 |
Roger Turner | |
|---|---|
 Roger Turner at Cafe Oto (London), July 2011. | |
| Background information | |
| Born | 1946 (age 77–78) Whitstable, England |
| Genres | Jazz |
| Occupation | Percussionist |
| Website | www |
Roger Turner (born 1946, Whitstable, England) is an English jazz percussionist. He plays the drumset, drums, and various percussion, and was brought up into the jazz and visual art cultures inhabited by his older brothers, playing drums from childhood in informal jazz contexts.
Turner studied English literature and contemporary philosophy at Sussex University, playing with Chris Biscoe for the British Council in 1968, a first concert in improvisation. His move to London gave him contact with the first and second generation improvisers and he began to play primarily with Lol Coxhill, Gary Todd, John Russell, Hugh Davies, Steve Beresford, and Phil Minton. [1] [2]
In the years immediately after 1974 his work was primarily concentrated on opening the way to a more personal percussion language. This was also a period of intense collaborations that structured many of his future approaches to music-making and saw the formation of two long-lasting acoustic duos with Phil Minton and with John Russell. Recordings of these duos document an extreme attention to timbre and pitch, as well as a constantly shifting speed that typified much of his work at the time. [3] The duo with Minton toured extensively throughout Europe, USA and Canada. [4] [5] They also perform together in the 1993 opera Agamemnon.
In 1979 he established CAW records with John Russell and Anthony Wood, and recorded the solo album The Blur Between focussing on single surface improvisations: a linear and reduced equipment approach he had started using with Carlos Zingaro and others in live performances. [6]
In addition to forming Trump music with Gary Todd to promote improvised music in London, he also involved himself in formative activities of the London Musicians Collective during this period. He was awarded Arts Council of Great Britain bursaries for solo percussion in 1980, and in 1983 for investigation into percussion with electronics. Extensive festival and club solo work followed, including the Bracknell Jazz Festival and the Brussels Festival of Percussion.
In 1982 the trio The Recedents was formed with Lol Coxhill and Mike Cooper exploring the possibilities of electro-acoustic music, in which Turner initially played drumset and EMS Synthi A as a means of bending the sounds of various metal percussion instruments. This group, still existing, mixes song, jazz, punk/thrash, with acoustic detail in always shifting sonorities, and has worked throughout Europe, Canada and the UK, also recording for the French Nato label. [7] Involvements with experimental rock musics and open-form song included extensive work in duo with Annette Peacock 1983-5, with whom he toured in Europe and Scandinavia. They recorded the album I have no feelings for Ironic.
In 1984-5, he was invited for workshop residences at Alan Silva's Institute Art Culture Perception in Paris, where long-term collaborations with Alan began, culminating in The Tradition Trio with Johannes Bauer. This group was central to his explorations of forms of free jazz, an interest that has seen him working with musicians on both sides of the Atlantic (including Elton Dean, Irene Schweizer, Cecil Taylor, Roy Campbell, Henry Grimes, The Wardrobe Trio and Charles Gayle).
Since the early 1980s his work has focussed on numerous projects with improvising musicians and groups, touring Europe, Australia, USA and Canada. Perhaps the most important of the later groups would be Konk Pack, formed in 1997, with Tim Hodgkinson and Thomas Lehn, a group whose use of volume and sense of detail continues the exploration of an electro-acoustic dynamic that forms one of his main musical concerns. This group has toured extensively in Europe and USA. [8]
He forged working relationships with Japanese musicians over the years: in the 1980s with Toshinori Kondo in the trio with John Russell, but since the mid-1990s in concerts and recordings with guitarist Kazuhisa Uchihashi in Austria, Japan, and U.K, and in the recent (2009) Hana-Bi three-day event in London that included the guitarist and the pianist Chino Shuichi.
