Robert Moulson (26 November 1932 - 15 August 2003) was an American classical tenor who had an active international career in operas and concerts from the late 1950s through the 1980s. He became particularly associated with the role of Lenny Small in Carlisle Floyd's Of Mice and Men ; a role which he recorded and portrayed in its original production at the Seattle Opera in 1970. [1]
Born in Cleveland, Ohio, Moulson studied with Frederick Jagel and Samuel Margolis in New York City before making his professional opera debut in 1958 with the New York City Opera as Sam Polk in Carlisle Floyd's Susannah . The New York Times stated of his performance that "Moulson's singing was excellent. His voice is a light but brilliant and well focused instrument of the sort that carries well in performance." [2] He returned to that house several times up through 1983 in such roles as Pinkerton in Giacomo Puccini's Madama Butterfly , Alfredo in Giuseppe Verdi's La traviata , and Lenny Small in Floyd's Of Mice and Men. [1]
Moulson notably created the role of Lenny Small in the world premiere of Floyd's opera at the Seattle Opera in 1970. He became widely identified with the part in following years, recording the role and portraying it with numerous opera companies throughout North America including the Houston Grand Opera in 1977. He returned to Houston in 1981 to portray Sugar Boy in the world premiere of Floyd's Willie Stark . Other roles in which he excelled were Aegisthus in Elektra , Canio in Pagliacci , Cavaradossi in Tosca , Don José in Carmen , the Duke of Mantua in Rigoletto , Edgardo in Lucia di Lammermoor , Don Fernando in La Favorite , Radames in Aida , and the title roles in Don Carlo , Faust , The Tales of Hoffmann , and Oedipus Rex . [1]
Moulson also sang at other major American opera houses during his career, including the Opera Company of Boston, the Pittsburgh Opera, Portland Opera, Cincinnati Opera, the New Orleans Opera, and the San Francisco Opera. On the international stage he was particularly active in West Germany, appearing as a guest artist at the Hamburg State Opera, the Staatsoper Stuttgart, the Opern- und Schauspielhaus Frankfurt, the Deutsche Oper am Rhein, and at the opera houses in Cologne and Hanover. He also made a few appearances with the Vancouver Opera. [1]
Carlisle Sessions Floyd was an American composer primarily known for his operas. These stage works, for which he wrote the librettos, typically engage with themes from the American South, particularly the Post-civil war South, the Great Depression and rural life. His best known opera, Susannah, is based on a story from the Biblical Apocrypha, transferred to contemporary rural Tennessee, and written for a Southern dialect. It was premiered at Florida State University in 1955, with Phyllis Curtin in the title role. When it was staged at the New York City Opera the following year, the reception was initially mixed; some considered it a masterpiece, while others degraded it as a 'folk opera'. Subsequent performances led to an increase in Susannah's reputation and the opera quickly became among the most performed of American operas.
Phyllis Curtin was an American soprano and academic teacher who had an active career in operas and concerts from the early 1950s through the 1980s. She is known for her creation of roles in operas by Carlisle Floyd, such as the title role in Susannah and Catherine Earnshaw in Wuthering Heights. She was a dedicated song recitalist, who retired from singing in 1984. She was named Boston University's Dean Emerita, College of Fine Arts in 1991.
Susannah is an opera in two acts by the American composer Carlisle Floyd, who wrote the libretto and music while a member of the piano faculty at Florida State University. Floyd adapted the story from the Apocryphal tale of Susannah and the Elders, though the latter story has a more positive ending. The story focuses on 18-year-old Susannah Polk, an innocent girl who is targeted as a sinner in the small mountain town of New Hope Valley, in the Southern American state of Tennessee.
Harry Theyard is an American operatic tenor.
Richard Cassilly was an American operatic tenor who had a major international opera career between 1954–90. Cassilly "was a mainstay in the heldentenor repertory in opera houses around the world for 30 years", and particularly excelled in Wagnerian roles like Tristan, Siegmund and Tannhäuser, and in dramatic parts that required both stamina and vocal weight, such as Giuseppe Verdi's Otello and Camille Saint-Saëns's Samson.
Patricia Lynn Racette is an American operatic soprano. A winner of the Richard Tucker Award in 1998, she has been a regular presence at major opera houses internationally. Racette has enjoyed long-term partnerships with the San Francisco Opera, where she has been a regular performer since 1989, and with the Metropolitan Opera, where she has performed since 1995. Also active on the concert stage, Racette has appeared with many of the world's leading orchestras, including the Boston Symphony Orchestra, the Chicago Symphony Orchestra, the San Francisco Symphony, and the London Philharmonic Orchestra. She also received the award for Best Opera Recording for her performance in the Los Angeles Opera's production of The Ghosts of Versailles at the 59th Annual Grammy Awards.
