Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano. These guajeos became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in Mexico and the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new derivative styles appeared, such as dengue; by the 1970s it had been largely incorporated into salsa.
Úrsula Hilaria Celia de la Caridad Cruz Alfonso, known as Celia Cruz, was a Cuban singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname "La Guarachera de Cuba". In the following decades, she became known internationally as the "Queen of Salsa" due to her contributions to Latin music. She had sold over 10 million copies, making her one of the best-selling Latin music artists.
Danny Rivera is a singer and songwriter born in San Juan whose career spans nearly 50 years. He is well known in Puerto Rico for his political activism. In 2008, Rivera acquired Dominican Republic citizenship. After 12 years of work, Danny Rivera and Nelson González in 2014 finished work putting new life into the classical bolero - in Spanish. Rivera and González Hit the Heart of the Latin American Song Book on Obsesión
Rubén Blades Bellido de Luna, known professionally as Rubén Blades, is a Panamanian musician, singer, composer, actor, activist, and politician, performing musically most often in the salsa, and Latin jazz genres. As a songwriter, Blades brought the lyrical sophistication of Central American nueva canción and Cuban nueva trova as well as experimental tempos and politically inspired Son Cubano salsa to his music, creating "thinking persons' (salsa) dance music". Blades has written dozens of hit songs, including "Pedro Navaja" and "El Cantante". He has won twelve Grammy Awards out of 20 nominations and eleven Latin Grammy Awards.
Bartolomé Maximiliano Moré Gutiérrez, better known as Benny Moré, was a Cuban singer, bandleader and songwriter. Due to his fluid tenor voice and his great expressivity, he was known variously as "El Bárbaro del Ritmo" and "El Sonero Mayor". Moré was a master of the soneo – the art of vocal improvisation in son cubano – and many of his tunes developed this way. He often took part in controversias with other singers, including Cheo Marquetti and Joseíto Fernández. Apart from son cubano, Moré was a popular singer of guarachas, cha cha cha, mambo, son montuno, and boleros.
Roberto Torres is a Cuban singer, percussionist, bandleader and producer. Born in Güines, Cuba, he moved to the United States in 1959, where he became involved in the Latin music scenes of New York and Miami. In 1979, he founded two record labels, Guajiro Records and its subsidiary, SAR, both devoted to Cuban music. As a singer and musician, he is famous for his combination of Cuban and Colombian music, which he termed "charanga vallenata". His biggest hit was a cover version of Simón Díaz's "Caballo Viejo". He was a member of the Sonora Matancera for three years. He has also appeared in music documentaries such as Son sabrosón: antesala de la salsa.
Pablo Rodríguez Lozada, better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumba ensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.
Pachanga is a genre of music which is described as a mixture of son montuno and merengue and has an accompanying signature style of dance. This type of music has a festive, lively style and is marked by jocular, mischievous lyrics. Pachanga originated in Cuba in the 1950s and played an important role in the evolution of Caribbean style music as it is today. Considered a prominent contributor to the eventual rise of salsa, Pachanga itself is an offshoot music played by charangas. Very similar in sound to Cha-Cha but with a notably stronger down-beat, Pachanga once experienced massive popularity all across the Caribbean and was brought to the United States by Cuban immigrants post World War II. This led to an explosion of Pachanga music in Cuban music clubs that influenced Latin culture in the United States for decades to come.
Rock and roll music was introduced in Cuba in the late 1950s, with many Cuban artists of the time covering American songs translated into Spanish, as was occurring in Mexico at the same time. "The Batista police never looked kindly on Rock and Roll, and much less after the screening of films like Rebel Without a Cause and The Bad Seed, among others. After 1959, Rock and Roll followed the same path, although artists like Argentinean Luis Aguile emerged."
Juan Pablo Knipping Pacheco, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer. Born in the Dominican Republic, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s as the founder and musical director of Fania Records.
Yotuel Omar Romero Manzanares, mononymously known as Yotuel, is a Cuban singer, actor, and current lead singer and co-writer of the 2003 Latin Grammy Award-winning Platinum album-selling rap group Orishas. Among other recordings, Emigrante won the 2003 Latin Grammy Award for Best Rap/Hip-Hop Album. This same album was also nominated for the 2003 Grammy Award for Best Latin Rock/Alternative Album.
King África is an Argentine dance music project that caught interest in 2000 due to the remake of their own 1993 song "Salta", and also for their cover version of "La Bomba" by the Bolivian group Azul Azul. It was founded in the early 1990s by DJ Martin Laacré.
Roberto González Echevarría is a Cuban-born critic of Latin American literature and culture. He is the Sterling Professor of Hispanic and Comparative Literature at Yale University.
Roberto Angleró Pepín was a Puerto Rican music composer and singer, notable for writing various hit songs in the bolero, salsa and Afro-Puerto Rican music genres. He is known for having written various major Spanish language music singles such as "La Pared", "Si Dios fuera negro", "La boda de ella", "Soy Boricua" and others.
This is a list of notable events in Latin music that took place in 2010.
Francisco, el Hombre is a Brazilian rock, Mexican, Brazilian and Latin American music band formed in 2013 by Mexican-born Brazilian brothers Sebastián and Mateo Piracés-Ugarte in the city of Campinas, São Paulo.
Puchito Records was Cuba's second independent record label. It was founded in 1954 during the mambo and cha-cha-chá explosion. Many of its recordings, produced by its founder Jesús Gorís, became instant hits.
