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Robert Robinson | |
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Born | c. 1600s |
Nationality | English |
Occupation | Phonetician Schoolmaster |
Known for | The Art of Pronuntiation; Created his own phonetic alphabet |
Robert Robinson was an English phonetician living in London in the early 17th century who created his own phonetic alphabet and wrote The Art of Pronuntiation.
Almost nothing is known about Robinson's life. He was relatively young, according to his own account, in 1617, and therefore may have been born not long before 1600. He may also have survived past 1660, earning a living as a schoolmaster. [1]
His only known published work is The Art of Pronuntiation, a handbook of English phonetics, published in 1617, and apparently a poor seller, as only one copy survives, in Oxford's Bodleian Library.
The Art of Pronuntiation contains two parts. The first Vox Audienda, attempts in a very elementary and far from satisfactory way to give an account of the sounds of English in articulatory terms. The second, Vox Videnda is more interesting, as it sets forth an ingenious, if occasionally defective, alphabet to represent these sounds. Unlike other attempts at a phonetic English character (such as that of Alexander Gil), Robinson's alphabet breaks entirely free from the basis of the Roman alphabet, using characters that bear only an accidental resemblance to Roman letters, while having a systematic relation to each other.
Robinson's alphabet is not only phonetic but to some extent featural, as voicing is not represented on the letters themselves, but by means of diacritics, in a mode that takes some account of assimilative voicing and devoicing of consonant clusters; English stress accent is also indicated by diacritics. Nasal stops are marked by a modification of the letters representing oral stops.
Included in The Art of Pronuntiation is Robinson's transcription of a Latin poem (presumably of his own composition), which exemplifies the idiosyncratic pronunciation used in English Latin schools of his time — and also, with sound-changes concurrent with those taking place in English, down to the 19th century, and thus provides valuable evidence as to the traditional adaptation of Latin to English phonology.
Even more significant than Robinson's published work, however, is his transcription (unpublished in his lifetime) of several poems by Richard Barnfield into this alphabet. These transcriptions provide very valuable evidence as to the pronunciation of English in Robinson's time; a pronunciation which, perhaps due to Robinson's youth or place of origin, contains many features that are more modern than Gil's, and which exemplify (even within a single text) several contemporary changes occurring in the pronunciation of English.
This section possibly contains original research .(December 2020) |
Robinson distinguishes ten vowels in English, which he clearly considers to be distinct in quality as well as length. The long vowels are implied to be midway in quality between the neighbouring short vowels. In his alphabet, however, he treats them as pairs, with the long vowels being in shape inverted forms of the short vowels. Although interpretation of his symbolism is necessary, very approximately his vowels can be assigned as follows:
Representative words are:
The vowel assignments must be taken as extremely approximate, better reflecting the relationships between the vowels than their precise sound.
Robinson's diphthongs are:
A diacritic is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek διακριτικός, from διακρίνω. The word diacritic is a noun, though it is sometimes used in an attributive sense, whereas diacritical is only an adjective. Some diacritics, such as the acute ( ◌́ ) and grave ( ◌̀ ), are often called accents. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters.
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators.
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A phonemic orthography is an orthography in which the graphemes correspond to the phonemes of the language. Natural languages rarely have perfectly phonemic orthographies; a high degree of grapheme-phoneme correspondence can be expected in orthographies based on alphabetic writing systems, but they differ in how complete this correspondence is. English orthography, for example, is alphabetic but highly nonphonemic; it was once mostly phonemic during the Middle English stage, when the modern spellings originated, but spoken English changed rapidly while the orthography was much more stable, resulting in the modern nonphonemic situation. However, because of their relatively recent modernizations compared to English, the Serbian
Voice or voicing is a term used in phonetics and phonology to characterize speech sounds. Speech sounds can be described as either voiceless or voiced.
In phonetics, nasalization is the production of a sound while the velum is lowered, so that some air escapes through the nose during the production of the sound by the mouth. An archetypal nasal sound is.
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In linguistics, a chroneme is a basic, theoretical unit of sound that can distinguish words by duration only of a vowel or consonant. The noun chroneme is derived from Ancient Greek χρόνος (khrónos) 'time', and the suffixed -eme, which is analogous to the -eme in phoneme or morpheme. However, the term does not have wide currency and may be unknown even to phonologists who work on languages claimed to have chronemes.
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The International Phonetic Alphabet was created soon after the International Phonetic Association was established in the late 19th century. It was intended as an international system of phonetic transcription for oral languages, originally for pedagogical purposes. The Association was established in Paris in 1886 by French and British language teachers led by Paul Passy. The prototype of the alphabet appeared in Phonetic Teachers' Association (1888b). The Association based their alphabet upon the Romic alphabet of Henry Sweet, which in turn was based on the Phonotypic Alphabet of Isaac Pitman and the Palæotype of Alexander John Ellis.
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Dobson, E.J., 1957. The Phonetic Writings of Robert Robinson. Early English Text Society Vol. No. 238. Oxford University Press.