Robin Holder (born 1952) is a contemporary American visual artist and activist [1] Holder is known for her mixed-media printmaking and paintings which focus on themes of spiritual and racial identity, class, social justice, and personal experience. [2] Robin Holder was commissioned to create several site-specific public art installations throughout the Northeastern United States, including New York City and New Jersey. [3] A number of her two-dimensional works can be found in several collections, including the Library of Congress, the Washington State Arts Commission, and the Schomburg Center for Research in Black Culture. [4] [5] Robin has been involved in arts education for over thirty years. [6]
Robin Holder, born in Chicago in 1952 and raised in New York City, is the daughter of an African American Episcopalian father and a Caucasian Russian American Jewish mother. [7] Her family and the communities she engaged with from an early age were focused on social issues and political activism, making her conscious of the apparent gendered, racial, religious and socio-economic disparities around her. [8] Robin attended high school in New York City, graduating in 1969 from the LaGuardia High School Of Music and Arts. [9] Holder received a scholarship to The Art Students League of New York (1969–71) where she studied under Marshall Glasier, Vaclav Vytlacil, Morris Kantor, and Rudolf Baranik. [10] After studying at The Art Students League of New York, Holder moved to Mexico and spent time creating art. [11] She also worked for a year at the Amsterdams Grafisch Atelier studying lithography (1976-1977) and after became the assistant director for Robert Blackburn's Printmaking Workshop in New York City until 1986. [12] [13]
After leaving her position at Bob Blackburn's Printmaking Workshop, Holder went on to become a master teaching artist at The Studio in a School and a resident artist educator at The Children's Museum of Manhattan until 1989, when she received a grant from the Manhattan Graphics Center. [13] She was then sponsored by the New York State Council on the Arts in a residency program with El Museo del Barrio. [12] [13] From 2004 to 2006 Holder trained art teachers on how to use the Blueprint for Teaching and Learning in the Arts program. [13] Holder received the Individual Visual Artist Grant from the Brooklyn Arts Council in 1999, then in 2001, she was a selected artist for the Mid Atlantic Arts Foundation's Artist As Catalyst program in 2005 and a guest artist at the Temple Visual Arts Festival. [13] In addition, Holder was an invited artist at the Experimental Printmaking Institute and Lafayette College in 2011. [14] [15]
Access & Inequities: I Hear You. Do You See Me? (1999–2020)
Access and Inequities: I Hear You. Do You See Me? is a collection of 35 works, gathered from three interconnected series: Behind Each Window: A Voice, USA -United States of Anxiety, and The Falling Figures. [22] In this collection, which began in 1999 and was displayed in its entirety at the Kentler International Drawing Space in 2020, Holder explores the many concepts of "home" and how inequalities experienced by individuals impact the every day human existence. [23] [24]
Warrior Women Wizards: Mystical Magical Mysteries (1985–2009)
The series Warrior Women Wizards: Mystical Magical Mysteries began in 1985. [25] The series consists of 14 fine art prints on paper that explore the connections and feelings of spirituality and femininity as seen through the eyes and soul of the artist. [26]
Holder describes her process for making art in an interview with Educurious as such:
“The process of making art is really an adventure. I start with an idea or a feeling or a concept or a relationship with something in the world or something in my family or my surroundings and I explore it.” [27]
Robin works in series which tend to span decades in order to fully explore the different perspectives, eras, and patterns the subjects provide while exhausting her choices of materials and mediums for a specific piece. [28] Just like the layered and complex subject matter on which Holder bases her works, each piece in a series Robin creates is built through layers of printmaking techniques, collage, patterns, hand painted details, words, stencils, paper crafts, and drawings. [29]
African-American art is a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. Some have drawn on cultural traditions in Africa, and other parts of the world where the Black diaspora is found, for inspiration. Others have found inspiration in traditional African-American plastic art forms, including basket weaving, pottery, quilting, woodcarving and painting, all of which are sometimes classified as "handicrafts" or "folk art".
Robert Hamilton Blackburn was an African-American artist, teacher, and master printmaker.
David C. Driskell was an American artist, scholar and curator recognized for his work in establishing African-American Art as a distinct field of study. In his lifetime, Driskell was cited as one of the world's leading authorities on the subject of African-American Art. Driskell held the title of Distinguished University Professor of Art Emeritus at the University of Maryland, College Park. The David C. Driskell Center at the University of Maryland, is named in his honor.
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Eldzier Cortor was an African-American artist and printmaker. His work typically features elongated nude figures in intimate settings, influenced by both traditional African art and European surrealism. Cortor is known for his style of realism that makes accurate depictions of poor, Black living conditions look fantastic as he distorts perspective.
Williams is the first African American artist to be featured in The Janson History Of Art.
Willie Cole is a contemporary American sculptor, printer, and conceptual and visual artist. His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery. He also has used Dada’s readymades and Surrealism’s transformed objects, as well as icons of American pop culture or African and Asian masks.
Emma Amos was a postmodern African-American painter and printmaker.
Valerie Jean Maynard was an American sculptor, teacher, printmaker, and designer. Maynard's work frequently addressed themes of social inequality and the civil rights movement.
Erika Ranee Cosby is an American painter. She is the daughter of philanthropist Camille Cosby and comedian Bill Cosby.
Margo Humphrey is an American printmaker, illustrator and art teacher. She earned a Master of Fine Arts degree from Stanford after earning a Bachelor of Fine Arts degree at the California College of Arts and Crafts in printmaking. She has traveled in Africa, Brazil, the Caribbean, and Europe and has taught in Fiji, Nigeria, Uganda, and the University of Maryland. As a printmaker, she is known for her "bold, expressive use of color and freedom of form", creating works that are "engaging, exuberant and alive." Her work is considered to be "in the forefront of contemporary printmaking."
Stephanie Elaine Pogue (1944–2002) was an American professor, printmaker, artist, and curator. Her artistic interests included the portrayal of women and the human figure.
Joseph Holston is an American painter and printmaker best known for his portrayals of the African American experience, using vivid colors and expressive lines in a cubist-abstractionist style. His media include painting, etching, silk screen, and collage.
Mildred Beltré Martinez is a Brooklyn-based American multi-disciplinary artist known for activist works that focus on how social justice and grassroots movements might reconfigure society. She is co-founder of the Brooklyn Hi-Art! Machine
Carol Ann Carter is an American artist best known for her mixed media and fiber construction works. Her works can be found in public collections such as the Indianapolis Museum of Art. She is currently a Professor Emeritus of visual arts at the University of Kansas.
Delita Martin is an American multimedia artist based in Huffman, Texas.
Ann Graves Tanksley is an American artist. Her mediums are representational oils, watercolor and printmaking. One of her most noteworthy bodies of work is a collection based on the writings of African-American novelist and anthropologist Zora Neale Hurston. The Hurston exhibition is a two hundred plus piece collection of monotypes and paintings. It toured the United States on and off from 1991 through 2010.
Lisa Bulawsky is a contemporary artist known for her works on paper, temporary public art, and printmaking.
The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, known informally as the Driskell Center, is an arts archive and academic research center dedicated to African-American and Afro-diasporic art located at the University of Maryland, College Park (UMD). Named for the artist, African-American art historian, arts educator, and longtime UMD professor David C. Driskell, the Center houses a large collection of African-American art and art ephemera, as well as the personal archives of several African-American artists and academics. The Driskell Center was founded in 2001 and comprises several art and archival collections, a library, and an on-campus art gallery.
David's Dream is stainless steel abstract sculpture by Melvin Edwards created in 2023 and permanently installed on the campus of the University of Maryland, College Park.
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