Robert Wiens (born 1953 in Leamington, Ontario) is a Canadian visual artist.
Robert Wiens was born in Leamington, Ontario in 1953, and currently lives in Picton, Ontario. [1] He attended the New School of Art from 1973 to 1974, and had his first solo exhibition at Mercer Union in Toronto in 1980. [2] Wiens’ paintings and sculptures have been exhibited internationally. Recent exhibitions include Do Not Destroy: Trees, Art and Jewish Thought at The Contemporary Jewish Museum, San Francisco; [3] Micro/Macro at Gallery Stratford, Stratford, Ontario and Doris McCarthy Gallery, Toronto; [1] and Speak for the Trees, organized by Friesen Gallery in Seattle, Washington and Sun Valley, Idaho. Wiens has completed commissioned sculptures for the Open Corridor Festival in Windsor, Ontario and for the Forest Art Project in Haliburton, Ontario. His work is held in public collections, including the National Gallery of Canada, [4] Ottawa; Agnes Etherington Art Centre, [5] Kingston; Four Seasons Hotel, Tokyo; Art Gallery of Ontario, Toronto, and Doris McCarthy Gallery, Toronto.
Wiens’ early work consisted of large-scale sculptures and installations, depicting fragments of heroic monuments. [6] He used sculpture and installation to explore social issues and ideas of language and representation. [7] He is perhaps best known for his large-scale watercolour close-ups of pine trees, which he began painting in 1996. The watercolours are detailed portraits of trees, including old-growth pines in Temagami, Ontario, and deciduous trees found in his local area. [8] Wiens photographs the trees and then painstakingly reproduces their texture, colour and scale. The renderings are extremely detailed and dense. [9] Wiens’ tree portraits also function as memorials to, or remnants of the destruction of Canadian forests. As John Armstong writes in C Magazine, "Wiens creates, in his pinpoint framing and cool description, a chilly distance between the living trees and what we see in the gallery: he gestures both romance and the deadpan optics of a ledger. Without any didactic tone, these paintings chronicle a simultaneously grim and poetic politic." [10]
Kim Ondaatje is a Canadian painter, photographer, and documentary filmmaker.
The Canadian Society of Painters in Water Colour, founded in 1925 is considered to be Canada's official national watercolour Society. Since the 1980s the Society has enjoyed Vice-regal Patronage from the incumbent Governor-General of Canada. Recognized by a long list of international exhibitions it is the Canadian equivalent of such other national societies as the American Watercolor Society of the United States, the Royal Watercolour Society of the United Kingdom, etc.
Helen Barbara Howard was a Canadian painter, wood-engraver, draughtsperson, bookbinder and designer who produced work consistently throughout her life, from her graduation in 1951 from the Ontario College of Art until her unexpected death in 2002.
Robert Houle is a Saulteaux First Nations Canadian artist, curator, critic, and educator. Houle has had an active curatorial and artistic practice since the mid-1970s. He played an important role in bridging the gap between contemporary First Nations artists and the broader Canadian art scene through his writing and involvement in early important high-profile exhibitions such as Land, Spirit, Power: First Nations at the National Gallery of Canada. As an artist, Houle has shown both nationally and internationally. He is predominantly a painter working in the tradition of Abstraction, yet he has also embraced a pop sensibility by incorporating everyday images and text into his works. His work addresses lingering aspects of colonialism and their effects on First Nation peoples. Houle often appropriates historical photographs and texts, repurposing and combining them with Anishnaabe language and traditionally used materials such as porcupine quills within his works.
The Galeries Ontario / Ontario Galleries (GOG), formerly Ontario Association of Art Galleries / Association Ontarienne des Galeries d’Art (OAAG/AOGA), was established in 1968 to encourage development of public art galleries, art museums, community galleries and related visual arts organizations in Ontario, Canada. It was incorporated in Ontario in 1970, and registered as a charitable organization. It is a successor organization to the Southern Ontario Gallery Group founded in 1947, renamed the Art Institute of Ontario in 1952. In December of 2020 Ontario Association of Art Galleries / Association Ontarienne des Galeries d’Art (OAAG/AOGA) rebranded to the name Galeries Ontario / Ontario Galleries (GOG) which included new brand identity, logo, and website to better serve art organizations in Ontario and Canada.
The Agnes Etherington Art Centre is located in Kingston, Ontario, in the heart of the historic campus of Queen's University. Situated on traditional Anishinaabe and Haudenosaunee Territory, the gallery has received a number of awards for its exhibitions from the Canada Council for the Arts, the Ontario Association of Art Galleries and others.
