 |
Rodrigo Balart | |
|---|---|
 Balart at the 2012 Toronto International Film Festival | |
| Born | |
| Occupation | Film editor |
Rodrigo Balart is an Australian film editor, best known for Restraint , Road Train & Black Water , the latter of which he was nominated for Best Editing at the 2007 AFI Awards. He was also nominated for the ASE Award for editing the telemovie Hawke . He won the 2017 AACTA Award for Best Editing in Television for Seven Types of Ambiguity, Episode 1 (Joe). [1]
| Year | Film | Director | Notes |
|---|---|---|---|
| 2005 | Mind the Gap | Rachel Givney | Short film |
| 2007 | Skin | Claire McCarthy | |
| Black Water | David Nerlich Andrew Traucki | Nominated—AACTA Award for Best Editing Nominated—FCCA Award for Best Editor Nominated—Inside Film Award for Best Editing | |
| 2008 | Newcastle | Dan Castle | |
| The Eternity Man | Julien Temple | ||
| Restraint | David Denneen | ||
| Cannot Buy My Soul | Paul Goldman | ||
| 2009 | Echo | Jim Lounsbury | Short film |
| Into My Arms | Angus Stevens | ||
| 2010 | Stay Awake | Rebecca Rocheford Davies | |
| David Campbell on Broadway | Larry Meltzer | TV documentary | |
| Road Train | Dean Francis | ||
| Hawke | Emma Freeman | Telemovie Nominated—ASE Award for Best Editing in a Television Drama | |
| 2012 | Storm Surfers 3D | Justin McMillan Christopher Nelius | Documentary Nominated—AACTA Award for Best Editing in a Documentary |
| Bait 3D | Kimble Rendall | ||
| 2014 | Schapelle | Khoa Do | Telemovie |
| INXS: Never Tear Us Apart | Daina Reid | Miniseries | |
| Chalk an Australian Perspective | Andi Mether | Also co-writer | |
| 2015 | Sucker | Ben Chessell | |
| 2016 | Red Dog: True Blue | Kriv Stenders | |
| 2017 | The Butterfly Tree | Priscilla Cameron | |
| 2018 | In Like Flynn | Russell Mulcahy | |
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