Robert Glenn Ketchum

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Robert Glenn Ketchum (born December 1, 1947) is a pioneering conservation photographer, recognized by Audubon magazine as one of 100 people "who shaped the environmental movement in the 20th century.". [1]

Contents

Life and career

Ketchum attended high school at the Webb School of California. He received a B.A. in design from UCLA and a MFA from the California Institute of the Arts in 1974. He studied photography under the direction of Edmund Teske and Robert Heinecken. After he graduated he began a lifelong friendship with Eliot Porter, who helped form his ideas about photography and about how photography can be used to help change the world. His commitment to conservation photography is unique amongst academically-trained photographers.

Prior to his emergence as a photographer, he was a widely recognized curator, discovering the Paul Outerbridge, Jr. estate, [2] and bringing recognition to the overlooked work of James Van Der Zee. He was also Curator of Photography for the National Park Foundation for 15 years, and in this capacity authored American Photographers and the National Parks (1981).

After the publication of this last title, Ketchum began to concentrate on environmentally focused projects. Although his conservation photography encompasses many areas from Mexico to Canada, his most influential work was done in Alaska, the location of four books with Aperture. His book The Tongass: Alaska's Vanishing Rain Forest (1987) was instrumental in helping to pass the Tongass Timber Reform Bill of 1990. He subsequently turned his attention to Southwest Alaska with Rivers of Life: Southwest Alaska, The Last Great Salmon Fishery (2001) and Wood-Tikchik: Alaska¹s Largest State Park (2003), advocating for the protection of Bristol Bay from the industrial invasion of oil and gas leasing and the largest open pit mine in the world. In 2010, the Obama administration withdrew Bristol Bay from oil and gas lease consideration.

Ketchum and his close friend master printer Michael Wilder pioneered Cibachrome color printmaking in the early 1970s. They were also among the first contemporary photographers to explore print scale. Ketchum's very dimensional prints large color prints were distinctive at that time.

Ketchum has extended the traditional media of the photographic prints in several ways. He has been working with a guild of embroiderers in China translating his imagery into wall hangings, table screens and standing, multi-panel floor screens using historic craft dating back from 2500 years. [3] [4] More recently, he created the company RGK THREADS to bring photographic images from the natural world to bolt fabric design.

Ketchum has had over 400 one-man and group shows, and his photographs are in major museum collections throughout the world, including the Museum of Modern Art (New York City), the National Museum of American Art (Washington, D.C.), the Museum of Contemporary Art, Los Angeles, and the Metropolitan Museum of Art (New York City), to name a few. Significant archives of more than 100 images have been acquired by the Amon Carter Museum in Texas and the Huntington Library in Los Angeles, and substantial bodies of work can be found at the High Museum in Atlanta, the Los Angeles County Museum of Art, the Akron Art Museum, The Cantor Museum of Stanford University and the Herbert F. Johnson Museum of Cornell University. [5]

He is the founder of the Advocacy Arts Foundation, and a founding Fellow of the International League of Conservation Photographers. [6]

Selected awards, honors, and recognition

Books

Selected exhibitions

September 16, 2006 - January 7, 2007- Robert Glenn Ketchum and Eliot Porter: Regarding the Land", Amon Carter Museum, Fort Worth, TX (40-year retrospective)

March 7 - July 21, 2020, "Robert Glenn Ketchum & Eliot Porter: On Seeing Color", Booth Museum of Western Art, Cartersville, GA (55-year retrospective of 60+ prints)

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References

Notes

  1. ↑ "Champions of Conservation". Archived from the original on 2010-12-16. Retrieved 2010-04-22.
  2. ↑ Paul Outerbridge, Jr. by Graham Howe (Author), Paul Outerbridge Jr (Photographer), Robert Glenn Ketchum (Editor), LA Ctr. for Photo. Studies, 1976
  3. ↑ Dowdey, Patrick (Editor), "Threads of Light: Chinese Embroidery From Suzhou and the Photography of Robert Glenn Ketchum"; with contributions by Robert Glenn Ketchum, Zhang Meifang, Jo Q. Hill; UCLA Fowler Museum of Cultural History, Los Angeles, CA, 1999
  4. ↑ Yang, Rae (Essay), "China: Fifty Years Inside the People's Republic", Aperture, New York, NY, 1999
  5. ↑ "International League of Conservation Photographers: Robert Glenn Ketchum" . Retrieved 2010-04-22.
  6. ↑ "Robert Glenn Ketchum" on the International League of Conservation Photographers website
  7. ↑ "Photo Media: Photography person of the Year" . Retrieved 2010-04-22.
  8. ↑ "NANPA Awards and Past Winners". Archived from the original on 2012-10-29. Retrieved 2010-04-22.
  9. ↑ "Archived copy" (PDF). Archived from the original (PDF) on 2017-02-21. Retrieved 2018-12-27.{{cite web}}: CS1 maint: archived copy as title (link)
  10. ↑ "Masters Series: Robert Glenn Ketchum". 17 March 2010. Retrieved 2010-04-22.
  11. ↑ George, Lynell. "Worth Preserving". Los Angeles Times (October 19, 2008). Accessed January 29, 2011.

Further reading

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