Formation | 1963 |
---|---|
Founder | Glynn Ross |
Type | Opera company |
910760426 | |
Headquarters | 363 Mercer Street Seattle, Washington, U.S. |
Coordinates | 47°37′26″N122°20′58″W / 47.6239545°N 122.3494188°W |
General director | James Robinson |
Website | seattleopera.org |
Seattle Opera is an American opera company based in Seattle, Washington. The company's season runs from August through late May, comprising five or six operas of eight to ten performances each, often featuring double casts in major roles to allow for successive evening presentations.
Since August 2003, Seattle Opera has performed at Marion Oliver McCaw Hall (capacity: 2,967), which was built on the site of the old Seattle Opera House at Seattle Center. The company's current general director is James Robinson.
Glynn Ross founded the company in 1963, and served as its first general director until 1983. [1] From the outset, Ross saw opera as something that had to be sold using similar techniques to those used to sell popular entertainment:
In 1970, H. C. Schonberg of the New York Times contrasted Seattle Opera's approach to marketing to the then-still staid marketing of New York's Metropolitan Opera:
Further, Schonberg remarked favorably on the "air of freshness and experimentation that contrasts vividly with the dull, tried and true, tired professionalism in other opera houses one could mention." [2]
The company named Speight Jenkins as its next general director in December 1982, [3] an unusual appointment in that Jenkins did not have prior administrative experience with arts organisations prior to his appointment. [4] Jenkins formally took up the post with the 1983-1984 season, during which the company ran its first-ever fiscal deficit. [4] Early in his tenure, Jenkins stated a goal of producing all ten of the major Wagner works in Seattle. This project began with Tannhäuser in 1984, which was the first Seattle Opera production with supertitles. The project culminated with the August 2003 production of Parsifal , the first company production in its new venue, Marion Oliver McCaw Hall. [5] Jenkins concluded his tenure as general director of Seattle Opera in 2014.
Aidan Lang became general director of the company as of the 2014-2015 season. [6] His tenure included productions of contemporary operas such as As One (Laura Kaminsky) An American Dream (Jack Perla). [7] Lang stood down as general director of the company at the close of the 2018-2019 season. [8]
In March 2019, the company announced the appointment of Christina Scheppelmann as its next general director, the first woman to be named to the post, effective with the 2019-2020 season. [9] Her tenure at Seattle Opera overlapped with the COVID-19 pandemic, and her work at Seattle Opera included presentation of a filmed virtual season of productions. [10] In June 2023, Seattle Opera announced the scheduled conclusion of Scheppelmann's tenure as general director at the close of the 2023-2024 season. [11]
In August 2024, the company announced the appointment of James Robinson as its next general director and artistic director, effective 4 September 2024, with an initial contract of five seasons. [12] [13] His previous work at Seattle Opera included a 2004 production of Carmen that was the largest ticket-seller in the company's history. [12]
Seattle Opera currently does not have a full-time music director. In October 2007, the company announced the appointment of Asher Fisch as its principal guest conductor. [14]
For many years, the company was noted for its performances of the works of Richard Wagner, including the Ring cycle. In 1975, it was the first American company to perform the cycle in its entirety over the space of a week since the Metropolitan Opera in 1939. The Seattle Opera's last Ring was in August 2013, and they have stated that they have no plans to produce the Ring in the future. [15]
Beginning with a production of Die Walküre one year, and following successively each year with Siegfried and, finally, Götterdämmerung , Ross announced in 1975 that Das Rheingold would precede the others to make up the first consecutive Ring Cycle over six days in July. In spite of the modernization of the opera productions which Ross found at the Bayreuth Festival, Seattle's were to be traditional productions and appeal to the lovers of the traditional.
Two back-to-back cycles of the Ring, one each in German and English, were presented annually between 1975 and 1983. Andrew Porter's English adaptation which was prepared for the English National Opera and which was priced below the German language cycle, introduced many new listeners to Wagner. Originally directed by George London with designer John Naccarato, later presentations were directed by Lincoln Clark between 1976 and 1983, and by the tenor, Ragnar Ulfung in 1984. Henry Holt conducted all the cycles. The performances were well attended and received good press.
By 1982, the cycle was drawing opera lovers from all over the United States, as well as many other countries of the world, and Seattle appeared to be a serious rival to Bayreuth.
Following his appointment as general director, Jenkins immediately set about creating a new Ring production. Die Walküre appeared first, in 1985, followed by complete cycles in 1986, 1987, 1991, and 1995. (Jenkins determined that the company could achieve higher quality performances by presenting the Ring every four years.) The new production was directed by Francois Rochaix, with sets and costumes designed by Robert Israel, lighting designed by Joan Sullivan, and supertitles (the first ever created for the Ring) by Sonya Friedman. The production set the action in a world of nineteenth-century theatricality. Initially controversial, it sold out in 1995. Conductors included Armin Jordan (Die Walküre in 1985), Manuel Rosenthal (1986), and Hermann Michael (1987, 1991, and 1995).
Jenkins engaged a new creative team to conceive Seattle Opera's third Ring production, which was unveiled in 2000 (Das Rheingold and Die Walküre) and 2001 (full cycle) and returned in 2005, 2009, and 2013. Director Stephen Wadsworth, Set Designer Thomas Lynch, Costume Designer Martin Pakledinaz, Lighting Designer Peter Kaczorowski created a production which became known as the "Green" Ring, inspired in part by the natural beauty of the Pacific Northwest. Armin Jordan returned to conduct in 2000, Franz Vote in 2001, and Robert Spano in 2005 and 2009. The 2013 production, conducted by Asher Fisch, was released as a commercial recording on compact disc and on iTunes. The productions starred singers such as Greer Grimsley, Stephanie Blythe, Ewa Podles, Jane Eaglen, Richard Paul Fink, Margaret Jane Wray, and Stephen Milling.
