photofile, (70), 64.
  6. Creative Camera , February 1974, Coo Press, London, 321, 375.
  7. Art Gallery of New South Wales; Annear, Judy (2007), Photography : Art Gallery of New South Wales Collection, Art Gallery of New South Wales, ISBN   978-1-74174-006-6
  8. Smith, A. (2014). Photography: A portrait of Fitzroy in 1974. Arena Magazine (Fitzroy, Vic), (132), 50.
  9. Munro, Craig (ed); Sheahan-Bright, Robyn (ed); University of Queensland (2006), Paper empires : a history of the book in Australia 1946-2005, ISBN   978-0-7022-3559-7 {{citation}}: |author1= has generic name (help)
  10. 1 2 "Colour Factory Gallery Exhibitions - Australian Photography". www.australianphotography.com. Retrieved 25 January 2020.
  11. "Robert Ashton: Into the hollow mountains, Fitzroy in 1974". The Sydney Morning Herald. Retrieved 27 January 2020.
  12. PORTAL, ART NEWS. "Into the Hollow Mountains - A portrait of Fitzroy in 1974". www.artnewsportal.com. Retrieved 27 January 2020.
  13. "Robert Ashton: Into the Hollow Mountains". Open Journal. 9 December 2014. Retrieved 27 January 2020.
  14. "Works | NGV | View Work".
  15. 1 2 Bennett, David; Agee, Joyce; Victorian Centre for Photography (1988), The thousand mile stare : a photographic exhibition, The Victorian Centre for Photography Inc, ISBN   978-0-7316-2054-8
  16. "Robert Ashton | Qdos Arts Digital Large Format Landscape Photographer". Qdos Arts. Retrieved 30 January 2020.
  17. Ashton, Robert; Gillespie, Mark (1974), Into the hollow mountains, Outback Press, ISBN   978-0-86888-006-8
  18. Tony Perry, 'The big titles mystery,' The Age, Thursday 12 July 1979, p.2
  19. Listing, The Sydney Morning Herald, Saturday, 18 Aug 1979, p.16
  20. "Robert Ashton" . Retrieved 25 January 2020.
  21. "Black Eye Gallery". blackeyegallery.com.au. Retrieved 25 January 2020.
  22. "Thin Air by Robert Ashton - Capture magazine". www.capturemag.com.au. Retrieved 25 January 2020.
  23. Calado, Jorge; Centro Cultural de Belém (Lisbon, Portugal); 100 Days Festival ((1998 : Lisbon, Portugal)) (1998), Waterproof : water in photography since 1852 ([Hardcover ed.] ed.), Edition Stemmle, ISBN   978-3-908161-26-4
  24. Monash Gallery of Art (2007), William and Winifred Bowness photography prize 2007, Monash Gallery of Art, retrieved 25 January 2020
  25. Hallmark Cards, Inc; Hallmark Photographic Collection; Hallmark Art Collection (2000), 2000 acquisitions : the Hallmark Art Collection, the Hallmark Photographic Collection, Hallmark Cards, Inc, retrieved 25 January 2020
  26. "Robert ASHTON | Artists | NGV". www.ngv.vic.gov.au. Retrieved 25 January 2020.
  27. Peter Weiniger, Limelight The Age, Wednesday 31 August 1994, p.28
  28. irismagazine (14 May 2015). "Land Abound". Iris Magazine. Retrieved 25 January 2020.