Frank Corsaro was one of America's foremost stage directors of opera and theatre. His Broadway productions include The Night of the Iguana (1961).
Anthony Dean Griffey is an American opera tenor. He is a regular presence on the stages of opera houses and concert halls around the world. Griffey has also been noted for his acting talent in addition to his voice.
Chad Shelton is an American operatic tenor. Particularly associated with the Houston Grand Opera (HGO), Shelton has excelled in performances of contemporary American operas and in the works of Wolfgang Amadeus Mozart and Giuseppe Verdi. He has appeared in numerous world premieres with the HGO including Laurie in Mark Adamo's Little Women (1998), Nico in Adamo's Lysistrata (2005), and Ulises in Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004) among others. He also sang the role of Brigadier General Edward Porter Alexander in the world premiere of Philip Glass's Appomattox at the San Francisco Opera (2007).
Margaret Lloyd is an American soprano who is particularly known for her performances in contemporary operas and concert works. She has sung in the world premieres of several operas, most notably portraying the role of Lightfoot McClendon in the premiere of Carlisle Floyd's Cold Sassy Tree at the Houston Grand Opera in 2000. She has also sung in the world premieres of several works by composer Michael Torke.
Arnold Voketaitis is an American bass-baritone of Lithuanian descent who had an active singing career performing in operas, concerts, and recitals from the late 1950s through the 1990s. He enjoyed a particularly successful partnership with the New York City Opera and has performed with most of the major opera companies in North America. A strong actor, he has a powerful voice with a wide range and fine timbre.
William Chapman was an American operatic baritone and stage actor. He appeared in several Broadway productions and was notably a leading performer at the New York City Opera from 1957 through 1979.
Lee Venora is an American operatic soprano and musical theater actress. She was highly active with the New York City Opera between 1957 and 1967 and a regular performer at the San Francisco Opera between 1961 and 1966. She also appeared in a few Broadway musicals, Lincoln Center revivals, and national tours of musicals during her career. Composer and conductor Leonard Bernstein was an admirer of her voice, and she performed with him and the New York Philharmonic on a number of occasions during the late 1950s and early 1960s. She also sang with the orchestra on a couple of recordings and appears on a few musical recordings as well.
Joshua Hecht was an American operatic bass.
Julian Patrick was an American operatic baritone and voice teacher. Born in Mississippi, Patrick grew up in Birmingham, Alabama where he was a member of the Apollo Boys Choir. After graduating from the Cincinnati Conservatory of Music, he began his professional career as a musical theatre performer in the 1950s; appearing in the original Broadway productions of The Golden Apple (1954), Bells Are Ringing (1956), Juno (1959), Once Upon a Mattress (1959), and Fiorello! (1959). He also studied singing privately in New York City with Cornelius L. Reid.
Brandon Jovanovich is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas. He is most known for his passionate portrayals of Slavic, French and German operas. His signature roles include Don José in Bizet's Carmen, B. F. Pinkerton in Puccini's Madama Butterfly, Cavaradossi in Puccini's Tosca, and the title role in Wagner's Lohengrin.
Harry Danner is an American operatic tenor and actor of stage, screen, and film.
Frank Porretta Jr. was an American tenor who had an active career performing in operas, musicals, and concerts from 1952 through 1971. He had a particularly fruitful relationship with the New York City Opera from 1956 to 1970 where he sang a highly diverse repertoire; including roles in new operas by composers Norman Dello Joio, Carlisle Floyd, Vittorio Giannini, and Robert Ward. For the NBC Opera Theatre he portrayed The Astronaut in the world premiere of Gian Carlo Menotti's Labyrinth.
Tom Fox is an American operatic baritone who has had an active international performance career that has spanned five decades. He has sung leading roles at many of the world's major opera houses, including the Berlin State Opera, La Scala, and the Metropolitan Opera. While he has performed a diverse range of roles in numerous languages during his career, he has become particularly associated with the works of Richard Wagner.
Carroll Freeman is an American operatic tenor, opera director, and music educator. He began his career as a prominent boy soprano in the 1960s. From the late 1970s through the mid 1990s he performed widely as a tenor with opera companies and orchestras in the United States. After that he worked as a director of opera productions with opera companies throughout North America. He is the former director of the opera program at the University of Tennessee and currently directs the opera program at Georgia State University. He is also the former Artistic Director of Mississippi Opera, Opera in the Ozarks at Inspiration Point, and opera studios at Knoxville Opera and Des Moines Metro Opera.