An active involvement in visual art has always been in dialogue with his music, and an inspiration for it. In the forefront of this is his work with Susan Turcot (the investigation/documentation of music and sound-drawing both in Europe and Canada—including the Being Rich box collection --, and music for her 2008 animation film Bitumen, Blood, and the Carbon Climb. [9] [10] [11]
His music for dance/performance includes work with Alexander Frangenheim's Concepts of Doing, Stuttgart ; Carlos Zingaro's Encontros projects in Lisbon and Macau; and most recently in the Josef Nadj production etc.etc. (premiered Vandeouvre, France, 2008) and which is a continuing involvement.
In March 2009 he was invited to travel and perform on the Arctic island Svalbard, and was also invited to attend and play in the Comprovise event in Cologne, Germany in June 2009, set up to examine any possible relationship between improvisation and composition.
Turner's music-making with international improvisers in ad hoc and group collaborations have since the 1970s to the present day included Toshinori Kondo, Derek Bailey, Fred Frith, Evan Parker, William Parker, Cecil Taylor, Otomo Yoshihide, Shelley Hirsch, Joelle Leandre, Keith Rowe, Ab Baars, Barry Guy, Barre Philips, Henry Grimes, Paul Rutherford, Gunter Christmann, Marilyn Crispell, Irene Schweizer, Frederik Rzewski, and Malcolm Goldstein.
Derek Bailey was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company.
George Lowen Coxhill known professionally as Lol Coxhill, was an English free improvising saxophonist. He played soprano and sopranino saxophone.
Steve Beresford is a British musician who graduated from the University of York He has played a variety of instruments, including piano, electronics, trumpet, euphonium, bass guitar and a wide variety of toy instruments, such as the toy piano. He has also played a wide range of music. He is probably best known for free improvisation, but has also written music for film and television and has been involved with a number of pop music groups.
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
Timothy "Tim" George Hodgkinson is an English experimental music composer and performer, principally on reeds, lap steel guitar, and keyboards. He first became known as one of the core members of the British avant-rock group Henry Cow, which he formed with Fred Frith in 1968. After the demise of Henry Cow, he participated in numerous bands and projects, eventually concentrating on composing contemporary music and performing as an improviser.
Paul Lovens is a German musician. He plays drums, percussion, singing saw, and cymbals. He has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Joëlle Léandre is a French double bassist, vocalist, and composer active in new music and free improvisation.
Emanem Records is a record company and independent record label founded in London, England in 1974 by Martin Davidson and Madelaine Davidson to record free improvisation.
Paul William Rutherford was an English free improvising trombonist.
John Butcher is an English tenor and soprano saxophone player.
Phil Minton is a British avant-garde jazz/free-improvising vocalist and trumpeter.
Simon H. Fell was an English jazz bassist and composer; he is primarily known for his work as a free improviser and the composer of ambitiously complex post-serialist works.
John Howard Riley is an English pianist and composer, who worked in jazz and experimental music idioms.
John Russell was an acoustic guitarist who worked in free improvisation beginning in the 1970s. He promoted concerts and appeared on more than 50 recordings.
Yoshisaburo "Sabu" Toyozumi is one of the small group of musical pioneers who comprised the first generation playing free improvisation music in Japan. As an improvising drummer he played and recorded with many of the key figures in Japanese free music including the two principal figures in the first generation, Masayuki Takayanagi and Kaoru Abe from the late 1960s onwards. He is one of a very few of this circle who are still alive and engaged in playing this music today.
Rectangle is a French independent record label established in Paris by Quentin Rollet and Noël Akchoté in 1994. It started specializing in vinyl releases, and moved to CD at the end of the 90's. After a long break it relaunched on MP3 format in 2011.
Veryan Weston is a British pianist active in free improvisation, jazz, and rock music. He has worked with Lol Coxhill, Eddie Prévost, Trevor Watts, Caroline Kraabel and Phil Minton.
Christian Weber is a Swiss double bass player. He is especially well known in the field of free improvisation and jazz.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
