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Roger Soyer (born 1 September 1939) is a French operatic bass-baritone, particularly associated with the French repertory and with Mozart.
Soyer was born in Thiais, and first studied privately with G. Daum, before entering the Conservatoire de Paris at the age of 19. There he was a pupil of Georges Jouatte and Louis Musy. He made his professional debut at the Théâtre des Champs-Élysées in 1962, creating the role of Mac Creag in Gilbert Bécaud's opera L'opéra d'Aran.
He sang on French Radio in 1964, in Rameau's Hippolyte et Aricie , and made his debut at the Aix-en-Provence Festival in 1965, as Pluton in Monteverdi's L'Orfeo . The same year he made his debut at the Opéra-Comique, as Colline, in La Bohème , and at the Palais Garnier, as Mephisto in Gounod's Faust .
On the international scene, he appeared at the Wexford Festival in La jolie fille de Perth , and at the Edinburgh Festival as Don Giovanni , a role he became closely associated with, singing it at Aix-en-Provence, Munich, Vienna, Florence, Chicago, New York.
Other notable roles include; Ferrando in Il trovatore , Procida in Les vêpres siciliennes , Titurel in Parsifal , Rangoni in Boris Godunov , Pope Clement in Benvenuto Cellini , Achis in David et Jonathas, Narbal in Les Troyens, etc.
Soyer has a beautiful and smoothly produced voice. His numerous recordings (operatic and otherwise) include performances of the following four French operas: Lakmé , opposite Mady Mesplé and Charles Burles, under Alain Lombard; Werther , opposite Victoria de los Angeles and Nicolai Gedda, under Georges Prêtre; Benvenuto Cellini , opposite Gedda and Robert Massard, under Sir Colin Davis; and Les Troyens , opposite Jon Vickers and Josephine Veasey, also under Sir Colin Davis.
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Sir Colin Rex Davis was an English conductor, known for his association with the London Symphony Orchestra, having first conducted it in 1959. His repertoire was broad, but among the composers with whom he was particularly associated were Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett.
Benvenuto Cellini is an opera semiseria in four tableaux by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda, was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera Vanessa at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception.
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