Seattle Opera draws some of the world's best opera singers to its stage. Some of the notable performers who have appeared in productions include:
George Fiore was Seattle Opera's choral director from 1983 through 2000.
Seattle Opera often invites guest directors and conductors to take part in its productions. Notable conductors and directors include:
Seattle Opera supports the creation of new operas and has commissioned several works throughout its history. New operas performed by the company include:
Der Ring des Nibelungen, WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied. The composer termed the cycle a "Bühnenfestspiel", structured in three days preceded by a Vorabend. It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring.
Die Walküre, WWV 86B, is the second of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen. It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.
George London was an American concert and operatic bass-baritone.
Speight Jenkins Jr. is a classical music critic and music administrator. He was the general director of Seattle Opera from 1983 to 2014.
Washington National Opera (WNO) is an American opera company in Washington, D.C. Formerly the Opera Society of Washington and the Washington Opera, the company received Congressional designation as the National Opera Company in 2000. Performances are now given in the Opera House of the John F. Kennedy Center for the Performing Arts.
Dame Gwyneth Jones is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
Lisa Kinkead Gasteen AO, is an Australian operatic soprano, known for her performances of the works of Wagner. She won the Cardiff Singer of the World competition in 1991. She did not perform between 2008 and 2011, due to neuro-muscular spasms in her neck.
Thomas Stewart was an American bass-baritone who sang an unusually wide range of roles, earning global acclaim particularly for his performances in Wagner's operas.
Melbourne Opera was founded in 2002 as a charitable not-for-profit company dedicated to producing opera and associated art forms in Melbourne, Australia. With philanthropic assistance it has also toured to outer-suburban and regional Victorian theatres, as well as to Canberra and Hobart interstate. Despite receiving no government funding since its foundation, the company mounts between three and five main stage productions each year. Its principal rehearsal and performance home is the Athenaeum Theatre.
Longborough Festival Opera is an opera festival which presents a season of high quality opera each June and July in the English Cotswolds village of Longborough in north Gloucestershire. It began in 1991 as Banks Fee Opera by presenting concerts, and moved forward with operas presented by a travelling company. This was followed by converting a barn into an opera house. Audiences grew rapidly in the 1990s and, during the last decade, a focus on Wagner's operas led to three complete Ring Cycles being performed in 2013. The present chairman of the festival is Andrew Mosely, the music director Anthony Negus and the artistic director is Polly Graham.
Heinrich Vogl was a German operatic heldentenor.
Stephen Milling is a Danish operatic bass who has had an active international career since the mid-1990s. Although his repertoire encompasses a wide range, he is particularly known for his roles in the operas of Richard Wagner.
Asher Fisch is an Israeli conductor and pianist.
The Jahrhundertring was the production of Richard Wagner's Ring cycle, Der Ring des Nibelungen, at the Bayreuth Festival in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle. The festival was directed by Wolfgang Wagner and the production was created by the French team of conductor Pierre Boulez, stage director Patrice Chéreau, stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot. The cycle was shown first in 1976, then in the following years until 1980. It was filmed for television in 1979 and 1980. While the first performance caused "a near-riot" for its brash modernity, the staging established a standard, termed Regietheater, for later productions.
Diane Curry is an American operatic mezzo-soprano who is particularly known for her performances of the works of Richard Strauss, Richard Wagner, and Giuseppe Verdi. She was notably the mezzo-soprano soloist on the 1987 recording of Verdi's Requiem by the Atlanta Symphony Orchestra & Chorus and conductor Robert Shaw which won the 1988 Grammy Award for Best Choral Performance.
Geraldine Decker was an American mezzo-soprano and voice teacher who had active singing career in operas and concerts from 1971 through 2010. She was particularly active with the Metropolitan Opera and the Seattle Opera, and is best remembered for her annual performances in Seattle of Richard Wagner's Ring Cycle from 1974 to 1987. She taught on the voice faculty of Pepperdine University.
Der Ring in Minden was a project to stage Richard Wagner's cycle Der Ring des Nibelungen at the Stadttheater Minden, beginning in 2015 with Das Rheingold, followed by the other parts in the succeeding years, and culminating with the complete cycle performed twice in 2019. The stage director was Gerd Heinz, and Frank Beermann conducted the Nordwestdeutsche Philharmonie, playing on the stage of the small theatre. The singers acted in front of the orchestra, making an intimate approach to the dramatic situations possible. The project received international recognition and was compared favourably to the Bayreuth Festival.
Tijl Faveyts is a Belgian operatic bass. A current member of the Komische Oper Berlin, he has performed leading roles such as Mozart's Sarastro and Hunding in Wagner's Die Walküre and Gurnemanz Parsifal at major opera houses, concert halls and festivals, and made recordings.
Between 1958 and 1965 the Decca record company made the first complete recording to be released of Richard Wagner's operatic tetralogy, Der Ring des Nibelungen, comprising Das Rheingold, Die Walküre, Siegfried and Götterdämmerung. Of the four component operas, there had been two previous studio recordings of Die Walküre, and a radio recording of Götterdämmerung that was released on record in 1956, but Decca's was the first Ring cycle planned and recorded for the gramophone.
Deborah Humble is a Welsh born Australian dramatic mezzo-soprano noted for her operatic roles and performances on the world’s concert stages. A principal artist with Opera Australia and the Staatsoper Hamburg, Humble was a recipient of the Dame Joan Sutherland Award in 2004 and a finalist in the International Wagner Competition in 2008. The recipient of two Green Room Award nominations, she has been included in the Who's Who of Australian Women since 2009.
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