Isabel McLaughlin, was a Modernist Canadian painter, patron and philanthropist. She specialized in landscapes and still life and had a strong interest in design.
Eugenia Berlin (1905–2003) was a Russian Empire-born Canadian sculptor, painter, designer and director.
Mary Anne Barkhouse is a jeweller and sculptor residing in Haliburton, Ontario, Canada. She belongs to the Nimpkish band of the Kwakiutl First Nation.
Colette Whiten is a sculptor, and installation and performance artist who lives and works in Toronto, Canada. Whiten is a recipient of the Governor General's Medal.
Jay Isaac is a Canadian artist based in Rowley, New Brunswick, Canada. He is known primarily for his painting, but he has produced numerous projects within the social sphere. He was founder, editor, publisher, and designer of Hunter and Cook magazine (2009-2011). He founded and ran the @nationalgalleryofcanada Instagram account (2014-2016). He founded and co-runs Peter Estey Fine Art, an auction house dedicated to presenting idiosyncratic historical Canadian art (2018–present). Isaac is represented by Paul Petro Contemporary Art in Toronto.
Derek Sullivan is a contemporary visual artist from Toronto, Ontario. Sullivan’s multidisciplinary practice employs drawing, sculpture, book works, and installation to engage with the legacy of modernist art and design. He is currently an Assistant Professor in Sculpture/Installation at OCAD University.
John A. Schweitzer is a Canadian artist known for mixed-media collage incorporating text. He was awarded the Queen Elizabeth II Golden Jubilee Medal in 2002, first place at the international exhibition Schrift und Bild in der modernen Kunst in 2004, and an Honorary Doctor of Laws from The University of Western Ontario in 2011. He was elected to the Royal Canadian Academy of Arts (RCA) in 2003 and to the Ontario Society of Artists (OAS) in 2006. His work is found in the collections of the National Gallery of Canada, Canadian Museum of History, Art Gallery of Ontario, Musée national des beaux-arts du Québec, Musée d'art contemporain de Montréal, Montreal Museum of Fine Arts, Glenbow Museum, Winnipeg Art Gallery, Beaverbrook Art Gallery, The Rooms Art Gallery of Newfoundland and Labrador, and the National September 11 Memorial & Museum.
Spring Hurlbut is a Canadian artist, known for work that deals with the relationship between sculpture and architecture, and with themes of mortality. She lives and works in Toronto.
Laurel Elizabeth Woodcock was a Canadian artist and academic. She worked in many formats including installation, video, and sculpture.
Renée Van Halm is a Canadian contemporary visual artist born in Haarlemmermeer, the Netherlands (1949) and immigrated to Canada in 1953.
Maura Doyle is a Canadian conceptual artist. She is best known for her controversial sculpture There's a New Boulder in Town.
Tim Whiten is an American-born Canadian artist who works in the areas of sculpture, drawing, performance art and multi-media installations, using a wide range of materials. He also has been an educator.
Louise Noguchi is a Canadian multidisciplinary visual artist who uses video, photography, sculpture, and installation to examine notion of identity, perception and reality.
Tom Dean is a Conceptual artist, known for his work in a diverse range of fields, among them sculpture, installation art and printmaking. In 1997, his huge Excerpts from a Description of the Universe III (1987) of wood, steel, cast iron, felt and porcelain, part of a larger series which attempted to describe the natural world, was purchased by the National Gallery of Canada. In 1999, he represented Canada at the Venice Biennale and in 2001, he received the Governor General's Award in Visual and Media Arts. The Globe and Mail in 2001 called him "the epitome of the artists' artist".
Dault, Gary Michael. Robert Wiens, Carmen Lamanna Gallery. Canadian Art, vol.4, no.1(Spring 1987);
Fleming, Martha. Robert Wiens, Mercer Union. Vanguard, vol.9, no.8(October 1980);
Gopnik, Blake. Eclectic, electric and eccentric. The Globe and Mail, 24 July 1999;
Hansen, Michael, 2010-2011 Season: ArtSync. Toronto, Ontario: blurb.com, 2011;
Mays, John Bentley. The flowering of a creative discontent. The Globe and Mail, 17 March 1984;
Moore, Christopher. Wiens takes us behind the scenes in the theatre of war. The Queen's Journal, #32, vol.123;
Milroy, Sarah. Art grows in a forest. The Globe and Mail, 6 September 2002;
Randolph, Jeanne. Robert Wiens, YYZ. Vanguard, vol.12, no.3 (April 1983);
Reid, Stuart. Robert Wiens. Lola, no.6, Summer 2000;
Rhodes, Richard. Toronto, Robert Wiens. ArtForum, March 1987;