Roberta Jeanne Marie Olson (born 1947) [1] is an American historian of art. She is the author of many books on art history and is known for her work on Italian art, on astronomy in art, and on the ornithological illustrations of John James Audubon.
Olson has a Ph.D. in art history from Princeton University. [2] Her 1975 doctoral dissertation was Studies in the Later Works of Sandro Botticelli. [3]
She taught at Wheaton College (Massachusetts) for 25 years; after retiring as professor emerita, she became curator of drawings at the New-York Historical Society in 2000. [2]
Olson's books include:
Olson's book Audubon’s Aviary won the 2013 Henry Allen Moe Prize for Catalogs of Distinction in the Arts of the New York State Historical Association. [13]
Minor planet 471301 Robertajmolson is named for Olson, in recognition of her identification of the star in a painting of the Adoration of the Magi by Giotto (circa 1303) as the 1301 apparition of Halley's Comet. This became the basis for naming the Giotto space mission. [14]
The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
Halley's Comet is the only known short-period comet that is consistently visible to the naked eye from Earth, appearing every 72–80 years, though with the majority of recorded apparations occuring after 75-77 years. It last appeared in the inner parts of the Solar System in 1986 and will next appear in mid-2061. Officially designated 1P/Halley, it is also commonly called Comet Halley, or sometimes simply Halley.
Giotto was a European robotic spacecraft mission from the European Space Agency. The spacecraft flew by and studied Halley's Comet and in doing so became the first spacecraft to make close up observations of a comet. On 13 March 1986, the spacecraft succeeded in approaching Halley's nucleus at a distance of 596 kilometers. It was named after the Early Italian Renaissance painter Giotto di Bondone. He had observed Halley's Comet in 1301 and was inspired to depict it as the star of Bethlehem in his painting Adoration of the Magi in the Scrovegni Chapel.
The Italian Renaissance was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word renaissance means "rebirth", and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term rinascita ("rebirth") in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.
The Madonna of the Pomegranate is a tempera on panel painting created circa 1487 by the Italian Renaissance master Sandro Botticelli. It is now in the Uffizi in Florence. Sandro Botticelli was a leading Renaissance artist from Florence, Italy. The Madonna (art) uses the circular format, better known as a tondo, which focuses the attention on the main characters, the Virgin Mary and baby Jesus, who are surrounded symmetrically by angels on each side. Botticelli's use of tempera grassa give the characters a real look, better known as a "naturalistic" style, which is common during the Renaissance. The Virgin Mary is holding baby Jesus gently in her arms while holding a pomegranate in her left hand.
Jay Myron Pasachoff was an American astronomer. Pasachoff was Field Memorial Professor of Astronomy at Williams College and the author of textbooks and tradebooks in astronomy, physics, mathematics, and other sciences.
A tondo is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo, "round". The term is usually not used in English for small round paintings, but only those over about 60 cm in diameter, thus excluding many round portrait miniatures – for sculpture the threshold is rather lower.
The Doni Tondo or Doni Madonna is the only finished panel painting by the mature Michelangelo to survive. Now in the Uffizi in Florence, Italy, and still in its original frame, the Doni Tondo was probably commissioned by Agnolo Doni to commemorate his marriage to Maddalena Strozzi, the daughter of a powerful Tuscan family. The painting is in the form of a tondo, meaning in Italian 'round', a shape which is frequently associated during the Renaissance with domestic ideas.
The Madonna of the Magnificat, is a painting of circular or tondo form by the Italian Renaissance painter Sandro Botticelli. It is also referred to as the Virgin and Child with Five Angels. In the tondo, we see the Virgin Mary writing the Magnificat with her right hand, with a pomegranate in her left, as two angels crown her with the Christ child on her lap. It is now in the galleries of the Uffizi, in Florence.
The Last Communion of Saint Jerome is a painting by the Italian Renaissance master Sandro Botticelli, finished around 1494–1495. It is now in the Metropolitan Museum of Art, in New York City.
The Virgin and Child with the Infant Saint John the Baptist is a tempera painting on wood executed by the Italian Renaissance master Sandro Botticelli and his studio. The tondo, painted in Florence between the years of 1490 and 1500, addresses a central theme of the Italian Renaissance art: the divine motherhood. The work is now in the São Paulo Museum of Art.
The 1783 Great Meteor was a meteor procession observed on 18 August 1783 from the British Isles, at a time when such phenomena were not well understood. The meteor was the subject of much discussion in the Philosophical Transactions of the Royal Society and was the subject of a detailed study by Charles Blagden.
De pictura is a treatise or commentarii written by the Italian humanist and artist Leon Battista Alberti. The first version, composed in Latin in 1435, was not published until 1450. It is one of his three treatises on art; the other two are De statua and De re aedificatoria, that would form the Renaissance concept for the fine arts: painting, sculpture, and architecture.
The Taddei Tondo or The Virgin and Child with the Infant St. John is an unfinished marble relief tondo of the Madonna and Child and the infant Saint John the Baptist, by the Italian Renaissance artist Michelangelo Buonarroti. It is in the permanent collection of the Royal Academy of Arts in London. The tondo is the only marble sculpture by Michelangelo in Great Britain. A "perfect demonstration" of his carving technique, the work delivers a "powerful emotional and narrative punch".
The Great Comet of 1823, also designated C/1823 Y1 or Comet De Bréauté-Pons, was a bright comet visible in the last month of 1823 and the first months of 1824.
Madonna Enthroned, also known as the Ognissanti Madonna or Madonna Ognissanti, is a painting in tempera on wood panel by the Italian late medieval artist Giotto di Bondone, now in the Uffizi Gallery of Florence, Italy.
Madonna with Child is a painting by the Italian Renaissance artist Filippo Lippi. The date in which it was executed is unknown, but most art historians agree that it was painted during the last part of Lippi's career, between 1450 and 1465. It is one of the few works by Lippi which was not executed with the help of his workshop and was an influential model for later depictions of the Madonna and Child, including those by Sandro Botticelli. The painting is housed in the Uffizi Gallery, Florence, Italy, and is therefore commonly called “The Uffizi Madonna” among art historians.
Pegwell Bay, Kent – a Recollection of October 5th 1858 is an oil-on-canvas painting by British artist William Dyce, depicting the landscape at Pegwell Bay, on the east coast of Kent. Considered a Pre-Raphaelite work, Dyce employs a mode of heightened realism and intricate detail to create a powerful landscape. It is considered to be Dyce's best painting, and is held by the Tate Gallery.
Clarisse Doris Hellman Pepper was an American historian of science, "one of the first professional historians of science in the United States". She specialized in 16th- and 17th-century astronomy, wrote a book on the Great Comet of 1577, and was the translator of another book, a biography of Johannes Kepler. She became a professor at the Pratt Institute and later at the Queens College, City University of New York, and was recognized by membership in several selective academic societies.
Judith Veronica Field is a British historian of science with interests in mathematics and the impact of science in art, an honorary visiting research fellow in the Department of History of Art of Birkbeck, University of London, former president of the British Society for the History of Mathematics, and president of the Leonardo da Vinci Society.
| International | |
|---|---|
| National | |
| Other | |
